Quotes of All Topics . Occasions . Authors
Right now I just finished writing the music for a Rugrats feature film and the third week of September I go to London, and the Orchestra is going to perform the score.
Take painsto write a neat round, plain hand, and you will find it a great convenience through life to write a small and compact hand as well as a fair and legible one.
In India, whichever language you write in, the possibility of people not understanding irony or not understanding [remains there]. This as a writer is most terrifying!
I can spend the day without writing or reading, but I can't spend a day without listening to music. I listen to music on a Walkman; it's from the 19th century, I know.
I'm not sure running the press has changed how I write (though perhaps it has in ways I can't see), but it has certainly changed my relationship to how books get made.
I think I would spend the first 30 weeks not writing, just clearing my head and seeing parts of the world I haven't seen and going back to places I have seen and love.
I left my job in the fall, and now I can set my life up around writing instead of squeezing writing into my day; it's amazing to have that time, and I feel very lucky.
The only reason I didn't kill myself after I read the reviews of my first book was because we have two rivers in New York and I couldn't decide which one to jumo into.
I have no plan to retire anytime soon, although remember I am 50 years old! I do plan on the near future writing a book, that is definitely in the plans for my career.
If there's any single talent a writer needs, it's persistence. If you can keep at your writing and you can learn as you write, you can tell any story you want to tell.
I'm going to quit music. Then the government of Japan asked me to write a piano concerto - that was an offer I couldn't refuse, so that brought me back to music again.
We shall have a race of men who are strong on telemetry and space communications but who cannot read anything but a blueprint or write anything but a computer program.
I've always wanted to be a writer. I've been writing since I was probably four years old - it was nonsense, but it was still my little attempts at being a storyteller.
I get a lot of emails where people are writing me their experiences, how they discovered my music, what they feel... they motivate me to carry on with what I am doing.
That's the interesting thing about writing. You can start late, you can be ignorant of things, and yet, if you work hard and pay attention you can do a good job of it.
A novel is a piece of architecture. It's not random wallowings or confessional diaries. It's a building-it has to have walls and floors and the bathrooms have to work.
I like to write about love plus an obstacle. Not a really big obstacle; not too serious and not too funny. Just somewhere nicely in between - a combination of the two.
Advertising companies hire the very brightest, wittiest young people to write for them. Not one single sentence of it is worth repeating. Why? Because it wasn't meant.
I never stopped writing music, I just stopped writing songs. I've been writing music continually ever since the last album of original tunes, "River Of Dreams" in '93.
If it takes you seven years to write each novel, you need a patron. And I would rather have my corporate self as my patron than any arts council or bestower of grants.
It is forgetting, not remembering, that is the essence of what makes us human. To make sense of the world, we must filter it. "To think," Borges writes, "is to forget.
Three-dimensional results are important to me. I did once spend some time just writing, and floating around, and I lost my mind a little bit. I wasn't so good at that.
Anyone who has problems, or worries, anyone who laughs and cries, anyone who feels can write. It's only talking on paper... talking about the things that matter to us.
Both back when I was acting and now that I'm writing, I've always wanted the same thing out of my career: to be able to get up in the morning and do what I love doing.
I watch some kids ask the cafeteria ladies to sign their books. What do they write: "Hope your chicken patties never bleed?" Or, maybe, "May your Jell-O always wiggle?
Writers who teach tend to prefer literary theory to literature and tenure to all else. Writers who do not teach prefer the contemplation of Careers to art of any kind.
I'm a comic book artist. So I think to myself, what do I like to draw? I like to draw hot chicks, fast cars and cool guys in trench coat. So that's what I write about.
I think writing is a very political act. I think that any writer who says it's not, is simply a writer who is disavowing the political connotations of what they write.
How much there is I want to do! I always feel that I haven't time to accomplish what I wish. I want to read much. I wanted to write a great deal. I want to make money.
To one who has enjoyed the full life of any scene, of any hour, what thoughts can be recorded about it seem like the commas and semicolons in the paragraph-mere stops.
I just think, as writers, especially with a book that takes years to write, you sort of wake up every morning hoping and praying that you can make it work for the day.
The diary will really try and tell people who you are and what you were. The alternative is writing nothing, or creating a totally lifeless, as it is leafless, garden.
But what I hope for from a book - either one that I write or one that I read - is transparency. I want the story to shine through. I don't want to think of the writer.
I have tried to write Paradise Do not move Let the wind speak that is paradise. Let the Gods forgive what I have made Let those I love try to forgive what I have made.
Words - so innocent and powerless as they are, as standing in a dictionary, how potent for good and evil they become in the hands of one who knows how to combine them.
When we're falling in love or out of it, that's when we most need a song that says how we feel. Yeah, I write a lot of songs about boys. And I'm very happy to do that.
The writing is all done, so it's all about verbalizing everything from point A to point B, and certainly there's a bit of politics involved, so it's a different thing.
If Shakespeare had been in pro basketball, he never would have had time to write his soliloquies. He would have always been on a plane between Phoenix and Kansas City.
When you're just writing, you can do anything with it. But with TV, you've gotta work within certain budget constraints, so you've got to pick and choose your battles.
It is odd that we never question the feasibility of a football team practicing long hours for one game; yet in writing we rarely give ourselves the space for practice.
I definitely feel like when I write a book it's not my job to police or guide the readers. The book and the characters don't belong to me anymore. If that makes sense.
Writing a novel proved to be the hardest, most self-analyzing task I had ever attempted, far worse than an autobiography: and its rewards were greater than I expected.
When I'm writing, I'm waiting to see somebody, and I'm waiting to hear them. It's almost like conjuring spirits out of the air, using your own imaginative instability.
I used to tell my writing students that they must write the books they wished they could come upon - because then the books they hungered and thirsted for would exist.
At the top of the cycle you write policies for everybody, no matter how bad, and at the bottom you cancel everybody, no matter how good. It's a manic-depressive cycle.
I am probably afraid that some spectator will not understand my photography - therefore I proceed to make it really less understandable by writing defensibly about it.
We cannot be all the writers all the time. We can only be who we are. Which leads me to my second point: writers do not write what they want, they write what they can.
I'm astounded by people who take eighteen years to write something. That's how long it took that guy to write Madame Bovary, and was that ever on the best-seller list?
For this purpose I determined to keep an account of the voyage, and to write down punctually every thing we performed or saw from day to day, as will hereafter appear.
I always had this non-stop drive. I had to keep sending stories out and every once in awhile I'd get something accepted or get the little trickle of positive feedback.