Quotes of All Topics . Occasions . Authors
I had many teachers that were great, positive role models and taught me to be a good person and stand up and be a good man. A lot of the principals they taught me still affect how I act sometimes and it's 30 years later.
When Julia and I broke up and I was really scared to go into a market or anywhere because I thought, 'Oh God, everyone must hate me. And that wasn't the case. People said, 'I'm sorry this happened, man. Are you alright?'
For me, my family and my faith have been what's really been my anchor, and grounding me, and helping me navigate through a lot of the things that really destroy marriages in Hollywood, and in your own personal integrity.
I do not have a fear of heights at all. I was the kid who would see how high I could get in the trees. I was always climbing something. But I wasn't allowed to look down; I had to step off completely blind and backwards.
I didn't worry about what DeNiro thought... I went in, looked him in the eye, and got the part. I was confident, even though I'd never done anything like it before. Now I realise it was ignorant confidence-I had no idea.
I prefer ordinary girls - you know, college students, waitresses, that sort of thing. Most of the girls I go out with are just good friends. Just because I go out to the cinema with a girl, it doesn't mean we are dating.
You can't play everything you learn, anyway. You just try to bring it all on-board and use what's useful. In the end, it's your job to own the role and, in the end, you are playing certain aspects of your own self, even.
I've always been quite good at watching someone do something and then picking it up, so I turned that talent to watching people on the film set, and just saw how small everything was and how intimate the scenes could be.
Cottonmouth is the result of having to react to his circumstances. He had to, in some ways, take control of the situation and own his circumstances. But as a result of that, he became a person he didn't intend to become.
I try to get that across in the work, to try to, if I'm lucky, to make this world a little bit better for all of us before I check out. And that's if I'm lucky, I don't always get to have that privilege but I try always.
I never publicise in advance what I'm going to be singing because I never quite know until I start. I often change my mind halfway through. I sometimes throw in stuff about politics or Shakespeare or do songs in Yiddish.
He was a psychotic. He was a borderline psychotic. He was a terrific, sensational actor, with a magical screen presence, you couldn't keep your eyes off him, but he was paranoid. He was sure everybody was out to get him.
There are still people, obviously, who are stopping you and want a selfie because they need to justify their own lives by being in close proximity to a celebrity... but those are minor with me. I'm not a major celebrity.
I can go to a movie theater and watch a movie I was in with an audience... but with television, the opportunity to meet the fans at Comic Con or any other situation, it's a chance to enter that circle; it's that sharing.
He's a legend and I respect his work, so I went down and paid my respects when Charlton was on the set. He was nice but I think he lied a little. He said it was an honour to be in a movie with me, but I don't believe it.
'Paranormal 1' scared me because I didn't know if it was real or what. 'Blair Witch' was kind of scary for the same reason. It takes the voyeur element away and makes you think, 'Oh crap, this could really happen to me.'
With superheroes and comics and fantasy and sci-fi being absolutely the popular currency in cinema, it's like people have said in endless magazines, it's the revenge of the geeks and all that. There's some truth in that.
I'm allergic to money, because the choices that I make usually concern the people and the project itself, rather than the financial gain that is projected. I have the reputation for being the opposite of a money-grubber.
The best experience for me at CMU was being on stage so much, getting that comfort ability and learning that technique you can use with any type of work because you’re comfortable with it and know your skill as an actor.
What so many actors are chasing after is an opportunity to evolve and dive into roles that present unique challenges and give you an opportunity to dig your teeth into something unknown, and therefore risky and exciting.
I think one of the main reason's Rick Rosenthal and Whitewater PIctures decided to 'get in bed with me' on 'Fat Kid' was because I came in with a strong business plan as well as a creative vision on how to make the film.
New York is a fascinating city. I think it's a very inspiring city, but it's overpowering when you get older. It tires me now. But it's wonderful for young people - very inspiring and full of surprises and full of ideas.
It's a wise man who understands that every day is a new beginning, because boy, how many mistakes do you make in a day? I don't know about you, but I make plenty. You can't turn the clock back, so you have to look ahead.
Change is always proceeded by a little pain. Some people can change and they don't have to go through so many painful things. But I think that I'm of a personality that I'm a little stubborn, so it's always tough for me.
I'm a professional at what I do. I'm an actor. I've been on enough movie sets to know the difference between a stage light and an apple box. I know the difference. Why? Because I've been around it long enough and I know.
