Quotes of All Topics . Occasions . Authors
Back in 2005, the Anthony Nolan Trust could have asked me just to speak out about the lack of ethnic minority donors on the bone marrow register, but that would have meant nothing if I wasn't prepared to join up myself.
We [me and Seth Rogen] have always wanted to work together. That was the whole point. We talked about it actively, and then we finally got the opportunity to do that, over and over again. It's kind of a dream come true.
We essentially spent our college years together [with Seth Rogen and Evan Goldberg], so those were the kind of lasting friendships and the bond you form during those years, and those friendships last a really long time.
I would make the tea on a Daniel Day-Lewis set just to observe how he crafts roles like he did in 'My Left Foot.' That was the equivalent of seeing Haley's Comet for me. I just couldn't understand how that was possible.
With the success of the last three or so years, when a lot of people start treating you differently, there's a danger that you may start to think of yourself differently. You rely on your friends to say, 'Hey, wake up!'
I often do that with characters, going back to my bloody drama-school days, in terms of equating them with creatures. And it's very much there as a theme of all the seasons of 'Fargo' as well: the predator and the prey.
I shall miss all the people in it and the great fun we had doing it. I enjoyed playing the character very much. It was a very, very special character and a very special series. And the camaraderie of it all. I loved it.
My dream is to be able to make something in Baltimore that's just there. Make a movie or make a show there. I only left because there wasn't any opportunity except being an extra in Barry Levinson or John Waters movies.
My brain kind of rolls pretty fast when I'm conscious. It's constantly looking for stuff to do. Like if I'm in my house and I'm hanging out, I tend to be listening to music whilst watching a film whilst sending e-mails.
I think action movies bring more excitement than tears, but I always want to take it to another level. I mean, I think if one appreciates anything in life to a certain degree, it could possibly bring tears to your eyes.
Ultimately I'll probably end up going out with an actress again. But an architect would be cool. They need to do something creative. I'm attracted to talent. But it would maybe be healthier if it wasn't in the industry.
I had no particular desire to be a personality like my father, nor was I equipped to be one. I was determined to be my own man, although having the Fairbanks name did make it easier to get into an office to see someone.
I'd buy joke books and try doing them at school; I always had jokes. That would be my go-to thing at parties: I'd be able to get through them if I just told enough jokes. Otherwise, I wouldn't end up talking to anybody.
When I was a kid, I was always enamored by - I appreciated the movies, and I was able to see them on VHS when I was a kid, but I was so enamored by the one-sheets and the posters. I had them in my room when I was a kid.
I'd loved to wear jeans and t-shirts, but everybody was in the peace movement back then. And that was my ploy. I had to be careful not to say things like 'I like meat.' Actually I just wanted to drink beer and to screw.
I feel like J. K. Rowling's world is one that is owned by everyone in some ways. People have grown up with it and have such a sense of that universe that there's something kind of wonderful seeing everyone get involved.
I studied French forever, and when do I ever speak French? I clearly should have studied Spanish. I wish I had stuck with music, because that would still be great. I really wish I had learned to surf earlier in my life.
I have accomplished a lot, but it didn't happen overnight for me. I was 35 when I got the show, and had been working professionally for 15 years. It would be a lot weirder if I were in my early 20s and stumbled into it.
I think the legacy left behind by 'Battlestar' speaks for itself. I thought that these avid fans, most of whom were skeptical at first... to turn them into a fan of 'Caprica' as well is a daunting task, a big challenge.
Lady Gaga is not a diva, and she's not crazy. She's just an incredibly nice, down-to-earth person who really cares about art and creativity. It's pretty amazing to be able to work with her. I'm pretty grateful for that.
I think theatre reminds us what we're doing as actors, because every night and every matinee day, you have an audience telling you what's working and what's not. And that's very good for us as actors to hone our skills.
I'm lucky in that I don't like sweet things at all. My father loved cakes to such a degree that he kept forcing them down my throat when I was little, and it put me off for life. He had terrible cholesterol, poor thing.
Many of the wars we see around the world start as domestic conflicts that are fueled by external forces and powers. My view is that we can help peace if we help communities transform from the inside, on their own terms.
I think my wife saw a picture of the rock group Journey, and they're kind of aging, and the one guy had dyed blonde hair with black roots, and... my idea was to get a little earring, I wanted to have a dangling earring.
