Quotes by David Edelstein - Page 1 | QuoteForever

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I fell in love with Twitter. Fathers, lock up your deadlines.
David Edelstein / Film Critic
Deadline
Father
Locks
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The movie is a metaphor for the power of delusional hype--a metaphor for itself.
David Edelstein / Film Critic
Delusional
Hype
Metaphor
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Every year, I'm depressed that so few of the documentaries I've loved break through.
David Edelstein / Film Critic
Break Through
Documentaries
Years
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A critic often has to play the role of coroner, dissecting a work to find out why it died (or never lived).
David Edelstein / Film Critic
Critics
Play
Roles
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Russell Crowe is normally an actor who disappears so far into his characters you'd swear his DNA has been altered.
David Edelstein / Film Critic
Actors
Character
Dna
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The economic and technological changes are real, but I just can't bring myself to wax apocalyptic about the future of books.
David Edelstein / Film Critic
Book
Real
Technological Change
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Let me tell you, if your marriage is in trouble, skip the therapist and find a psycho. Nothing brings people together faster.
David Edelstein / Film Critic
People
Psycho
Together
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The English have a wellspring of comedy that will never be exhausted: the combination of bestial urges and excellent manners.
David Edelstein / Film Critic
Comedy
Excellent
Exhausted
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Despite some standout events, 2012 was demoralizing. The Met felt adrift, and New York City Opera couldn't claw its way back to artistic health.
David Edelstein / Film Critic
New York
Cities
Way
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I'd put the most money on Robert Caro's biography of Lyndon Johnson - and not just because we'll probably still be waiting for the final volume in 2017.
David Edelstein / Film Critic
Biographies
Finals
Waiting
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Some reviewed 'The Master' on their knees, and while I respected its distinctive discordancy - can a movie be at once feverish and glacial? - I was unmoved.
David Edelstein / Film Critic
Distinctive
Knees
Masters
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I have a female colleague who gets annoyed that Tina Fey seems to go out of her way in her movies to deride her looks, as if she weren't such an attractive woman.
David Edelstein / Film Critic
Annoyed
Female
Fey
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It's easy to say "This year in art sucked." After all, about 85 percent of all shows of contemporary art are bad. But 85 percent of all art made in the Renaissance was bad.
David Edelstein / Film Critic
Art
Renaissance
Years
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Still, you can't complain about the number of movies being made. Never have the means of making movies been so accessible to so many. The problem is getting bodies into seats.
David Edelstein / Film Critic
Complaining
Mean
Numbers
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The movie's only serious criticism is reserved for Baker's television network, which doesn't think Americans care about Afghanistan - kind of hypocritical given this film's lack of substance.
David Edelstein / Film Critic
Criticism
Serious
Thinking
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I'm more encouraged by the saplings: new music groups, tiny new venues, entrepreneurial musician-composers who aren't waiting to be discovered but are instead building their own Establishment.
David Edelstein / Film Critic
Groups
Musician
Waiting
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Along with my peers, I gripe about the increasing number of superhero films, and I'm sad that so many critics so uncritically use words like franchise, which should be reserved for your local Burger King.
David Edelstein / Film Critic
Kings
Numbers
Superhero
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My fears are the obvious ones: that marketplace-minded publishers - all four of them - will shy further away from literary fiction, international authors, poetry, and the other marginal but hugely important regions of the book world.
David Edelstein / Film Critic
Book
Important
Shy
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Ever since the Tim Burton Batman of 1989, it has been de rigueur in movies to focus on the freaky alienation aspect of the superhero's life: This is how talented people make movies for 14-year-olds while retaining their self-respect.
David Edelstein / Film Critic
People
Self
Years
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I think I can safely call 2012 average. Overall, it was a stronger year for nonfiction than fiction - a situation that would've surprised me back in January, when I was looking forward to big new novels from several authors I really love.
David Edelstein / Film Critic
Average
Thinking
Years
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Cillian Murphy is the guy who battled viral zombies in '28 Days Later' and put a gas-spewing bag over his head in 'Batman Begins'. With his pallor, cut-glass cheekbones and glazed blue eyes, he's right on the border between dreamboat and spooky freak.
David Edelstein / Film Critic
Cutting
Eye
Glasses
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The rise of video on demand will make it possible for small movies to earn back costs via $9.95 24-hour rentals and for people in cities without independent cinemas to see the kind of movies they never have before. That's great - but on the other hand, that's TV.
David Edelstein / Film Critic
Cities
Hands
Independent
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You can feel righteous fury in every frame of The Magdalene Sisters. The movie is both a masterpiece and a holy hell: Watching it, you feel you're being punished for a crime you didn't commit. Which puts you, come to think of it, in the same frame of mind as those poor Magdalene girls.
David Edelstein / Film Critic
Girl
Hell
Mind
Thinking
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My reaction to 'Sin City' is easily stated. I loved it. Or, to put it another way, I loved it, I loved it, I loved it. I loved every gorgeous sick disgusting ravishing overbaked blood-spurting artificial frame of it. A tad hypocritical? Yes. But sometimes you think, Well, I'll just go to hell.
