Quotes of All Topics . Occasions . Authors
From the time you are a tiny baby, a parent's love is usually unconditional. Whatever you do, your parents think you are the tops, but when their memory goes, you stop recouping the love you've put in.
I could see that it was God's forgiveness and His mercy that I needed, and that was provided through Christ on the Cross for those who will receive Him as Lord and Savior. That is how I came to Christ.
I like spending time with the same people, so TV is great, but movies are cool because they're almost like a mini-vacation. It's cool to see other parts of the country or the world and get paid for it!
A local newspaper where we were filming in Boston called me the Justin Bieber of Canada. I don't think they realized Justin Bieber is from Canada. I hope someday I can just be the Liam James of Canada.
It is the right to bear arms which is the problem. I think if the Founding Fathers knew what was happening they would be turning in their graves with embarrassment at how that law has been interpreted.
I offer my performance as prayer for someone I've worked with as an actor or someone who has died. The image that comes into my head as I walk to the stage, I offer that performance up for that person.
As an actor, when you're actually trying to embody what it would be like to just know that everyone's at your beck and call, it's quite a thing to absorb what that might be like and what that would do.
There is a somewhat-surprising, somewhat totally predictable paucity of struggle in entertainment television. I do like being a part of a show featuring a family from a struggling socioeconomic strata.
With everything you do as an actor, you obviously know the full story. But the person watching it doesn't, necessarily. So, you just have to discipline yourself to wipe the slate clean as you go along.
I think the best directors provide you with a safe environment where they can instill you with confidence and allow you to try things out and not feel like you're failing or that you're doing it wrong.
The great thing about Burgess's work is the dichotomy of making the hero or anti-hero an immoral man. And that's what makes it interesting. Because, you know, you are sucked into kind of like this guy.
Directing is kind of like acting through other people. You see moments and you see things and if you don't see the actors hit it, you paint in those little spaces and tell them what direction to go in.
I never saw myself so much as an actor. I wanted to be a cartoonist like Charles M. Schulz and create my own world and be able to have a studio at home and not commute and be able to be with my family.
I have great mood swings, maybe because of playing lots of different characters as I do. I'm like a gymnast whose muscles get too stretched. I've got better at it, but I have a lot of emotional energy.
They're so generous, the American fans. They send money to the various charities I support. I tried to raise a little bit of money to send to Nepal, and they were straight in with thousands of dollars.
It's always the case, whenever you're doing someone real, how much you want to do an impression or a characterisation. If I was doing Churchill, or Gandhi - people know exactly how they talked, walked.
There are still things technically about films that I think are a mystery to me and I want to remain a mystery. I don't particularly want to know what everyone's job is because I've got lines to learn.
I personally really sympathise with the Maori cause - what's gone on historically and their struggle today as a culture, and how they hold on to that identity and stand up for what's rightfully theirs.
You are always invested in a film, but there is always a different feeling you get when you are portraying a character that is based on real life and you are re-telling events that actually took place.
I'm certainly not one of those actors who remain in a dark place the entire time in order to be doing the scene. I sort of come in and out of it. It can be to the detriment of my performance sometimes!
Within the microcosm of a film you get drawn to people. There are certain projects you care enormously about, and 'The Edge Of Love' was one because I was portraying a great hero of mine, Dylan Thomas.
For AXE to take a chance on me and to help me, you know, collaborating with them was just a really, really big deal for me. It shows that they bought into me and vice versa so it's a good relationship.
One Flew Over the Cuckoo's Nest' is a movie that I just find flawless. Jack Nicholson... I just saw 'The Shining' again the other day; he's so brilliant. He's such a brilliant actor, just unbelievable.
My closest friends are Roger Moore, who is an actor, Sean Connery, who is an actor, Terry O'Neill, who is a photographer, Johnny Gold, who was the boss of Tramp, and Leslie Bricusse, who is a composer.
The person that's always talkin', you don't have to worry about that person. The person that while you're in his face, he's just lookin' at you with a smile on his face, that's the guy you worry about.
