I think to write fiction, this is just how I see it, you have to have a powerful need/desire to connect. I can't. Wanting to and not being able to has lead to a lot of misery in my life.

Don't worry about never having time to write. Just write what you can in the time you do have and give yourself a big clap on the back, followed by a double latte and a blueberry muffin.

Oblivion is the dark page, whereon Memory writes her light-beam characters, and makes them legible; were it all light, nothing could be read there, any more than if it were all darkness.

I got started at a really young age. I was about two years old when I started playing the piano and around seven or eight when I started writing my own chords and putting words together.

I felt better about myself that I did it [calling Max Askeli Commander Askeli], rather than have - rather than thinking it and not writing it for being afraid of what might happen to me.

I tend to start at 9 o'clock in the morning and write until 3. Those are my best hours. They fit the other rhythms of the world. So I write for six hours, pretty much without any breaks.

It's good not only to realize that you can't please all of the people all of the time, but that you don't want to. There's a certain type of reader that you don't ever want to write for.

I tell myself that, regardless of what source I draw on, I'm writing a new work for reasons peculiar to me and not an adaptation, and so feel, in the end, justified in singing it my way.

I write when I have something to say and not when I don't. My time is better spent if I know I have nothing to say. I don't consider it writer's block; I just don't have anything to say.

I think in many ways the problem that my writing would have with an American reviewer is that Americans find difficulty very hard to take. They are inevitably looking for a happy ending.

It's so sad that no one writes down the things we go through, and even worse - no one will ever know about it, no one will ever see or hear about it, no one will ever be able to restore.

Some day I'll write a book and call it 'How I Got the Nickname Pumpsie' and sell it for one dollar, and if everybody who ever asked me that question buys the book, I'll be a millionaire.

...there were certain chapters when I stopped writing, saw the domestic situation I was in and thought, "I don't want to face this world, let's get back to the hellish one I'm imagining.

Unfortunately, in many cases, people who write science fiction violate the laws of nature, not because they want to make a point, but because they don't know what the laws of nature are.

I'm an artist. Artists don't need permission to work. Regardless of whether I'm acting or not, I write. I write when I'm tired in fact, because I believe your most pure thoughts surface.

The book [ A Passage to India ] shows signs of fatigue and disillusionment; but it has chapters of clear and triumphant beauty, and above all it makes us wonder, what will he write next?

I wish, in some ways, I was the type of comedian who could do something blistering and topical, but I'm the guy who gets stuck in the revolving door and thinks I should write about that.

Shun security, I advise aspiring novelists when they complain to me that they are stuck. Get disoriented. Maybe your agonizing writing block isnt agonizing enough. Your enemy is comfort.

We've defined decency down now that we look at the entertainment value of it, whether the acting is good, the writing is good, the story is good, no matter the depravity, we'll watch it.

Jonathan Kreisberg is a great musician whose playing and writing always tell a story. His formidable technique and intellect never get in the way, but only serve the agenda of the heart.

Here is my theory on this one. If you write things down, if there is a mystery and you try and explain it, once you've written it down for permanent, in due time, it'll be proven stupid.

A story rises from the springs of creation, from the pure will to be; it tells itself; I takes its own course, finds its own way, its own words; and the writer's job is to be its medium.

I love reading and I love thinking - the reason that I love my books so much is that in order to write them I have to read and to think for years at a time about the same period of time.

After I write a sequence, I just open the script and then sit at the piano keyboard and "play" the script. (And because I also draw and paint, sometimes I sketch out the action as well.)

Memory is never complete. There are always parts of it that time has amputated. Writing is a way of retrieving them, of bringing the missing parts back to it, of making it more holistic.

Even while writing his book, he had become painfully aware how little he knew his own planet while attempting to piece together another one from jagged bits filched from deranged brains.

Weirdly the writing experience has not really changed that much except it used to be that I was busy because I had to work a couple of jobs to earn money, so I didn't have time to write.

Exercise and writing are so therapeutic to me. I try to write every day and I make it a huge priority to find time to work out, even if that means taking a spin class at 7am before work.

A good writer cannot avoid having social consciousness. I don't mean this about small pieces of writing, but about a big book. If it's a big book, there has to be more than one undertow.

The aim of my writing is to utterly remove the distance between author and reader so that the book becomes a sort of semipermeable membrane through which feelings, ideas, nutrients pass.

Whenever you feel an impulse to perpetrate a piece of exceptionally fine writing, obey it - whole-heartedly - and delete it before sending your manuscript to press. Murder your darlings.

I certainly derived my skills as a prose writer from my scrutiny of poetry and of the individual word. But schools don't do things like that anymore - tracking words down to their roots.

You can get too bogged down in technology and you can sort of forget what it is you were trying to do. And with the Pet Shop Boys it's primarily about the songs, it's about song writing.

First thing, I throw on some jeans, a T-shirt and my Keds sneakers and make coffee. That is actually my favorite time of day. That is when I do my songwriting, when I am in writing mode.

As poets, we're writing into the void, and we're not writing to be bestsellers. Whatever individual responses we get, whether at a reading, by a conversation or a letter, mean the world.

When you write songs, you have to like them yourself first, but then you have to make everyone else like them, because you can force them to play it, but you can't force them to like it.

Try to develop actual work habits, and even though you have a busy life, try to reserve an hour, say - or more - a day to write. Some very good things have been written on an hour a day.

No one suggests that writing about science will turn the entire world into a model of judgment and creative thought. It will be enough if they spread the knowledge as widely as possible.

Also, I liked John Cage's music. I liked it for its craziness, the use of silence, the boldness-anything to get me away from writing about.. I don't know what academic poets write about.

I would categorize my books as literature, and I hope that is how they would be consumed. The books do not rely on the artwork to be understood, but I need my art practice to write them.

As I've evolved in life my writing process has taken a turn. I'm inspired by everyday life. I could be in the middle of something and hear a commercial. I enjoy songs writing themselves.

I don't want to write every week, it's too much trouble, and I shall only write when I want something. If you think I'm sick when I don't write, you can send for me to come and tell you.

It's true, we tend to write about the same thing over and over again because this is our trauma. If I had been in World War II, I might have been writing about D-Day over and over again.

If you love writing or making music or blogging or any sort of performing art, then do it. Do it with everything you've got. Just don't plan on using it as a shortcut to making a living.

Fiction becomes a weird way to countenance yourself and to tell the truth instead of being a way to escape yourself or present yourself in a way you figure you will be maximally likable.

I know that DER SPIEGEL is a respected magazine. But I don't know whether it is possible for you to publish the truth about the Holocaust. Are you permitted to write everything about it?

Like, I kind of developed my musical style in a vacuum. Even though I listen to a lot of stuff, the way I wrote was in my bedroom, really privately. It's still the way I write, actually.

Adam Berenson knows how to compose, organize an ensemble, do musical research, play solo and trio piano, write for musical journals, and enlist others to his cause. A very fine musician.

It's my job, too, to keep up with pop culture and what the kids are into 'cause you don't want to sound like an old man trying to write for kids. I spend a lot of my time spying on them.

Authors of all races, be they Greeks, Romans, Teutons, or Celts, Can't seem just to say anything is the thing it is but have to go out of their way to say that it is like something else.

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