You’re not weak. Your life is not defined by a letter grade, a dress size, your sexuality or anything else. You have every chance at happiness. You were not meant to suffer. You are loved. Never, ever give up.

I get on stage and talk about different stuff in my life and what I've been through and what I think about the world. It's picking out highlights of things and how I became who I am and how my daddy raised me.

I'll find myself having dinner with people and someone will mention something and I will say I was in that situation once. Then I'll say, forget it, it was a scene I was in. That can get to be quite confusing.

Often as a child you see someone with a learning disability or Down's Syndrome and my mum and dad were always very quick to explain exactly what was going on and to be in their own way inclusive and welcoming.

I don't consider myself a shy person necessarily, but there's something about getting under the skin of a character and allowing you an abandon or a sense of courage that you would never have in your own life.

I think it is more important to tell a story rather than follow any trend; that is a less bold way to go. If you do that [follow trends] you are just trying to ride on the coat tails of someone else's success.

You hear about actors being late and all that sort of stuff, but you never find that with an actor who's directed, because an actor who's directed understands all the problems your production is going through.

I've lately had two spiders Crawling upon my startled hopes-- Now though thy friendly hand has brushed 'em from me, Yet still they crawl offensive to mine eyes: I would have some kind friend to tread upon 'em.

It's all about creating a back story for the character and developing emotional responses that are true to life in relation to the character. It isn't necessary to live a tragic life to create from that place.

I've seen a lot in my life, and everybody goes down the dark, winding staircase eventually. It's a bad place to be and that's why having good friends is always essential. Those are the people who pull you out.

I'm not an easy person to love. There are lots of times when I'm a very good boyfriend, but there are times when I'm useless. I mean, I'm a mess around the house. I talk nonstop. I become obsessed with things.

I pretty much left full-time, formal education when I was 11. So that was when I was taken out of the school system... I think the longest stretch I would go back for was a term and a half when I was about 14.

I think it would be very hard to go out with an actress, because they're mad. Some actresses are just insane. I've never worked with a nasty actress - they're all absolutely delightful. But completely barking.

When I stopped making films, they were getting on to the more realistic films and the explicit films and all. They were depicting life as it is, and some of it was unpleasant. I gradually moved away from that.

I'd like to think that I'm not just making the point that I'm an atheist over and over, but that I explore different facets of religion. There's no way of bringing up religion without sounding like an asshole.

There's quite an overlap between musicians - especially drummers - who have an affection and a proclivity towards comedy and comedians who fantasize about being in a band. And a lot of comics play instruments.

I've been lucky enough to do this fantastic job now for more than 50 years. To make people laugh, to entertain, create a wide range of emotions - it has always been a tremendous thrill for me, and it still is.

I tried one [lavash], just because, I was like, "I should know what it is," once I got the part. And it's all right. It's like if a matzo and a flour tortilla had sex and had a baby. It's a dry flour tortilla.

At the end of the day, everyone knows what it is to be loved and to aspire to love someone, to want to be loved, the loss of love, or having their love be opposed, whether it is family, friends or politically.

I think that having a black president in this country has been a seismic shift, in terms of what has been going on racially in America. I think that America is now engaging with how we have come to this point.

The only way I get a leading role in a studio picture is if Ryan Gosling can't play it, which is clearly the case with 'Selma.' If this was a non-colour-specific character, it wouldn't be me. It just wouldn't.

I wasn't banned from skiing but didn't go much in college because I couldn't afford it, and there just wasn't the time. I played football all winter, then in summer I did track and field and played volleyball.

I do have to say that I think that President Obama is the greatest President in the history of all of our Presidents, and that he can do no wrong in my book. So how's that for prejudice on the Democratic side?

I don't think we've got much of a chance to tell you the truth. But our main problem is our audience skews a little older than most shows, and I don't think our people can stay up that late. I certainly can't.

You're always just trying to create opportunities and be ready when those opportunities present themselves. I can't look at anybody and think 'I want to be Damian Lewis' - I'd be setting myself up for failure.