David Edelstein / Film Critic
Blood
Sin City
Thinking
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Richard Curtis, the writer and director of Love Actually, is brilliant at many things, but his genius, I submit, is for thrusting characters into situations in which they feel driven to humiliate themselves. Which is why we love them, especially when it's all in the name of love. He is the Bard of Embarrassment.
David Edelstein / Film Critic
Character
Love Actually
Names
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There will be a competition among critics for the best Paris Hilton insult. Here's my first: Her attention span is so short that she can't even maintain her concentration while running away from a psycho... Maybe the ultimate insult is that she makes her co-star Elisha Cuthbert seem, by comparison, the sexiest and most interesting actress in modern cinema.
David Edelstein / Film Critic
Running
Paris
Stars
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As a critic, I try to stay neutral about movies before I see them, but I really wanted "Whiskey Tango Foxtrot" to be great. It's based on a barbed memoir by Kim Barker called "The Taliban Shuffle: Strange Days In Afghanistan And Pakistan." And its stars Tina Fey, out of her comfort zone, just as Barker was a fish out of water when, in 2004, she began covering the Afghanistan occupation for the Chicago Tribune.
David Edelstein / Film Critic
Stars
Trying
Water
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You won't be reading reviews of the dystopian sci-fi flick Aeon Flux in the papers today because it wasn't screened for the press-and, given that it cost the GDP of a small country and that Charlize Theron and the director, Karyn Kusama, are critics' darlings, this could mean but one thing: A stinker. A weapon of mass destruction. A planet-killer. Folks, I'll never understand studios. Aeon Flux is not that terrible.
David Edelstein / Film Critic
Country
Mean
Reading
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King Arthur is profoundly stupid and inept.. then there's Clive Owen, rising above it all. Aloof yet watchful, the actor cultivates an inner stillness that is perfect for faintly ironic brooders. He neither distances himself from this risible material nor pulls out the stops and opens himself to ridicule. His King Arthur tells us little about Arthur, but much about protecting one's flank. The mark of a box-office king?
David Edelstein / Film Critic
Kings
Distance
Stupid
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It's hard for comic actors used to pulling faces just to be on screen, but Tina Fey does a good job. I liked watching her. The part, though, isn't filled in. When Baker announces that she's gotten too used to the madness of Afghanistan, that she's worried she's thinking of it as normal, the sentiment comes out of nowhere. The dramatic arc in "Whiskey Tango Foxtrot" is nonexistent. The movie evaporates in the mind like water in the Afghan desert.
David Edelstein / Film Critic
Jobs
Filled In
Thinking
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Argo might well be studied as a bait-and-switch masterwork: In showing the capture of the American Embassy in Tehran, Ben Affleck first made a fetish of authenticity, then served up a shamelessly Hollywood, and wholly fictional climax, then capped the whole thing off with a coda that was essentially a tribute to his movie's authenticity, complete with side-by-side photos of the actors and their near-identical real-life counterparts. Well done, sir!
David Edelstein / Film Critic
Actors
Done
Real
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What can you say about a man who leaps from a helicopter over Manhattan without a parachute in the hope that by increasing his heart rate he'll transform into an iridescent lime-green behemoth so he can take on an even bigger behemoth? That he knows he's living in a computer-generated universe in which gravity is a feeble suggestion and nothing is remotely at stake, and that when he hits the ground he'll be replaced by a special effect. The Incredible Hulk is weightless-as disposable as an Xbox game.
David Edelstein / Film Critic
Xbox
Men
Games
Heart
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Well, the movie isn't bad. For a while, I even told myself I liked it, even as it missed one mark after another. But in the end, it's shapeless and blandly apolitical, apart from its watered-down feminism. You see, Fey's Kim Baker - changed from Barker - transforms herself from a neophyte reporter, condescended to by male war correspondents, soldiers and Afghan officials, into a hard-charging political animal who speaks the language fluently and parties as hard as men. That's about as edgy as a sitcom.
David Edelstein / Film Critic
Men
War
Party
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If I had to catalog all the moronic plot turns in The Day After Tomorrow, we'd be here until the next ice age. It's just so very bad. You can have a pretty good time snickering at it-unless, like me, you think there's something to this global warming thing, and you shudder at the irony of a movie meant to warn people about a dangerous environmental trend that completely discredits it. Is it possible that the film is a plot to make environmental activists look as wacko as anti-environmentalists always claim they are?
David Edelstein / Film Critic
Ice
People
Thinking
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It's no mystery why many of us in the media can't get enough of the fabricators Jayson Blair and Stephen Glass, the latter of whom concocted more than a score of bogus feature stories for the New Republic (and who wrote for other magazines, including this one, once) in the mid-1990s. Anyone--journalist, student, academic--who has ever stared at a blank screen, their brains grinding emptiness, and thought, How can I fill this hole? knows that in those desperate moments before a deadline, almost anyone can do almost anything: make stuff up, plagiarize, scribble senseless half-truths.
David Edelstein / Film Critic
Brain
Glasses
Media
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