Quotes of All Topics . Occasions . Authors
It seems acceptable today to scream for revolution, without any concept of what will follow it. This is just what the forces at large want, for who will follow a man who doesn't know where he's going?
A tree you pass by every day is just a tree. If you are to closely examine what a tree has and the life a tree has, even the smallest thing can withstand a curiosity, and you can examine whole worlds.
I'm a busy guy; I just get a lot of people that sound like me to go out and visit them. They don't know the difference and, let's face it, they aren't going to be paying to see my movies anytime soon.
'FlashForward' was a really fun show to make. Not to mention, I only worked, like, one day a week, and it paid the same as 'Happy Endings.' I got to make out with beautiful women on that show as well.
In America, people think being South Asian is still kind of exotic. When you go outside New York and Chicago and L.A., there are people who have never tried Indian food... they've never even tasted it!
My parents' convictions, when it came to discipline, were not very strong. For my bar mitzvah, I gave out a mix tape of '90s grunge - if you got it now, you would think it was the 'Singles' soundtrack.
That was our first major tour and we got a chance to play in front of like 5000 people every day so it was like a Rock and Roll boot camp for us really, we learned a lot and made a lot of good friends.
I like working, I'm not into relaxing. Work motivates me, and even when I do take a holiday, I meet friends, talk about projects and set up meetings, set meetings between other people, or get involved.
The great thing about 'Weeds' is that everything we do is never quite serious enough to be taken seriously. It always has humor behind it, and it think it makes it definitely more fun for the audience.
I spent two months in Fredericksburg, Texas, when I was 8, while my father shot a movie, and I loved it. I just embraced the whole cowboy culture. I got myself a pair of awesome boots and a cowboy hat.
I grew up in a very urban, bohemian family where everyone was a hippie or a pacifist. It was artistically and intellectually stimulating, but they were definitely not into outdoor sports or activities.
Getting some time away to be active, work out, do yoga is definitely a necessity in life. These activities help me relieve stress and center my mind when I'm playing the waiting game after an audition.
I said once that if they gave me enough money to read the phone book, I'd do it. I live in a total state of non-expectation. I don't expect things, and I keep my expectations very low about everything.
I remember coming to New York, in 1974 to do a play here called Equis. And I remember the first morning getting up and walking around the streets and I thought, "I'm home." I felt really at peace here.
I'm very happy doing what I'm doing; I don't think I'm prepared to devote my time to politics. When I am, I'd like to give it 100%. I'm not in the frame of mind, and I'm too greedy an actor to do that.
I grew up in the Cayman Islands. I didn't play video games or watch TV. I would basically come home from school, throw down my backpack, grab my machete, and go hike and chop down trees to make a fort.
There were two auditions for 'The Social Network,' one with Aaron Sorkin and one with David Fincher. I was a nervous wreck. I was like, 'Okay, how do I hold the paper without my hands making it shake?'
I got cast on 'MADtv' as one of eight permanent cast members chosen from 8,000 comics who'd been screened. For any comic trying to make something of themselves, that was like hitting triple 7s-jackpot.
I'm very tech-forward. However, I also think hitting the pause button is not a bad thing, and really connecting with people one-to-one viscerally, having a connection with someone, is really important.
After 2000 or so, I started to realize I wanted to be doing something else. I didn't want to be in front of a camera. I was frustrated. I didn't think I would stop acting, but I didn't want to be seen.
I just watched Paul Michael Glaser. He was the reason I wanted to do the movie because as a kid I was such a big fan of his. I watched all the episodes and tried to get a feeling for what he was doing.
I've never understood the appeal of feeling really scared. I know that people do find it really thrilling. For me, artistically, it needs to be worth the effort of me feeling uncomfortable watching it.
I like people like Ani DiFranco, a band called Elbow, of course John Lennon, George Harrison, Barry White. I have a lot of different influences and hopefully they all come together and make some sense.
As a matter of fact, I decided in high school that I was going to go to the seminary. And I did study with the Paulist Fathers for two years after high school in full anticipation of becoming a priest.
It's too hard to make a movie if you don't care about what happens to it, or even what the product is. I can't even imagine that. It's not worth the time and effort if you don't care about the product.
