I feel like I was the only person who was capable of making this type of music in this type of way. I don't rap like nobody, I don't try to sound like nobody.

On MTV, the dialogue can be a little darker, more interesting and edgy... the animation is just phenomenal. It's a CGI program that's doing all the animation.

I would like to have the superpower of being able to touch a book and then gain all the knowledge out of that book without spending hours and days reading it.

I've never been able to sky-dive, and I've always wanted to. I've probably done everything else, but for some reason the insurance company won't let me do it.

I like to go home early, that's my thing. My idea of a pub crawl lasts from midday until 5 P.M., then I can go home, play with my kid, have tea and go to bed.

Whether it's corporate investigations or comedy, there are certain inherent truths to trying to get what you want while trying to be a decent person doing it.

I haven't got any kids yet and it is something I need to address. I'm sure that, God willing, that'll be the next and most fabulous episode of my little life.

I'm sticking my tongue out in scenes to try to make that work in 3D. I'm thinking I'll try to get my tongue all the way out to the second row of the audience.

My house is basically a trailer. I live a circus lifestyle. I'm always moving. It's not always easy for people that live with me, but that's the path I chose.

I survived in high school by working at Kentucky Fried Chicken and made my way up to assistant manager. I was surviving high school and college with that job.

I've been a huge Psychedelic Furs fan for a long time. I love Butler's paintings, too. I like all their songs. I'll even crank 'Pretty in Pink,' I don't care.

For a long time, I so badly wanted to work with Jeremy Piven, and I ended up on 'Mr. Selfridge' with him. He was such a character - so brilliant to work with.

I've been described as a smart actor because I've attended college. Or I've been called an artsy jock. And I am thinking, 'So, are actors supposed to be dumb?

As a young actor, I found myself in all these movies at once, with two big trilogies and a Cameron Crowe film and working with Ridley Scott a couple of times.

I've written a lot of music, so to be able to put that together and play some shows around the country and elsewhere - that would really be a fun thing to do.

I think for some reason we're conditioned in movies that the protagonist must be heroic or redeemable in some way, whereas in theater, that's not a necessary.

I've done movies I'm very proud of, but there's always a sense of: 'Come see this shiny new car!' The question I hate the most is: 'Why should people see it?'

I think it was a lot of trust as well [between me and Daniel Radcliffe]. If we didn't have that, it could be a very painful film [ Swiss Army Man] to go make.

I would say that the emotional content of the film [Swiss Army Man] took me by surprise, and sometimes I would probably want to capture the unique tone of it.

I'm a sucker for period pieces. There is always great opportunity for research and to delude yourself into feeling like you are in a different time and place.

I've always found boxing to be an incredibly pure sport. The level of character of most fighters I find very high. And it's just the best workout you can get.

The difference between movies and TV is that in TV you have to have a trauma every week, but that event may not be the biggest event in the characters' lives.

I knew Henry Fonda was my father, but I didn't know who I was. They all thought of me as Henry Fonda's son. Unfortunately for them, they never got to know me.

Playwrights are like men who have been dining for a month in an Indian restaurant. After eating curry night after night, they deny the existence of asparagus.

One of the remarkable things about my career is that it has been marked by steady, incremental progress. No sudden spikes up, and no sudden downfalls, either.

Ultimately, I think writing is a mixture of craft, inspiration, and being incredibly, courageously explorative with yourself - and being brutally honest, too.

When people don't know who you are, they're seeing your work for the first time. But if they've seen a lot, getting certain things across is a more difficult.

In the studio system, things are expected of a film. By the first, second, third act, there's a generic language that comes out of the more commercial system.

Sometimes, when you've got a couple of females on the cast, you'll have a diva, or you'll have arguments. I've been on shows where girls haven't quite got on.

I hate hospitals. Even if it's a joyful occasion when a friend gave birth. It's like, 'Oh, look at the beautiful baby.... and all the disease on the walls...'

I love thrillers. I've never made them, but I would say a really good thriller is my favorite kind of a movie. If I can get a really great thriller, you know.

The comedy seeds were planted before the Marine seeds. The thought of comedy never happening was scary. When you have a plan, you never know what will happen.

I don't want to be a luvvie actor. It took a long time for me to accept I was an actor, a professional actor, and that, actually, I make a living out of this.

I've got such effeminate hands. I could never be strong. Whenever I even got to a save, my fingers would just bend back and the ball would hit me in the face.

I learned early on, having known the most handsome, successful, Gary Cooper, Clark Gable, Robert Taylor, don't ever spend too much time looking in the mirror.

I tried to make it as real for them as possible. The thing about being reality is that reality is not always fun. They did a big piece of growing up that day.

With a modest amount of looks and talent, and more than a modicum of serendipity, I've managed to stretch my 15 minutes of fame into 50 years of good fortune.

There is this image of a guy in a hot tub, drinking champagne with two buxom blondes. But that is not the real me. I am a father, and I am a grandfather, too.

As intellectual as we think we are, you still trip, we still have human foibles, sexuality, all the different things to still make you aware of your humanity.

In corporate levels, it's all about tailoring your shirt and which tennis club you belong to and which watch you are wearing and what did you shoot last week?

Working on a film, you don't get time to develop rivalries, but the theatre is like a little village, and the differences between me, Lionel and Georgia grew.

My training was that you fill in the canvas where it needs colour and polishing. You start with the words on the first night and keep adding bits of business.

I wasn't a model schoolboy. Of course, I was forced to sit through Shakespeare and I really got into some of it, though it depended on who was reading it out.

Authority figures are so irritating. Because they always tell you to do things for reasons that aren't very good. That sums up what authority is about for me.

There are lots of women and lots of men in the business that the powers that be decide are the right people and they'll stand with them for quite a long time.

I always loved acting, but it's weird to think what I'd be doing if this hadn't come around. It's kind of a bit of a fluke how I got into it, so I'm grateful.

I've seen attack ships on fire on the shoulder of Orion, I've seen moon beams glisten at the Ten hauser gate, all those memories, lost like tears in the rain.

I used to break dance. I can do some good James Brown footwork. But now I think I've danced too much. My girlfriend made fun of me: 'Enough with the dancing.'

I wanted to be an actor because it gave me the opportunity to express myself in ways I wasn't comfortable expressing myself, as a kid growing up in St. Louis.

I don't think that a company should own a studio and the network, and program for their own network. It hurts the creativity - it is not a level playing field

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