Quotes of All Topics . Occasions . Authors
Keep a gratitude journal. Write down at least three things a day you are either thankful for, made you smile or genuinely inspired you.
When writing screenplays, it's a matter of remembering to leave off the page anything and everything that doesn't appear on the screen.
Even before I started writing songs, that was one of my goals to be a writer, and I still have that goal. I've just gotten sidetracked.
A labourer cannot sit at the table and write, but a man who has worked at the table all his life can certainly take to physical labour.
There are going to be moments of deep, deep doubts, and you have to have faith that your initial idea was good and just muddle through.
Writing fiction is a solitary occupation but not really a lonely one. The writer's head is mobbed with characters, images and language.
I sometimes think it is because they are so bad at expressing themselves verbally that writers take to pen and paper in the first place
I did theater for a few years while I was in New York, but it was tough having to perform scripts worse than what I knew I could write.
Writing anything, it sorta starts the way you'd build a castle at the beach. You're just taking your hands and you're mounting up sand.
I learn a lot from acting, but it's not my natural way. I can't help but write; I do it all the time. It's a condition of being for me.
When you're writing theology, you have to say everything all the time, otherwise people think you've deliberately missed something out.
Unless you have tested the assumptions in your business model first, outside the building, your business plan is just creative writing.
Those who claim to write about something larger and more significant than the self sometimes fail to comprehend the dimensions of self.
Once I've written something it does tend to run away from me. I don't seem to have any part of it - it's no longer my piece of writing.
You don't sit down and write a wish list about the person you are going to fall violently in love with. It just doesn't work like that.
I always worry that knowing too much about a novel or a story early on in writing will close it down - it feels fatalistic in some way.
I can always write. Sometimes, to be sure, what I write is crap, but it's words on the page and therefore it is something to work with.
If it isn’t for the writing, we’ve got nothing. Writers are the most important people in Hollywood. And we must never let them know it.
When I start to write, I see my stories as a kind of movie. For instance, I ask myself, "What kind of opening do I want for this book?"
No academic ever expects to be taken seriously by more than three other people, because really, we write for three people in our field.
The final test for a novel will be our affection for it, as it is the test of our friends, and of anything else which we cannot define.
It's really a lovely feeling to write knowing that failure is taken off the table because if it's bad you just never show it to anyone.
It’s such a confidence trick, writing a novel. The main person you have to trick into confidence is yourself. This is hard to do alone.
I don't set boundaries for myself when I am writing; if I did, I would be paralyzed from the start, unable to write a word on the page.
You're...writing for other writers to an extent-the dead writers whose work you admire, as well as the living writers you like to read.
I can't imagine ever not making music, making albums, writing songs, doing shows. That's all I really know, and that's all I really do.
I found it more pleasurable to write something, sing a melody over it. At a very young age, I kind of honed my writing skills, I guess.
Unless I'm writing trying to write about a historical figure, I don't really set out to read or research with a specific topic in mind.
In hindsight, I must have been looking for a way to write about Jewishness that somehow managed to minimize irony and self-deprecation.
Why do I love writing? I can be who I want, do what I want, hurt who I want, and make the world over, just the way I'd love to have it.
I think I wanted to write a book about the relationship between the victim and perpetrator in which the victim agrees to remain silent.
What ultimately happened is that my country had a war. I think it would be extraordinary, as a writer, not to want to write about that.
I dare you all to write one more thing that you won't say to my face. Because I will make you say it. In that manner. That is a threat.
If a man wishes to truly not be written about, he would do well not to write letters to 18-year-old girls, inviting them into his life.
I've read short stories that are as dense as a 19th century novel and novels that really are short stories filled with a lot of helium.
I don't know when I'm writing dark. I don't know when I'm writing funny or even heartbreaking. I'm always just trying to write it true.
Painting is like breathing to me. It’s what I do all the time. Every day I make art, whether it is painting, writing or making a movie.
Every author has the whole past to contend with; all the centuries are upon him. He is compared with Homer, Dante, Shakespeare, Milton.
Nowadays people write English as if a rat were caught in the typewriter and they were trying to hit the keys which wouldn't disturb it.
Writing a novel that works is an extremely difficult thing to do. It requires a level of skill and dedication that always surprises me.
I like writing. It keeps my mind off grim subjects. It's therapeutic in the same way a patient in an institution is given fingerpaints.
I consider it a good rule for letter-writing to leave unmentioned what the recipient already knows, and instead tell him something new.
Then, rising with Aurora's light, The Muse invoked, sit down to write; Blot out, correct, insert, refine, Enlarge, diminish, interline.
Writing a portable OS is not much harder than a nonportable one, and all systems should be written with portability in mind these days.
Wisdom comes with all we see, God writes His lessons in each flower, And ev'ry singing bird or bee Can teach us something of His power.
I do not write experimental music. My experimenting is done before I make the music. Afterwards it is the listener who must experiment.
When I suffer in mind, stories are my refuge; I take them like opium; and consider one who writes them as a sort of doctor of the mind.
I think you have to read a lot. I think if you're going to write about something you better have read at least 100 books on that topic.
I know that sounds ineffective and daunting, but it [throw hundreds of pages away] is actually my favorite part of the writing process.
I was an outsider, never quite part of what was going on, always looking in. It turned out to be great preparation for writing fiction.