Quotes of All Topics . Occasions . Authors
I think that you have to restrain yourself from googling your name and have other hobbies and desires and wants. You do a million things. You go to school, you write, you read, you blog.
I think it is harder to write a story that appeals to the intellect. But, when you tie onto one, you can do it quite deeply. It really depends on the type of idea you have to begin with.
I watched TV religiously when I was a kid, but nowadays - with the Internet - there's so many people writing about TV on the Internet, that everything's sort of under a magnifying glass.
Stuart Rojstaczer writes with enormous wit, style and empathy, and The Mathematician's Shiva is a big-hearted, rollickingly funny novel that's impossible to put down. A tremendous debut.
There are some things around us that are not actually useful. I didn't know that before. It's very new for me to understand. That became my way of writing: I can see also the new myself.
When you're in love with the work, the energy comes more naturally. You want to wake up in the morning to write more material, or to go on stage and give every shred of emotion you have.
I used to do a lot of story writing and storytelling coming up through grade school. By the time I got to college, I decided that I wanted to perform as well, and that's where I started.
Let us see whether it is the New Order or me who will be the loser before Indonesian history. I have won. The New Order has fallen and my writings have been translated into 40 languages.
To write or speak is to communicate. To communicate is to share meanings, make them ‘common’ to all participants in the discourse. (The etymological root of communication means ‘common.’)
The act of writing... is the act of trying to understand why my opinion is what it is. And ultimately, I think that's the same experience the reader has when they pick up one of my books.
It's impossible to read a distinctive stylist like Faulkner, Joyce, Kafka, Mann, Woolf, James - and many more - without wanting to write, however entirely different one's writing will be.
If there is anything unique about my writing it is the way that I combine poetry and prose, not just on the level of having a poem here, prose there, but that it really is a true amalgam.
I know if I wasn't making music and acting, I would be involved in the performing arts world in some way. I would be either writing and making music for other artists or producing movies.
What I used to do with a passion, foolishly and vainly imagining I would change the world for the better, I no longer tolerate in myself or anyone else. But draw, always draw - and WRITE.
The greatest thing by far is to have a command of metaphor. This alone cannot be imparted by another; it is the mark of genius, for to make good metaphors implies an eye for resemblances.
I want my writing to reach people. I don't write for a market. I write from my heart, something that appeals to me. The marketing, segmenting etc., can be done by your publisher, not you.
I had never thought of myself as a dramatist, and, for really good technical results, the thought came too late: a man of letters has become too wordy to write economically for the stage.
Eternity has no gray hairs! The flowers fade, the heart withers, man grows old and dies, the world lies down in the sepulchre of ages, but time writes no wrinkles on the brow of Eternity.
A curious thing about written literature: It is about four thousand years old, but we have no way of knowing whether four thousand years constitutes senility or the maiden blush of youth.
I think we can question whether degrees are antediluvian. Online learning has flexibility. Why not master courses in energy, writing, communications, and engineering and get a credential?
I love writing and can't imagine not being able to do it. I want an easy life and if it had been difficult I wouldn't be doing it. I do admire writers who do it even though it costs them.
When you write, you take the ball and you hold it up to the light and you turn it slowly, and let people draw their own conclusions. And try to bring empathy to all sides of the equation.
As a writer, I know that - you write a first draft and then put it in a drawer. The longer I can put it in a drawer, the better off I am. So I structure my writing so that things can sit.
What I would do is when I was younger I would draw in a sketch book something that happened in my life and then write a little something on the side about what happened or what the story.
Not writing is probably the most exhausting profession I've ever encountered. It takes it out of you. It's very psychically wearing not to write - I mean if you're supposed to be writing.
Contrary to what many of you may imagine, a career in letters is not without its drawbacks - chief among them the unpleasant fact that one is frequently called upon to sit down and write.
The comedies are not a million laughs on the set. Its business and the dramas are business as well, really. When I'm writing it I struggle more with drama because I started out in comedy.
I don't read memoirs. But if you write a memoir, I would think you'd want people to know, "O.K., look, I've taken some liberties here." It's just a matter of being open with your readers.
It is true that I didn't write any poetry between 1995 and 2011. The reason for this was probably because I had stayed away from fiction for so long and couldn't tear myself away from it.
President Clinton signed a $10 million deal to write a book by 2003. Isn't that amazing? Yes, and get this, not only that, President Bush signed a $10 million deal to read a book by 2003.
I had a guitar sitting around, and it just happened to have four strings on it, and I would sit around watching TV and playing it. I ended up writing bunches of songs around four strings.
When I start writing novels, I go into them with a spirit of inquiry, rather than to substantiate prejudices I had in the beginning. If you don't do that, you can't write good characters.
I try not to get analytical in the writing process. I try to just kind of keep the flow from my brain to my hand as far as the pen is concerned and go with the moment and go with my guts.
If you want to see the consequences of ideas, write a story. If you want to see the consequences of belief, write a story in which somebody is acting on the ideas or beliefs that she has.
You guys will write what you want to write, people will say what they want to say. I can't control any of that. All I can control is how I play. I'm trying to be the best player I can be.
I'm very parasitic, from my own experiences. I just go and mine my dirty laundry, you know, and go through it until I find something that's interesting enough to me to write a song about.
I've written quite a few things, but I've put it on hold for now to see how everything fits together. Then I'll approach it and write specifically to see how the pieces fit in the puzzle.
Mainly, I try not to think about my readers as I write - I just think of my characters and myself - If they're interesting to me, my hope is that they'll be interesting to others as well.
Any serious man or woman in search of spiritual ideas will find a surprising challenge and an authentic source of inspiration and intellectual nourishment in the writings of Paul Brunton.
The nerds are my favourite sort of boys - any guy with a passion - whether it be physics or film or writing or poetry even, I think it's super sweet and it's very attractive for a female.
My own great-grandfather, who said simply enough, "No wicked man could write such a book as this; and no good man would write it unless it were true and he were commanded of God to do so.
BLANK-VERSE, n. Unrhymed iambic pentameters - the most difficult kind of English verse to write acceptably; a kind, therefore, much affected by those who cannot acceptably write any kind.
If you're writing anything decent, it's in you, it's your spirit coming out. If it's not an expression of how a person genuinely feels, then it's not a good song done with any conviction.
Semicolons . . . signal, rather than shout, a relationship. . . . A semicolon is a compliment from the writer to the reader. It says: "I don't have to draw you a picture; a hint will do."
A lot of writing about being a mother is not so much writing about the kids themselves. They become placeholders for the shift that happens when you're suddenly in charge of other people.
I can only see right in front of me when I'm writing, you know? I never think of it as raw or personal or anything but where I'm at in the moment. But I can see it sort of after I finish.
If you wish for something hard enough, the fairy tales teach us, you can get it in the end. But it's hardly ever the way you thought it would be, and the endings aren't always happy ones.
The responsibility of the writer is to be a sort of demonic social critic -- to present the world and people in it as he sees it and say, "Do you like it? If you don't like it, change it.
I've always written for actors, and if you want to write for good actors, you have to write parts that are surprising, that are human, and that allow them to go to a wide range of places.
You never forget where you were when you write a song; it's a very proper memory, so I knew exactly where I was and what I was doing for each track. It was like going into a time machine.