In Nova Scotia, there are some definite down-home accents, and it's funny because you can go to Sydney, and one guy is from North Sydney, and you can't understand a thing he's saying, or Glace Bay or wherever.

First the movie, the actual playing of the role and trying to deliver what everybody wanted. Then, when the film came out, there was instant fame. I was just a kid from Sweden, I didn't know what was going on.

I am not a socialite, though I seem to have got the reputation for being one. I have some very good friends who happen to be in so-called Society; but Society as such is a bore and holds no fascination for me.

Every once in a while I get the highly inappropriate proposal which is like, 'Wow, Really! You don't even know me and I don't know you at all, and you want that to happen? Tonight? Ok, I get off work at 7.30.'

I lived in New York for 10 years, I loved it, I never second-guessed it. There were definitely times when I thought, "I will never leave this place." And I kind of got into that center-of-the-universe mindset.

But I have fun with the fright, work with it. You have to - that's your timing, that beat of excitement. And when I go on stage, it's just like taking a step into heaven. Poof, you know? Poof - and there I am.

Men are taught that if we are not the ultimate provider, we are a complete failure. We have to be number one in everything we do. There is nothing more delusional or paralysing than what I have just described.

Having Down syndrome means nothing to me, I'm special like everyone else. I do not let people judge me for having Down syndrome. The important thing is how I feel about myself. On the inside, I feel beautiful.

I do subscribe to the maxim that generally comedy is like jazz. Either you get it or you don't. You can't learn it and you can't be taught it. I don't think that if you are not a funny person, you can fake it.

It's a cliche, but John Lennon is my hero. He was so rebellious, so outspoken and so publicly opinionated, and I'm someone who's so private. I suppose you admire people who have the qualities you wish you had.

Any good movie is filled with secrets. If a director doesn't leave anything unsaid, it's a lousy picture. If a picture's unsaid, it's a lousy picture. If a picture is good, it's mysterious, with things unsaid.

When you start becoming really successful, the demons start to tempt you - the demons of vanity and self importance, drug abuse, the feelings of fraudulence. But, it's also a thrill. That's what I found weird.

For me, I think there's a lot more room in cable television to tell broader stories. NBC and the networks, they're all very mainstream, and they're a little more conservative in how they approach storytelling.

The people I've respected most in the industry over the years - Paul Newman, for instance. I just loved the way he handled growing old on-screen. It's understanding that you're now basically a character actor.

I've certainly done some turkeys along the way and made some dumb choices in my career, mostly early on. I'm one of the lucky ones who got to make a lot of mistakes very early when no one was paying attention.

You've got to remember that films don't lead the way. People think that films are trying to lead society. Mostly, they're reflecting the moods and thoughts that are going on in the country or around the world.

Cooking is not difficult. Everyone has taste, even if they don't realize it. Even if you're not a great chef, there's nothing to stop you understanding the difference between what tastes good and what doesn't.

Once I got to be about twenty-five, I got interested in the music of the time. I started smokin' dope, I started drinking, I started slowing down and trying to find myself. I didn't want to work in nightclubs.

My character had been in the chair for seven years. He had gone through his anger, depression, drug and alcohol abuse. He had gone through everything, now he was up, he was happy, he was filled with his dream.

I think we were the first picture to cut on Final Cut Pro. So we were the guinea pigs, because we got a deal on the system. But with that comes all sorts of technological problems I couldn't begin to describe.

If I could sew comedy and philosophy together, then I've done a good job. The primary goal is always going to be laughs and the secondary goal is always going to be saying something without it being a lecture.

A lot of times, especially when it comes to political debates, people get caught up in esoteric statistics. So the realest thing I can do that has nothing to do with numbers is tell you my personal experience.

Writers can get very angry when an actor says, "I don't know, I don't feel very comfortable with this line." Sometimes though, you're working with a writer for whom that is simply not apt - like Harold Pinter.

You know, he [Alan Rickman] played these very reserved, sometimes-cold, sometimes-threatening characters on the screen, but the reality of the man was incredible warmth and humor and generosity and wicked fun.

There is a story that you have to tell within a certain amount of time, and you can only show so much of the character. So as much as the script is born from the source material, there are certain limitations.

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