I think Night Court was the first thing I did when I came out to Hollywood. It was just one of those things that... I'm from Texas, and it was a character I'd been doing when I was a kid, just for fun.
It's funny, I do try to maintain health. I started doing Bikram yoga which is that hothouse yoga, the 105 degrees yoga for 90 minutes. It's great, you purge out all the sweat and you're drinking water.
I think if you believe in past lives, I must have been an extremely deprived being. I must have been mistreated, beaten, and forced into indentured servitude because this life has just been phenomenal.
The thing about New York is it's like London: you want to go to the boutique places. You can go to the big department stores - Barney's, Bloomingdales and all that stuff - but I like the little stores.
My fans are probably largely female; it wasn't until 'How to Make it in America' that guys started coming up to me: 'You're Bryan Greenberg.' 'Yeah... Don't hurt me. What do you want?' 'Love the show.'
If you can believe it, Hollywood wanted to change my birthdate. I was born after Valentine's Day, so they wanted to change it to February 14. A Latin lover should be born on Valentine's Day. I said no.
That is perceptive of you, because in this country men dancers have always been viewed with suspicion. If you were an actor, a star, and a dancer, you had to be, or have a name like someone mainstream.
I did kung fu from when I was nine to 13. You have to be really careful but you want to be able to make it look eventually as though it's just a part of you. So, you train over and over and over again.
I would like magical palm tree that had a lot of shade with instead of coconuts there's just peanut butter jelly sandwiches with cheetos underneath. And my wife that is always happy and possibly naked.
I had a stammer through adolescence. Any fun I'd had performing in school plays disappeared and only came back at 18, when the stammer started to go. Then I thought: 'Well, perhaps I can show off now.'
I had no idea of the character. But the moment I was dressed, the clothes and the make-up made me feel the person he was. I began to know him, and by the time I walked onto the stage he was fully born.
I ride the same bike that I rode on 'Sons,' a Harley Dyna Super Glide. You know, I wish I wasn't the guy who rode the same bike he rode on his show, but the problem is there's no better bike out there.
I still have to say that I did 'Dirty Pretty Things' 11 years ago. That was a very sudden shift in my life and my relationship to my work, and it didn't feel it was impossible to make a film like that.
Effortless [performance] and improvisation are two different things. Just because it's improvised doesn't mean it's effortless and just because it's effortless doesn't necessarily mean it's improvised.
I think theatre is by far the most rewarding experience for an actor. You get 4 weeks to rehearse your character and then at 7:30 pm you start acting and nobody stops you, acting with your entire soul.
It's obvious that if you're going to play a character you need to amass information about that person and about their environment or their era that they're in and use as little or as much as necessary.
Whatever I did, I always gravitated toward trying to be funny. If I was with friends, we were joking around. If I wrote for the newspaper, it would be a humor column. If I acted, I wanted to do comedy.
I kind of have an interest in all history. And I suspect it comes from being Irish - we like stories, we like telling stories, which makes a lot of us lean towards being writers or actors or directors.
I was born with an extremely negative attitude. I was the kid who wouldn't smile in Christmas photos, was a poor sport, and hated a lot of things. I eventually grew out of my negativity when I matured.
I have my ethics and morals. I have my anchor point of what is right and wrong in real life, but I'm not afraid to entertain any and every aspect of personality in relationship to creating a character.
Not only was Tupac an iconic figure in Hip-Hop, he was an iconic artist across the whole world. He transcends to all races. And everybody loved him. It's just his honesty. Good or bad, had to love him.
But even writing the column for the 'Telegraph,' that idea of working to deadlines, which as an actor that's not something you have to do in the same way. It's excited me into wanting to do a bit more.
I loved the movies and I loved cartoon superheroes - superheroes in general. I had all the pajama costumes and I would wear my underwear on the outside of the pajamas because that's what Superman does.
The subject matter is very tricky. It's about the Munich massacre and what Mossad did afterwards with the assassination squads. I think it's a turning point in history, especially for the Palestinians.
You know, I think the film business is its own worst enemy because it sells movies on DVD footage and 'behind the scenes,' and now it's a real struggle trying to keep storylines and plotlines a secret.