Quotes of All Topics . Occasions . Authors
That's kind of the weird thing that M. Night Shyamalan has sort of unleashed upon the world is this need for every movie to have these ridiculous endings.
Cops and robbers resemble each other, so there's not a lot to learn in terms of learning the logistics of committing the crime or investigating the crime.
I've gotten my butt kicked by the best. Jet Li beat me up the best, but Steven Segal can still kick a good butt. It's a different kind of kicking, though.
Bob Taylor and I playing brothers. And I was a Mexican bandit. And he was the sheriff of the town. And we loved each other. We loved each other very much.
When I staged the play and narrated my story to the audience, people found it amazing that after facing so many hardships, I have gone on to do 482 films.
To have that normality to come back to, to totally relax and not have to deal with a lot of the pressure that's put on young actors makes it a lot easier.
I don't believe that old cliche that good things come to those who wait. I think good things come to those who want something so bad they can't sit still.
I read that book, 'Lonesome Dove,' and I told my agent that they were gonna make a miniseries out of it and I wanted to be in it. I didn't care what part.
I think that you can fall into bad habits with comedy... It's a tightrope to stay true to the character, true to the irony, and allow the irony to happen.
Neo-Darwinists ask us to believe in things not seen. We're not supposed to have an established religion in America, but we do, and it's called Darwinism .
As to a media personality, well that just happened in large measure because people found me amusing, and I did lots and lots of T.V. news interview shows.
I trained as a theatre actor and you had a bare stage and you had to pretend, one prop and you are in the middle of 8th Ave. and traffic is just going by.
I trained as a theater actor and you had a bare stage and you had to pretend, one prop and you are in the middle of 8th Ave. and traffic is just going by.
I am fortunate to have a lot of love in my life. I love my family, I love my dog, I love my close friends, and I absolutely love my incredible girlfriend.
I saw the things that my sister went through - she's dark skinned - with boys not considering her attractive in her youth and the pain that it caused her.
As far as the path of [Bill] Goldberg and all his ultimate success, I don't think any of that was planned. It was all organic. All of it was so different.
In 'Winter's Bone,' it's literally the director and the camera operator. That's it. Just a super-small Kubrick crew. You know what I mean? Like, 8 people.
I get bored doing one thing only. I've been very lucky to explore a lot of different artistic territory and I don't see why I won't continue on that path.
I go home and stay there. I wash and scrub up each day, and that's it. One month I actually grew a moustache, just so I could say that I'd done something.
A way of describing performances that I admire is that there is an absence of careerism. It's a clumsy way of describing it but it sort of does it for me.
In terms of jobs, I'm an actor. There's gotta' be depth there. I'd never say yes to something just to play the hot guy. That's not what I'm interested in.
You read something and you just feel this makes sense. And sometimes before you even read it you have a feeling that yeah, I'm probably gonna do this one.
I've written poetry since I was a kid. As the years went on, I got into writing stories and screenplays, but I always, always kept up with poetry as well.
I was a bartender at a Pizzeria Uno's for nine years. The people I worked with were amazing, but it was quite possibly the most miserable time of my life.
After graduating, the jobs that I got were TV, so you sort of move to where the jobs are. But I would absolutely go back to theater if the role was right.
Westerns was why I got into the business. I grew up on a small farm in California and all I ever wanted to do was to play gangsters and cowboys in movies.
I really hope people go out and support the indie filmmakers, because it's a dying breed and there's a lot of cool voices out there that need to be heard.
I like vintage stuff. I go through a vintage store and find things that I feel like I fit right into them because of all the years that they've been used.
I was very briefly under contract to Disney Animation, to develop ideas for animated features. They don't like you to use the word "cartoon" around there.
It's a question of keeping one's eyes and ears open and watching how other people play the game. They're watching me too, to see what my attitude is like.
Life is a play that does not allow testing. So, sing, cry, dance, laugh and live intensely, before the curtain closes and the piece ends with no applause.
I'm currently doing Undeclared an American TV show set in a college. It just got aired and got massive ratings so hopefully that'll screen in the UK soon.
I want to direct films, ultimately. Hopefully I'll have a fantastic career in acting and then go on to do that. That's my dream; that's the ultimate goal.
Shooting a movie can be so tedious. You're trying to get 20 different angles on the same swing. You never get into a rhythm. But I took it very seriously.
On the film sets of 'New Moon' and 'Eclipse,' I feel safe. It's like you're in the center of the hurricane, but outside is where it starts to get chaotic.
I'd never really considered film. If I'd thought about film more growing up, I probably would have changed my name. I had no concept of my name in lights.
I'd like to be the role model to teach other people who have Down's syndrome to be actors and actresses and to be themselves and not try to be a big shot.
I don't complain, say, 'I can't do this, I can't do that.' You don't do that with a big professional director. If you do that, you won't be able to do TV.
With 'Captain America,' you might have three lines of dialogue the whole day. And there are just a million angles and a million set-ups, and it's tedious.
Any time you make a movie where you're living in a certain head space for an extended period of time, it's tough not to take a little piece home with you.
Can you know the mighty ocean? Can you lasso a star from the sky? Can you say to a rainbow... 'Hey, stop being a rainbow for a second'? No! Such is Mango!
I feel like I'm pretty good but I don't like to toot my own horn, you know. I want to let the work speak for itself and kind of move on to the next thing.
I certainly liked performing [Patrick Bateman], but it was because he thinks he's so [bloody] cool and just the [stuff], but is really such a cheesy dork.
As I've gotten to know myself over the years, I realised I'm kind of a sweet, sensitive guy, a shy guy, and communication is not something I'm so good at.
I don't think actors are to blame for poor writing. The culture changes first, and the theater follows it. In the case of the movies, it's the same thing.
The minute I start to talk about acting, I realize that I can't. You know, it's an abstract thing, a little bit mysterious even if you do it for a living.
I love spaghetti. And I like to cook spaghetti. And I used to eat it every day. I weighed thirty pounds more than I do now. You can't - you can't do that.
I was a manual labourer. I figured out really early on that the value of my life could be determined by my hourly rate as a manual labourer digging holes.
Religion theme aside, most of the time I'm in some sort of comedy and I'm a straight man and it's really just, let's wind this guy up and see him explode.
The main factor in any form of creativeness is the life of a human spirit, that of the actor and his part, their joint feelings and subconscious creation.