Well, as an artist, I think that Elvis's generosity to me he always talked very highly about me, he always spoke very highly about my work and singing and my writing.

Occasionally when I'm procrastinating writing, I'll while away the hours on iTunes. You can just keep going forever and find these bands you'd never normally hear of.

I know the Chicago media will write a lot of bad things, but they'll write a lot of good things too. I can live with that. In Cleveland, all I got was negative press.

If I were to write anything at all, it would turn out to be nothing but talk about movies. In other words, take 'myself,' subtract 'movies,' and the result is 'zero.'

Good writing is about finding and exploiting anecdotes that resonate with the reader. In storytelling, it's OK if you only make one point, as long as it's a good one.

If what you write is true, it will not be so because of what you are as a writer but because of what you are as a being. There can be no literary equivalent to truth.

If my writing comes to a halt, I head to the shops: I find them very inspirational. And if I get into real trouble with my plot, I go out for a pizza with my husband.

Well, I think writing is basically about time and rhythm. Like with jazz. You have your basic melody and then you just riff off of it. And the riffs are about timing.

I can't concern myself with what's going on with the club or what the media is writing. If you pay attention to those things, that's when you get yourself in trouble.

Every writing teacher gives the subliminal message, every time they teach: 'Your life counts for something.' In no other subject that I know of is that message given.

There is some reason, obviously, that you are drawn to your material, but the way in which you explore it might come to be quite different from what you would expect.

At a certain point, I got used to writing on demand. I developed a habit of writing like I hired myself! I also like to write about things that affect me emotionally.

You can only look forward to a South Dakota winter if, as with childbirth, remodeling a house, or writing a novel, you're able to forget how bad it was the last time.

It is also a warning. It is a warning that, if nobody reads the writing on the wall, man will be reduced to the state of the beast, whom he is shaming by his manners.

I think it's important if you're going to write a cookbook, it should sound like you talking - it should be things you actually believe, otherwise I'm not interested.

Writing the opening lines of a story is a bit like starting to ski at the steepest part of a hill. You must have all your skills under control from the first instant.

There is a lot of censorship about writing that's exerted from all directions, from families or governments and society, even the fear of being offensive in some way.

Either I did away with that fear through writing, or in the course of writing, I discovered it was no longer so intrusive or threating. The bottom line is, it's gone.

I've published one book before, and now I'm writing a book of essays and stories about life in Tokyo. And I have one book coming out in May in Germany, about fitness.

Somebody said to me, 'But the Beatles were anti-materialistic.' That's a huge myth. John and I literally used to sit down and say, 'Now, let's write a swimming pool.'

When I was first starting to write plays, I quite literally had never heard of the idea of studying playwriting. I wouldn't have studied it even if I had heard of it.

[To write poems] I think it's important to do research, and research mostly is going to come from books, so all of your reading is potentially helpful to your poetry.

Why does one write these books after all? The drudgery, the misery, the grind, are forgotten everytime; and one launches another, and it seems sheer joy and buoyancy.

I had a lot of fun writing things that died during dress rehearsal. Sometimes I remember the crazy ones that died even more fondly than the ones that did really well.

I can't write story-songs, like I couldn't write a Bob Dylan or Tom Waits song. I can only write whatever weird phrases come into my head, and hope that they're good.

That's the beauty of song writing. You never know when inspiration will come or how it will hit, you just gotta kinda grasp a hold of it and make sense of it somehow.

I guess it's a bit cliché, but as an actor, I really admire good writing. There are a lot of great ideas out there, but it's the execution that really makes it work.

I write and rewrite and memorize, and then inject my performance with improvising and spontaneity, because if something feels too rehearsed, it's not going to be fun.

I have to do more close research and fact checking for the science fiction. This is not however to say that writing good fantasy does not involve doing good research.

Be ruthless about protecting writing days....althoug h writing has been my actual job for several years now, I still seem to have to fight for time in which to do it.

I always wanted to write fiction. Always. As far back as I can remember it's been integral to my sense of myself - everything else was always a displacement activity.

People call me for the ballads. Apparently that's where I've been pigeonholed. But it's really interesting and really fun. It's my favourite part of the job, writing.

The writing and making of each of my albums has been such a different beast each time, so I'm interested in seeing what kind of animal the fourth one turns out to be!

Another benefit is that the more I blog, the more I maintain and develop a first-person voice, which translates into a much greater ease with writing personal essays.

Forty-years-old these days is the beginning of people's lives. I've found myself, I'm confident, I'm mature, I've been through some stuff, I'm ready to write my book.

If I don't have a project going, I sit down and begin to write something - a character sketch, a monologue, a description of some sight, or even just a list of ideas.

I was into writing and directing. I was a bit of a reluctant actor. I would always ask friends to shoot or direct their movies, but then they'd want me to be in them.

What difference does it make if you live in a picturesque little outhouse surrounded by 300 feeble minded goats and your faithful dog? The question is: Can you write?

To try to write better than you do now is to risk rejection and failure. But not to risk those things in an insult to yourself, to other writers, and to your readers.

Don’t romanticise your ‘vocation’. You can either write good sentences or you can’t. There is no ‘writer’s lifestyle’. All that matters is what you leave on the page.

I call 'Community' the best day job in the world, because between takes, I get to write music. I get to write sketches. I get to write movies. It's the best job ever.

When I'm my own editor, there's very little difference between the first draft and the final. I write what feels right to begin with. I rarely make any major changes.

Mythology, science and space exploration are subjects that have fascinated me since my early childhood. And they were always connected somehow with the music I write.

I couldn't understand why my productivity went down when I had deliberately made more time available to write. Then I realized it was because I wasn't flying as much.

Writing in a journal reminds you of your goals and of your learning in life. It offers a place where you can hold a deliberate, thoughtful conversation with yourself.

I did what most writers do when something happens that's overwhelming, fascinating, moving, all of that. I didn't know what else to do about it except write about it.

I don't want to do the type of writing where I recite biography, parentage and education. I want to rise up from the words on the page and do something, hurt someone.

Sometimes nothing is so solid to me as writing - I suppose that's what a vocation means - at times a torment, a bad conscience, but all in all, purpose and direction.

It's not that I write songs that are easy to get but I don't think there's a lesson that I'm trying to teach in any of my songs. There's not a moral at the end of it.

I like the performing. And interviews, even. And the stuff that's not sitting in a room by yourself with empty paper. But I never loved writing, to tell you the truth.

Share This Page