The reality is, because of access to film, you don't have a lot of black people who want to go behind the camera. We raise our children to want to be in front of the camera and shine, and that's on us.
Scratch the surface of what's socially normal. I suppose in some way all of us have something we display to the public and things we feel too ashamed of or uncomfortable with to reveal to other people.
I've learned some exciting things - mostly, that people really want to help each other; and that, if you can lay out a vision for them - and that vision is sincere and genuine - they'll get interested.
I had gotten injured during the boxing, and I was supposed to take several months off because I'd had a couple of concussions, and so I sort of just left the boxing and got into the acting by accident.
I was drawn to it much to my father's dismay. He wanted me to be a pianist like he was, but I had coarser tastes - like that old joke: What do you call a guy who hangs around with musicians? A drummer.
As long as you can throw people a curveball, that's what you're looking for. Because the minute they can define you, the minute they think they know exactly who you are, is when it starts to wear thin.
The public feels that if it's on the Internet and you can access it, you deserve it. You haven't committed any kind of crime. We may even have to rename piracy. But in any case, we have to confront it.
If you're going to play a brain surgeon, you just have to learn how to say the words. You don't have to go and learn how to cut open somebody's scalp. I think acting is acting. Being is something else.
God gave me an opportunity, this is my platform for me to reach people.I tell everybody like my mother told me, it's not what I make, it's what I share. That's why I'm still here because I share a lot.
Basically, after an ABC sitcom I did, I ended up with a holding deal with 20th Century Fox. Absolutely cool. It pays you to be unemployed. And the bigger the entity that gives you the deal, the better.
I enjoy darker sardonic wit more than knock-knock jokes. I spent the first healthy chunk of my career playing all-American, pleasant, average, nice people, so it's fun to have some complications there.
The makeup [for Count Olaf] took about two and a half hours every morning. The meditation was another hour and a half. I would eat a big breakfast - that was probably 45 minutes. And then it was lunch.
I would just like to leave this big, floating rock having inspired somebody, having made a difference. It doesn't mean I have to be a huge megastar. I would like to entertain people. I love to do that.
I have a box of things from Becca, my high school girlfriend, and Vanessa; and each one of them was love. I have the notes, the valentines, 20 mixed tapes, all of it. It's important to keep that stuff.
As an African-American male born with a couple of strikes against you because of your skin color, I think it's very, very important to have some positive role models around, especially male influences.
[The movies] make the sort of comment only a novel can make, an allusion to the world in which people live, the psychological and economic motivations, the influences of the period in which they lived.
You need to have one element about your outfit that is imperfect, that says you live in it and you're not letting it control you. I think men and women both need a softness about them with formal wear.
You just have to be classy at the end of the day. That doesn't mean you can't go with a midnight blue tux. And if you can find a deep red tux that looks classy and classic, I think you can pull it off.
I've been super lucky in that I've either been in or helped create situations where I do what I want. I'm super lucky. I get to do what I want and create art and make people laugh, and it's really fun.
When you're involved in those big-budget movies, there's a lot of hype: 'Oh this is gonna be a big hit!' And 'A Christmas Story' wasn't. It came and went and was a big disappointment at the box office.
I think the nice thing about 'Doctor Who' is whether people like it or don't like it, somewhere, someone loves you and will always love you - and the more everyone hates you, the more they'll love you.
I got a regret: That I started acting so late. I was 27, and guys who start at 18 or so, there's this kinda continuity of friendships they form in the profession by startin' young, I've never had that.
I love acting. It's the one job I know of where you can go in, go through complete catharsis - emotionally, physically sometimes and mentally - and at the end of the day say, 'See you in the pub, guys.
I was looking to become more proactive with my career because I wasn't crazy with some of the scripts I was getting - this was before Blow and Hannibal - so I decided to start my own production company
I missed so many opportunities along the way to do what I wanted to do because I didn't have the confidence to tell myself, much less anybody else, 'Yes, this is the business I wanted to be a part of'.