Do you know what absolute happiness is? For me, it is to wake up my kids in the morning - these little pieces of innocence - to wake them and find they're so happy to see me! It is unequivocal love, no question about it.
Sometimes we spend more efforts with people that are strangers in terms of making an impression than the person that's closest to us. And you just gotta remember not to take for granted that person that's closest to you.
Richard was in heavy, heavy costume, he could hardly sit, you know, and I turned up and they put me in two layers of silk, so I played him much lighter - you know, floating around in a pair of slippers, a bit of a hippy.
Comic book heroes are an important part of our culture, so I think we're actually utilizing comic book heroes in a much more in-depth way than before. They have such potential, and I think we're maximizing the potential.
The one thing that TV is bad at doing is preaching. There are two extremes, you either turn the people into a punchline or turn them into hero, and both of those things suck, because most people are neither in real life.
On paper, actors are the dumbest group of individuals essentially out there. Most of us have not gone to college. However, we never stop learning. Because of what we do, we're constantly researching, constantly learning.
I think with actors, we tend to get rid of characters - and not get rid of them as in discard them or throw them away, but it's just that you take that jacket off because you're going to be putting a different jacket on.
I think I had the good fortune to watch Sly the Artist [Sylvester Stallone]; to watch him in all arenas. As an actor, not many people get to see him turn that character on, they don't understand that he's playing a role.
Being a father is like directing Alien or Invasion of the Body Snatchers. It's much more difficult than directing an episode of TV. Also, directing a show or movie lasts a few months at most, parenting lasts for decades.
As an actor sometimes we sit and wait for projects to be handed to us and we don't really work. We expect our agents and managers to know who we are and to see who we are and offer us a part or send us out and submit us.
I'm shocked at how early everything closes here. But people start earlier. I miss the late nightlife in NYC, but then again I sing and burn so much energy in the show that it's probably good - I get to go home and sleep.
A few nights ago I went to a Hollywood screening of a small independent film made by Sally Kirkland, an old friend of mine who also did terrific job acting in it. There were other actors in it and they were all terrific.
When I use weed creatively, I'm much better at drawing or making something or playing music. But what I do for a living is mostly performing as an actor or writing, and for those things I need to have my faculties sharp.
I think all these great comforts that come from the human condition of trying to make things easier on ourselves also have these pitfalls, where things become so easy that we forget how enjoyable building a fence can be.
If you have people that totally support you and have your back, I feel like you have all the confidence in the world, and you believe that you can do things that most people can't achieve. I feel that's really important.
I have a cartoon I'm developing with Adult Swim called 'Monster Town U.S.A.,' so I'm busy doing that. Trying to do a coffee-table book of my photography that's been requested of me a couple of times. I'm constantly busy.
The reason it has relevance is because I, as a popular Arab personality - the Arab people like me and respect me - thought it was time for me to make an ever so tiny statement about what I thought about this whole thing.
If your character is just out there acting a fool, viewers are gonna say, 'Why am I watching this?' But if he's whispering, 'I don't really want to die,' there's a level of vulnerability cemented in these bad characters.
Success can allow you to try for greatness, can give you an opportunity to take a chance on something. I'm very blessed to have the success that I've had, and that's given me so many opportunities to work on being great.
The beauty of the character is that it's like camouflage. It's the best costume ever. I rarely get recognized as Pornstache when I'm out in public. Most people recognize me as the Law & Order guy, when I'm out in public.
It's funny to think of Dave Chappelle's show and how popular it was and he was before YouTube. I would imagine 'Chappelle's Show' would be even more giant if there was a chance to put his stuff online and pass it around.
The people I don't understand are atheists. I go surfing and snowboarding, and I'm always around nature. I look at everything and think, 'Who couldn't believe there's a God? Is all this a mistake?' It just blows me away.
I'm fascinated by fire. When I was four, I wore an American fireman's hat all the time, and I still have one in my office today. Glasgow used to be called 'Tinderbox City;' there were always fires, people getting killed.
Good actors are always looking for props. They're looking for behavior. It makes it a lot easier. You're not solely dependent of what's coming out of your mouth. You're also less self-conscious, less aware of the camera.
I'm old fashioned. I really think you should know how to draw before you start painting. I use charcoal and graphite; I put a skylight in. In my house, I turned the garage into an art studio. So I'm awash in art studios.