I grew up in an acting family. I was heavily discouraged from doing it myself when I was young, which is the only responsible route to take with any child, because it's not necessarily the easiest of lives.

One of the most important reasons for living is to do something - live outside of yourself and put together an idea, an idea that you want to explore and then complete... Awaken your creative sensitivities!

At the beginning of each year, we have conceptual meetings. How are we going to challenge ourselves this year? So we suggested a transsexual or transgender. And to be honest, I am shocked they let us do it.

Always communicate no matter how hard it is to tell someone something's wrong. It's worse not to talk about it. I learn this every few years. The truth hurts for 3 days. Lack of truth hurts your whole life.

I couldn't do the same job for 30 years. That would make me want to kill myself. Other people do it and they're very happy doing it, but for me, that's not what I want. I like changing things, all the time.

We always have relationships in our lives with people we've fallen in love with, who come back into our lives, and we fall in love with them again and go, 'I shouldn't be doing this,' but you can't stop it.

TV is a big business. In some ways, it's surpassed films, in terms of the way people invest in these shows and invest in these characters, and give up so much of their time to follow these people's stories.

I can't really go without being noticed. I'll keep my head a bit lower than usual. I've got to keep my head out of trouble, because if it goes on, it would be 'Harry Potter boy this, Harry Potter boy that.'

My career has worked out exactly how I like, and I am just happy to go to a coffee shop and nobody knows me, or when they do, they are complimenting me on the work they have seen, and it feels very genuine.

I look in the mirror and I don't see a sex symbol. I just see a guy who looks like he's been beaten with a baseball bat. I mean, is this the face of a sex symbol? They say that because I work in the movies.

Agents run a business, and their business is their talent; some are more general and broad and can rep a little bit of everything; some are more niche. You have to be specific with who you approach and how.

My father Lloyd Bridges was very versatile in his parts, but he had a hit in the '60s 'Sea Hunt,' where he played a skin diver. And he was so into that role that people actually thought he was a skin-diver.

Play doesn't have to be a frivolous thing. You may think of a Beethoven symphony as something serious, but it's still being played. I think Oscar Wilde said that life is too important to be taken seriously.

I'm just a regular boy who goofs around, pulls pranks, and makes jokes. I'm not Mr. Debonair Suave. I'm just a regular boy who goofs around, pulls pranks, and makes jokes. That doesn't sound very hot to me.

I worked selling tickets for Dodger Stadium; I delivered pizza; I did every job under the sun. It's the part that sucks as an artist. But I've learned at the end of the day you just have to enjoy your life.

My biggest break wasn't 'Rent;' it was the first job that ever paid me. I couldn't believe that they were paying me all that money to go around the country and do Shakespeare. I would have done it for free.

I've always loved music, but I never really played anything. After 'Walk the Line' and learning to play guitar, and having that sense of performing, I think that certainly opened the door for me, for music.

There's the pressure of being a No. 1 on the call sheet, being a lead actor. There's almost this feeling like being captain of the team. You want to put a bit of energy into actually setting a good example.

A big moment for me was when I did a play that was a new adaptation of Dostojevskij's 'Crime and Punishment,' and I played Raskolnikov. It was actually the first thing I did when I got out of acting school.

My mom was a little weepy. My dad was very logical about it. Once they realized you can't change, they wanted to know that you can be happy and be gay. Once they realized that, they were very cool about it.

I like the fact that it's like The Ramones. You just have to change your name, and you're a Ramone. You just have to put the wig on, and you're Hedwig. Women have played it. Gay men, straight men, you know.

There was a time I wouldn't fly to California if I had to spend the night. Can you believe it? I would not fly to California, the phrase was, 'if the sun has to set on me.' I just had prejudices against it.

I'm definitely nostalgic about the music of my youth; The Clash and Fishbone and that whole music scene. I still have all that music to this day. There was some great music going on in the late 70s and 80s.

You can see areas where maybe you got a bit lazy, perhaps, or you see when you were really on form. I think an actor is very like a sportsman in that respect. You have periods where you're in terrific form.

There's a large oak tree in the Newton Centre park playground that is legendary because only a few humans have hit it with a baseball from home plate, and B.J. Novak is among them. And I was there that day.

