Quotes of All Topics . Occasions . Authors
It's gut instinct that helps me determine how to write a story. I love the surreal because I am faced with the challenge of making the unbelievable believable. That challenge is thrilling.
The use of thesis-writing is to train the mind, or to prove that the mind has been trained; the former purpose is, I trust, promoted, the evidences of the latter are scanty and occasional.
I was thinking what I usually think about when I write: what the next word should be, whether my character should be an emu farmer or a wallaby farmer, the searing pain in my right temple.
That is the best part of writing: finding the hidden treasures, giving sparkle to worn out events, invigorating the tired soul with imagination, creating some kind of truth with many lies.
I guess a witness is all I am. I think as a writer, you're pretty removed. Writing is a very selfish, individualistic pursuit. So in that sense I'm a witness because I'm not participating.
It is a great pity that every human being does not, at an early stage of his life, have to write a historical work. He would then realize that the human race is in quite a jam about truth.
On Stranger Than Fiction, the script was so good that I stuck to every line because it was just such brilliant writing from Zach Helm that I felt like I really just want to shoot the page.
I don't think that women necessarily always write like women. I was a writer on the Comedy Central Roasts for a while, and I always wrote the jokes that people assumed the men would write.
If you write interesting roles, you get interesting people to play them. If you write roles that are full of nuance and contradiction and have interesting dialog, actors are drawn to that.
Hillary Clinton has finished writing her book where she says her marriage couldn't be stronger, and Bill just finished his book titled 'Chicks I Nailed While Hillary was Writing Her Book.'
The biggest challenge of my career, which is something that authors of genre fiction face all the time, is writing something fresh and new and at the same time meeting reader expectations.
You run into people who want to write poetry who don't want to read anything in the tradition. That's like wanting to be a builder but not finding out what different kinds of wood you use.
You just never know if people out there will relate to things when you write them; it matters to you, and to some people it doesn't. Some people are 'I'm not in the mood for that; thanks.'
Why do writers, say, give up a job in economics and decide to write poetry? Or, why do they give up a job in a bank and decide to paint, like Krishan Khanna? They want to convey something.
If you write, and you are really alone (writing is a lonely thing), you learn to be alone without suffering. When you read, you also learn to do this. When you write, you deal with things.
I would like to write a Book which would drive men mad, which would be like an open door leading them where they would never have consented to go, in short, a door that opens onto reality.
Write about this man who, drop by drop, squeezes the slave's blood out of himself until he wakes one day to find the blood of a real human being--not a slave's--coursing through his veins.
You do not characterize by telling the reader about the character. You do it by showing the character thinking, speaking and acting in a characteristic way. You simply show it and shut up.
If Darwin could get into a submarine and see what I've seen, thousand of feet beneath the ocean, I am just confident that he would be inspired to sit down and start writing all over again.
I always felt that nobody was going to understand me, going to understand what I felt about things. I guess that's why I started writing. At least on paper I could put down what I thought.
I tend to avoid writing music about initial reactions to situations, like frustration or anger. I’d rather wait till I go through the problem, and write about the learning that took place.
The thing that made me turn more towards writing was realizing how hard it was going to be to get a singular vision on film and how much more control I would have if I were writing novels.
The thing I know how to do most is write a play. I came up loving plays and learning about plays and writing plays. I actually feel like an outsider when I'm writing movies and television.
I've been known to write on the Underground in London and on the subway in New York. I have two or three cafes in Paris that I go into. I find a corner with a little shade, and I can work.
For me, anything I do is totally up for conversation and it's not my right to be able to stop a person from writing whatever they want. What's harmful and hurtful is when people speculate.
My writing isn’t a career or a craft or a hobby or anything like that. It is more like a tiny annex to my life, a little crawl space in which I occasionally end up by accident in the dark.
My advice would be not to write until after 35. You need some experience, and for life to knock you about a bit. Growing up is so hard you probably won't have much emotion to spare anyway.
You can write any time people will leave you alone and not interrupt you. Or rather you can if you will be ruthless enough about it. But the best writing is certainly when you are in love.
But at this phase of my life, I want to write and not have to think about whether a song is going to be a hit. I want to explore the music that inspires me, and I don't want to ape myself.
Whatever an author puts between the two covers of his book is public property; whatever of himself he does not put there is his private property, as much as if he had never written a word.
I write a column for The Village Voice, which I've done since time immemorial, and occasionally - and books. And I occasionally write minor notes for record albums and occasional articles.
I definitely still have ... angst but I also wrote some songs that say it's okay to love, now. I'm happy in my life, and it's a bit easier to write happy songs when you are actually happy.
God, what a ghastly enterprise to be in, though-and what an odd way to achieve success. I'm an exhibitionist who wants to hide, but is unsuccessful at hiding; therefore, somehow I succeed.
I started playing instruments. Writing didn't come until later. I didn't know how to play a keyboard but I'd listen to hits off the radio, learn them, then my hands would be ready to play.
The first book really was kind of an entertaining textbook for the homemaker. I couldn't find a good book about entertaining in 1982, and neither could my friend, so I decided to write it.
Literature can teach us how to live before we live, and how to die before we die. I believe that writing is practice for death, and for every (other) transformation human beings encounter.
I wish I could write well enough to write about aircraft. Faulkner did it very well in Pylon but you cannot do something someone else has done though you might have done it if they hadn't.
Why does the writer write? The writer writes to serve--hopeless ly he writes in the hope that he might serve--not himself and not others, but that great cold elemental grace that knows us.
People say, "How do you write songs?" I say, "Patience." I may have a track that's hot, but no words. I'll just let it sit for years, because I know they're going to meet. They'll find it.
I have neither curiosity, interest, pain nor pleasure, in anything, good or evil, they can say of me. I feel only a slight disgust, and a sort of wonder that they presume to write my name.
It's really hard to write a screenplay, it's nauseating. All those great writers that tried to write screenplays, they couldn't do it, most of them - John Faulkner, whoever, Aldous Huxley.
I try not to be overly literal. When I'm writing songs, I write down a lot of words, and then I try to simplify it. I like to give people hints or words that make visual pictures for them.
I write what I write and I honestly don't care if it gets on or not. I'm writing to see if I can find out some of what I think about any number of situations. I work it out in the writing.
I really didn't like Batgirl. I was like, "No, if I'm not gonna be Batman, I'm not gonna play." Maybe they could write an evil female super villain who takes over Batman, and nobody knows.
If a 25-year old can't read and write and he or she isn't gaining marketable skills, it doesn't matter if a Republican or a Democrat is in the White House. His or her future will be bleak.
I write flawed characters. Ones that do not always make the best decisions and are driven by ambition or lust. They are not black or white, they are in the large space that exists between.
Writing is hard work, and fun, and requires you to keep your backside in a chair when you would sometimes like to put it elsewhere. So the only wisdom is the advice to keep at it, I guess.
Writing is like this -- you dredge for the poem's meaning the way police dredge for a body. They think it is down there under the black water, they work the grappling hooks back and forth.
I get inspired when I look at Tom Lennon, who did Reno 911! for six seasons while writing huge movies and directing, and also doing other pilots; he did that FX pilot, the Star Trek thing.
L.A. is a great place to write because you have a lot of space. I have a big office at home, I can leave the doors open. Flowers bloom all year. But it's unglamorous in all the right ways.