What really put me over the top was receiving a packet of hundreds of hand-written thank you notes, telling me how the kids were inspired and excited about the [Cube] project.

I first got into fruit when I was a teenager, when my life was changing in every way. The first time I had a mango, at like 18, I was like, 'Where has this been my whole life?

Sometimes you do a film because the script is amazing, sometimes you do it because you get to work with amazing people, and sometimes you do a film because they pay you money.

This was a really big opportunity. This script was even mediocre. The idea was great, but Jay came on with his guys made it great and very specific. It all came together well.

The first guy I really liked and was kind of obsessed with and had to seek out and find more of his films was Jean-Paul Belmondo. He was the main guy that I was obsessed with.

For an actor working in television or film, I think it's important to understand how the medium works - how the camera and lenses work and how the sound and the editing works.

Often you read something about yourself, and either you've been ironic, and that doesn't work in print, or it paraphrases something that you said, and has a different meaning.

It's really nice to go down to an extremely low-budget movie, but that is very daring and courageous and try something different, where the roles usually are more complicated.

Demons manifest themselves in people in different ways. For instance, out of nowhere, somebody can become very angry for no reason. That's not just an emotion. That's a demon.

The truth is, I'm a character guy. That's how I see myself. I always see the role as being far more interesting and important than I am... not all actors approach it that way.

I can't imagine a more profoundly exciting experience than I had working on 'Avatar.' And whether I'm ever part of it again, I'll always be very proud that I was a part of it.

In order for comedy to be funny you have to play the truth of the moment. But if you're not being completely truthful to the basis of the character, its not going to be funny.

The first time I went on a serious run was when I was 21 years old at Stanford University. From 21 to 30, I continued the tradition and ran 10 miles every year on my birthday.

Different things just strike people differently. And it's so subjective, too. Because what makes one person laugh won't make others laugh. I guess it's kind of checkerboarded.

You project a version of yourself to the public to protect and insulate yourself a little bit. Actors come up with a version of themselves in order to protect the real person.

A lot of people can be very scared about making themselves vulnerable and appearing uncool. I don't really give a damn; as long as it's funny, I'll do it [make fun of myself].

British culture loves the image of itself in the mirror; it doesn't want to look deep inside, behind the eyes, inside the brain, inside where those shivers and nightmares lie.

I'm not handsome in the classical sense. The eyes droop, the mouth is crooked, the teeth aren't straight, the voice sounds like a Mafioso pallbearer, but somehow it all works.

From the time I got dressed in the back of a deflated, flat-tired, fish-smelling station wagon for Rocky. It's always been do it yourself, kind of like paper-clip it together.

I think there are probably a handful of real character actors in this business. The rest of us are recycling. So now I'm Sam Malone the editor. I'm Sam Malone the billionaire.

I'm basically a know-it-all, and I'm writing a book about it. I want it to be called 'Danson on Water' and have me on the cover in this Christlike pose, standing on the water.

I don't believe in premarital sex. It enabled me to date three or four women at the same time, because as long as I wasn't having sex with them, I could always just walk away.

Between Clive Owen winning at the Golden Globes and the British Academy announcing its nominations, of which Sideways received only one, I'm feeling pretty humbled these days.

I think what makes us human - is our interconnectedness among people. It's our ability to form and maintain relationships. It's the barometer by which we call ourselves human.

Rod Lurie is one of the most wonderful directors I have had the pleasure to work with. He shoots like Clint Eastwood: no fuss. When he gets it, he knows it - one or two takes.

I think every director has a different take, some are good, some are bad. The directors you get on best with sometimes don't make the best films, so who's to say who is right?

Everybody's different and every person is different and every actor's different and everybody has different wants and needs, but I'm a kid who loved comic books my whole life.

I've been involved in one or two successes in classical plays but nothing to touch the excitement and the glamour and the gratification of being a children's hero for so long.

All directors should have to act and all actors should have to direct, so that they can understand all these key things that come into play with whether you can meet your day.

I want to have a good time myself. I don't want to dread going to work no matter what the gig is. I think, selfishly, I will make sure that I have a good time; how about that?

If you play it straight it's funny - the best comedy is always played straight down the middle. The adjustment is understanding from the screenplay that a moment is hilarious.

You're gonna have to go through hell, worse than any nightmare you've ever dreamed. But when it's over, I know you'll be the one standing. You know what you have to do. DO IT!

The real thing is, you should be seeing these plays in the Theatre. That's what they were written for. That's where the enjoyment is. Studying them is no enjoyment whatsoever.

'Vikings' is filmed in Ireland, and 400 people get jobs from that show. Their economy is not that good, so I'm proud of what we've done and will do anything to help that show.

Most people I know are not hard-core religious people. They are what I would call 'lightly religious.' So I don't buy the notion that we can't laugh about religion in America.

Like anything important, anything you need people to hear - you've got to have music for it. You've got to make it at least a little piece of a song or sometimes a whole song.

Working with my new coach has helped a lot. I've been a lot more focused and I'm doing all the little things in order to get faster. It's been a total lifestyle change really.

The only thing I do worry about is that the more films I do the more visible I am going to become as a personality because of press and because of the sheer quantity of films.

Americans don't care what your language is, your race is, whatever. Everyone is there to do their own thing and be successful. I wish people in Britain would be more positive.

Well, an actor is an actor is actor, to paraphrase someone or other and the opportunity to work, to have a steady engagement, certainly seemed like an appealing concept to me.

Doing a movie is like eating five hundred canapes at a cocktail party - you're never really full. You don't feel as though you've eaten a meal, and yet you can't eat any more.

No, but there are people I grew up with from the foothills of the Blue Ridge Mountains that would give any person on 'Justified' a run for their money in the scary department.

I'm very lucky in that I was inspired by science fiction while I was a little kid, and I was interested in science and technology and was encouraged to pursue those interests.

I live on a ranch in Utah for now, but I'm gonna move. I've got another ranch to move to, but its location is a secret. When I get there, I'm gonna plow the road in behind me.

I've always played cards. I can't remember when there wasn't a gambling game going on somewhere, even if it was a craps game in a wheelbarrow on the backside of the racetrack.

Out here I had been putting what little money I had in Ocean Frontage, for the sole reason that there was only so much of it and no more, and that they wasent making any more.

There's a forgiveness that literary audiences will give you that film audiences don't give you. It's the two hour construct. You're in there and it needs to climax and finish.

The only way to predict if there's a cloud on your horizon due to glaucoma is to get tested. No matter what the diagnosis, the forecast is for clear vision in the years ahead.

If I go down in for anything in history, I would like to be known as the person who convinced the American people that catfish is one of the finest eating fishes in the world.

Saying, 'I'm going to hang up my hat today, and I'm retiring,' it's not a concept for me, and it never has been. I figure, when I'm 81, I'll play 81-year-old parts, hopefully.

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