I wasn't even in a theater because I guess nobody believed in me, so I was in the hallway of a theater on a platform that they would move so the main stage show could go on at eight o'clock and I'd be gone.

I'm not really against a lot of things unless they are just pure exploitation and then they create their own copycat culture that comes from someone acting irresponsibly. That's dangerous when that happens.

Actors generally get to do things you probably shouldn't do in real life - well, at least as much as one might like to or be tempted to. Though I suppose a lot of actors just go ahead and do it, don't they?

'Dark Circles' is a great relationship/character piece and also a horror film. It tinkered with the genre, which I loved. I was sick of seeing the same thing, sick of people just trying to get a movie made.

Some comics are in it for what they can get out of it. Others are in it for a love of comedy. I think those that are in it for a genuine love of comedy find each other within the circuit and become friends.

I've learned through experience of playing different characters, some of whom were jerks, that when you play a character who is pretentious or obnoxious, in any way, it's important to knock them down a peg.

Never stop training, no matter what level you're at. Never, ever stop putting your talent under a microscope and asking, 'Yeah, yeah, yeah - I'm doing all this stuff right, but what's wrong with my acting?'

Everybody knows this legend in kind of African-American lore. There's always somebody in your neighborhood named Orangejello or Lemonjello. And that's spelled - Orangejello is spelled O-R-A-N-G-E-J-E-L-L-O.

I find campfire stories and urban legends are kind of the bread and butter that inspires a lot of people who are making horror and thriller. There is a nugget of truth behind these sort of cautionary tales.

I'm constantly telling young people that their voices and stories are important. Making a movie is such a large-scale, intense operation that imagining that you "deserve" to be making it is - well, complex.

Relationships, if you want them to work, take work. The biggest thing that I learned growing up, and even now, is if it's right, it's worth it. It's just a matter of finding that person you want to be with.

It's all about story and character with me, and I don't care if the job is on daytime or prime time or the web. Hey, give me a good character and someone to listen, and I'll do my acting on a street corner.

It was very important thousands of years ago to categorize things. I can eat that plant, I can't eat that plant. Or this tribe, not that tribe. We don't have to do that anymore - we have processed food now!

It's funny to be in rooms where you were originally referred to as 'The Shakespeare Guy' and to suddenly be in the position where you're 'The Blockbuster Guy.' That's a pretty unusual turnabout, I must say.

I wanted very much to do Traffic and at one point it looked like I was going to work on it. And then, of course, Catherine Zeta-Jones had her relationship with Michael Douglas and it suddenly didn't happen.

When I read Thirteen Days I was moved by it. It was just a great time for the world, in terms of looking back in history and seeing how we got ourselves into trouble and how we got ourselves out of trouble.

But to this day - I'm very literate now, I love to read, I read constantly - words don't resonate the way they do to a person with a formal education. They're like a maze, a puzzle that has to be opened up.

In my films quite often, paranoia usually leads to the truth so it is kind of a psychological state of mind to think that what you fear may come true, and those are the types of stories that I like to tell.

I see that I have, as part of my stock in trade, a very regal personality and carriage. I see that I have a kind of strength, a kind of command, and a kind of power that one would associated with a monarch.

What it made me realize was that a show like this makes people look inside themselves. Because this crew guy isn't sitting there wishing the character would fight back. He's hoping that he would fight back.

There are a lot of photographers who have influenced me; some of the great ones, like Herb Ritts, Helmut Newton, and [Alfred] Stieglitz. I draw from all of them. You're supposed to steal from the good ones.

I've never tried to reach a certain demographic of an audience or try to say: OK, now I'm going to do this type of film to transition myself into more adult roles. Or a romantic hero. Or whatever it may be.

In all honesty, at that time, I never saw myself as an author... I was just a Mom in a state of panic, trying to enter a short story contest to win the prize money in order to keep the lights on in my home.

I used to have this dream that somebody was knocking at my door. I'd say 'Who is it?' and they'd answer 'Police.' I'd open the door and they would say to me, 'Pack your bags. We realized you have no talent.

As for honours, I've had a few along the way, and to be honest, I never expected any of them. I made a good living for decades, and that was enough; that, and maybe a good residual cheque from time to time.

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