It has been my experience that work on the screen clarifies stage portrayals and vice versa. You learn to make your face express more in making movies, and in working for the theater you have a sense of greater freedom.
I've discovered I prefer to prepare a few notes or actually write the speech so I can really hone it down to hopefully be entertaining, try and get a laugh at least by the second line, and then say what you need to say.
The script for this film was written 52 years ago by Edward R. Murrow, who taught us many valuable lessons about responsibility and always, always questioned authority, because without it authority often goes unchecked.
I had to go and sing with the musical director of the film, Simon Lee, who is just incredible, and it went great. I sang with him about five things, things we'd worked on. And then I went to sing for Andrew Lloyd Weber.
At the same time, we can't blame comedians for taking time to learn. Any critic of comedy who believes that he has always, universally, been on the right side of justice is engaging in a hypocrisy that is itself a joke.
I'm at a little loss in terms of my Leave It To Beaver expertise, since I never watched an episode of the show - so the cast in the pilot could have been Martians or they could have been the regular cast for all I know.
When I came into the acting profession, it was quite hierarchical. You didn't sit at the same table as the leading actor. Sir Laurence Olivier, Sir John Gielgud... these were very, very intimidating and powerful people.
Japanese women have always loved my films, even when no one else did. Ever since I made 'Maurice' in the 1980s, I've been getting hundreds of letter from Japanese girls. They definitely have a special place in my heart.
Some people are drawn naturally - there are natural guitarists, and there are natural piano players, and I think guitar implies travel, a sort of footloose gypsy existence. You grab your bag and you go to the next town.
I get recognized in the street really frequently, which is really shocking. I'm excruciatingly wary of any female under the age of 19. Even when some of them come up to me, they're usually very cordial, nice and polite.
I have one of these bodies. When I was younger, I could never put weight on, and now that I'm a little older, there's a natural sort of chubbiness coming. But honestly, if I work out for a week, it drops off in no time.
You can follow the action, which gets you good pictures. You can follow your instincts, which will probably get you in trouble. Or, you can follow the money, which nine times out of ten will get you closer to the truth.
I'm thought of as a celebrity. Everything I've ever done... has been for children. As long as I was working constantly, that was fine, because, although I don't have any children, I do relate better to them than adults.
Childhood is so important. Without a loving one, you're vulnerable throughout your life. We're all the things our parents are - the good and the not so good. Thankfully, I have a wonderful wife who's a brilliant mother.
We tell specific stories about ourselves to ourselves and we're all the heroes of our own lives. But you live through certain experiences with other people, and sometimes they have very different takes on what happened.
I don't take success very well, because I know it's fleeting. And the next day, it can all fall apart. I know that, too. So I don't get too high, and I don't get too low. You get through the world a lot easier that way.
If expectations are low, you can only impress people. But if expectations are there for you to be the leading guy, and you've been paid X amount of money, you're on a tightrope, and all of a sudden, you're looking down.
Like the character I played in Jekyll, we all have different masks we put on for different occasions. As much as we all want to lead decent lives, we're also attracted by the idea that something dark may lurk within us.
I wanted to acknowledge my U.S. heritage and to belong to it more closely. Having said that I am certainly British by formation and education and readily think of London as home. I had never lived in the U.S. till 2007.
When CNN does a story and then says, 'Tweet us what you think' - why? Why does it matter what I think? Why should my thoughts be broadcast on a national news program? It's enough for me to just sit and listen and learn.
I just have some restaurants to just go and eat there. Do mean places to watch people? I like to go shopping look for guitars and stuff with my friends. Look at Meyer, great old instruments, talk about pedals and stuff.
I'm happiest on set because I'm not myself. I'm someone else. The moustache, the dinner jacket. It's not me. You're always this sort of double, and it's liberating. Imagine being stuck with yourself... all those doubts.
50 years: here's a time when you have to separate yourself from what other people expect of you, and do what you love. Because if you find yourself 50 years old and you aren't doing what you love, then what's the point?
As you wake up to sort of Morocco coming to life, and you drive a two hour journey through the desert as the sun is rising over the sand dunes... I saw landscapes and visual stuff that I'll never forget. It was special.
I havent watched Mad TV a lot, but I have seen some stuff on there that is truly funny. You have to have some sort of attitude toward the subject, and they seem to have it. It depends on how much blood you want to draw.
You can make an interesting character in a small portion of a movie, for a character that doesn't have that much on the page, if you just find the contradictions. That's something that I try to bring to my performances.