Quotes of All Topics . Occasions . Authors
But what is more to the point is my belief that the habit of writing thus for my own eye only is good practice. It loosens the ligaments. Never mind the misses and the stumbles.
I don't write for Christians. I write for people. I write so that if a Christian hears my music, they're going to be encouraged because I'm writing from the Christian worldview.
I came upon a telegram from Eleanor Roosevelt herself to Gypsy Rose Lee that read, 'May your bare ass always be shining'. That was the clincher; I had to write about this woman.
The one thing that you have that nobody else has is you. Your voice, your mind, your story, your vision. So write and draw and build and play and dance and live as only you can.
The idea of taking a song, envisioning the overall sound in my head and then bringing the arrangement to life in the studio...well, that gives me satisfaction like nothing else.
Writing about unknown people means I spend a lot of time arguing to the reader about why it's worth knowing about them. That's challenging, but then the piece is pure discovery.
The female experience is different from that of the male, and if, as a male writer, you cannot accept that basic premise, then you will never, ever, be able to write women well.
The time it would take me to write a screenplay it would take me the time to make two films. I would rather make the movies and I'm a better moviemaker than I a would be writer.
As trait after trait swings into focus and fulfillment, can we write any other name under Isaiah's amazing portrait of the sublime Sufferer in Chapter 53 than Jesus of Nazareth?
I don't know how to write without thinking what people would want. You don't know whether they want you to be black or white, so you kind of get a gray, something in the middle.
I want to make films and write films, which will happen, I'm just taking a different route right now. I'm a bit of a chameleon with the whole entertainment industry so to speak.
You and I who read and write books have very little effect upon language. We may think about it, write about it, and read about it, but it goes on without us, or in spite of us.
I started to write before I went to SUNY Purchase music conservatory. As an audition I submitted what I now think are really awful songs, but I guess they saw something in them.
I wish [my wife] would [work] because - especially now the kind of - I mean, honesty is hardly the word. She writes with a ferocity of clarity that - nobody else around has now.
I've mostly been focusing on writing, and I've really enjoyed not playing music. It will always be part of my life, but I don't feel the immediate need to be playing for people.
I saw a photograph of a wedding conducted by Reverend Moon of the Unification Church. I wanted to understand this event, and the only way to understand it was to write about it.
I've just been writing a column about the way in which Fallujah and New Orleans are looking to be twin towns in effect. They're both been worked over by the Bush Administration.
When I lose direction, it becomes very hard to write. I actually get a physical pain, as if my subconscious knows better. That may sound mystical and pretentious, but it's true.
The roughest part for me when I'm writing a song is staring at a blank page. Where am I going from here? If you're a songwriter, you have to do that every time you start a song.
I got a bit obsessed with the whole English language and was writing journals and poetry. I've always been intrigued about psychology and philosophy and how people's minds work.
As for critical writing about modernism, its moments of lucidity are but fulgurations illuminating the dark and incomprehensible landscape of its subject's unabashed difficulty.
I was unhappy and I couldn't figure out what was the matter. And he told me to go take a writing course. And I didn't even know that one could learn to write in writing courses.
Good novels are not written by orthodoxy-sniffers, nor by people who are conscience-stricken about their own orthodoxy. Good novels are written by people who are not frightened.
Writing is a way of living. It doesn't quite matter that there are too many books for the number of readers in the world to read them. It's a way of being alive, for the writer.
I never started writing because I wanted to write myself stuff. It was really more that I had these stories to tell, and I wanted to work with people that I respected and liked.
Like the philosopher, the author views his task as one of establishing a clear connection between life and history, and of making the past bear fruit for the present and future.
There are so many people who don't know small towns exist. When I write, I want to give my readers two things: one is a sense of consolation, and two, I want to make them laugh.
I can play the guitar and the keys and the drums. I'm not brilliant at any of them. I can sing too. Some of my friends are proper musicians but I'm a song-writer. I write songs.
When I write on Twitter, I do other things: I'm working, grading, or reading, and I'm procrastinating, and I'll pop on Twitter and be like, "Hey, what's up? Yogurt's delicious."
However, please allow me to say that the fundamental style of my writing has been to start from my personal matters and then to link it up with society, the state and the world.
Writing itself is a bad enough trade, rightly held up to ridicule and contempt by the greater part of mankind, and especially by those who do real work, plowing, riding, sailing
Your goal is to write that masterpiece. Yello's masterpiece was "Oh Yeah." Whatever I say about the song doesn't matter, because it has a huge impact on how we remember the era.
I'm a very early riser, and so I like to get up and try hard to write before the day even really gets started. Just me and a pot of coffee -I find I can get a lot done that way.
We lie. That's what we do. You're selling me a line of bullshit and you want me to sell you a line of bullshit back so you can write a major line of bullshit and be paid for it.
If you are disappearing from yourself, but you're still writing, then there is a kind of activity of thinking going on, which in my world is similar to what's going on in music.
You can find truly original pieces of writing, but they're original because you go, "Who would have even have thought of that?," or, "Why would anyone ever want to go see that?"
Remember that a book is many drafts - mine certainly are. It's improvisation. It's as much jazz and the way we talk and the way I heard people preach coming up as it is writing.
Because in fact I only lived to write, see no sense in life, have only forced "interests," wish every night, not urgently but quite definitely I could just not wake up tomorrow.
The art of writing, like the art of love, runs all the way from a kind of routine hard to distinguish from piling bricks to a kind of frenzy closely related to delirium tremens.
Writing for young children I find I often use particular jokes with words and exaggerated, funny events, but some of these haunt the more complex stories for older children too.
I think human beings exist in a social world. I write realistic fiction, and so it isn't that surprising that the social realities of their existence would be part of the story.
When I first started writing the album, "Cry Baby" was a song that I really wanted to write because it represented all of these personal insecurities that I had for a long time.
I don't know why I write. If I knew the answer, I probably wouldn't have to. But it is a compulsion. You don't choose it, it chooses you. And I wouldn't recommend it to anybody.
I write all the time but often abandon things I don't think will go anywhere. It's rare that I'll labor over writing something that doesn't feel like it will turn into a keeper.
I have to have a character worth caring about. I tend not to start writing books about people I don't have a lot of sympathy for because I'm just going to be with them too long.
I'm a layperson. I barely got out of high school. I have no business telling people what to do or my big philosophy on life. I'm certainly not going to write any sort of memoir.
Whether you are in the West, the East, the North, or the South, we should all feel pressured to attempt more, find new ways of outwitting ourselves, in our writing and thinking.
Is it hot in the rolling mill? Are the hours long? Is $15 a day not enough? Then escape is easy. Simply throw up your job, spit on your hands, and write another "Rosenkavailer."
Do you think I know what I'm doing? That for one breath or half-breath I belong to myself? As much as a pen knows what it's writing, or the ball can guess where it's going next.
I am very busy and don't have a lot of down time, but I write my best songs in those situations. I enjoy my life the most when I have a bunch of things going on at the same time.