Quotes of All Topics . Occasions . Authors
As a writer you see the big picture and how you can tell as one character, how your storyline is going to meet up with all these other storylines. And as an actor you're thinking of all the minutiae, all the very small details.
When you work in front of the people, either in a film or in television, the people who are in the room with you are not watching you work, they're working so you'd have to light a fire to get them to watch what you were doing.
Ok let me explain, if you were bitten by a mad infected dog, who will you blame? the dog or its owner? Definitely the owner, so, all the blame is on the USA Government’s shoulders for adopting and supporting a state like Israel
It's a very smart and heartfelt movie and that's why, I think, we're all drawn to it. We really showed up for this with this collective idea that it was really ambitious, but we felt we all really had something to gain from it.
This thing with everyone knowing you it’s weird, because people have this one-sided relationship where they look at your picture and feel they know you more than someone they actually know. I don’t really know myself that well.
After my training wheels, my first real bike was a Schwinn, and my first time out, I rode down a hill, didn’t know how to stop, and ran right into a tree. So, that was a nice experience ... like realizing, oh, there are brakes!
My mom and my dad are still together, but so many of my friends who got married just a few years ago aren't. Maybe it's that we compare ourselves to our parents' generation, thinking, 'Who's still together, and are they happy?'
I've learnt that through life you just get on with it. You're going to meet a lot of dishonest people along the line and you say good luck to them. I hope they live in comfort. Then I start sticking more pins in their effigies.
I was a bit of a late developer, and everyone was saying, 'Whatever you do, don't shave,' and I hadn't really started shaving. I remember rubbing the soot from a kettle on to my bumfluff to make it look more like I had a beard.
I want to make movies that pierce people's hearts and touch them in some way, even if it's just for the night while they're in the cinema; in that moment, I want to bring actual tears to their eyes and goosebumps to their skin.
I try to play characters who are different from myself, so I feel like this character is someone who is really different. I actually think that if I did what he did in this movie, I would get a restraining order put against me.
When I was in my 20s, I thought I knew who I was. And then as soon as I turned 30, I realized that I have bruises and bumps and dark parts. And you kind of go, well, that's it. I'd rather embrace it than force myself to change.
My dad had to work for everything in his life; so did my mum: she cleaned people's houses and looked after old people. You can be complacent and sit on the couch and complain about the dreams that you missed. Get off the couch!
I met my wife through playing golf. She is French and couldn't speak English and I couldn't speak French, so there was little chance of us getting involved in any boring conversations - that's why we got married really quickly.
When faced with a situation, the confidence you stand up to that situation with usually pushes the other person to back down because the guy that is trying to start the fight doesn't really want to fight. He just wants a scene.
When 'American Pie' happened, I was so lucky to get that opportunity and I just tried to do a good job in that genre. But the films that inspired me as a kid were, like, Malcolm McDowall in 'A Clockwork Orange.' He was my hero.
I want my great-granddaughter to have a fairly good understanding of the world in which I lived for 81 years and also the world before I came into it - all the way back a hundred thousand years, to the beginning of our species.
It wasn't until a year later, when a young woman with Danish pastries on either side of her head knelt down in front of a walking dustbin to record an important message, that love truly came to town." - p 16 [re: Princess Leia]
Stephen Baldwin believes that now we're in a particular time in the world's history where it is time that people stand up for Jesus. That people get more aggressive and radical how they communicate with our culture about Jesus.
When I played Candy Darling in 'I Shot Andy Warhol,' that was easy to play that part. They made me into a woman: I'm in heels; I'm waxed. I'm gonna find the femininity and lay on the bed and take the voice of an old movie star.
The truth is, the personal ends up becoming part of your professional. As an actor, much of your work happens at home as you try things out on your family. Sometimes you stay in character unbeknownst to you and keep practicing.
You have to empathize with your children. If you love them, you never really get too angry with them when they make a mistake, because kids are expected to make mistakes. Having children, you start to see yourself through them.
I so rarely turned down a role, that I can't say I have any regrets in that regard. There were many roles that I would rather not have done, but having a home and family requires that we sometimes do things we would rather not.
My show on MTV, as outrageous as it was, it was also making a point, which was, 'Look at what we're doing here. This is something that you don't see on television every day, because you're not allowed to do this on television.'
Without question, we make choices - and those choices have consequences. So can you control your own destiny? To a degree, certainly. Must you have faith in serendipity? Without question, you'd better. Otherwise you're foolish.
When I was growing up, everybody in charge, my parents and teachers, had all survived the war, and they talked about the war like it was the Kraken - you know, this huge beast that roamed the earth during their formative years.
People behave differently to TV stars and film stars; it's to do with the scale of the medium. Film stars get hushed awe, TV stars get slapped on the back. Neither is good for you. Famous people don't hear the word 'no' enough.
People who go to Oxford and Cambridge are often unproductive. What am I saying? This is nonsense. No, sometimes they get so competitive that, unless they're going to be Pulitzer prize-winning, they can't get off their backside.
I've done a lot of action movies, and there has to be a certain amount of emotion in the actual performing of the stunt. It doesn't have to be any particular emotion, but there has to be some life to it, and that's not so easy.
A wonderful but kind of a terrible truth about acting is that you actually get to a point where you become content with an impossible task: it is really impossible to properly prepare. You kind of have to start over every time.
There's times when you're having dinner with a good friend and you're in the middle of a conversation and somebody comes up and cuts you off. Can you sign this? Can I take a picture with you? I'm adjusting to all the attention.
A little recognition is not a bad thing because it means people appreciate your work. The only problem is when you can't walk down the street or have a meal without people looking at you. I want to be the one looking at people.
But now I feel off the grid. I feel that I am not part of the culture. And because I don't have a car I don't really go anywhere to buy things. In fact, I have been in a slow process of selling and giving away everything I own.
I've got the FA Cup tattooed on my leg and the Leeds United emblem, too. On my back, I've got, 'It's been emotional,' which is my line from 'Lock, Stock & Two Smoking Barrels.' I'm fond of my tattoos, and I'm still having more.
I see myself as a citizen of the planet. Even as a child, I always found it mindless to root for your own team. I was puzzled by the fact that people said their own team was better than other teams simply because it was theirs.
I know what it takes to go from the point where someone's looking at a newspaper article, and thinking, 'Oh, this would make a great TV series,' to the point where you're actually on a set and there's a camera aimed at someone.
I often get, 'Oh, you always play the asshole.' An asshole is somebody who knows that they're doing it, but continues to behave a certain way. The one sort of common thread to me has always been that these are imperfect people.
And I think that at a certain point, after all the time and all the conjecture and everything that had kind of gone on surrounding this show, I think that Mitch just felt like it was time to let it go. It was best for the show.
We Americans think we are pretty good! We want to build a house, we cut down some trees. We want to build a fire, we dig a little coal. But when we run out of all these things, then we will find out just how good we really are.
I read a Bruce Lee quote that shifted how I'm trying to live my life right now. He said, "Some targets are only meant to be aimed at." Right? And I took that to mean a shift for myself from goal orientation to path orientation.
So I just took some time off. I was maybe going to do two or three years and it turned into five years. But certainly, I'd say it was the best thing I ever did. And now I come back to this whole thing really energized about it.
Acting is everything to me and it's at the core of every decision. Whatever importance costumes, details, lights, camera, dialogue and everything else have, if the acting is bad, cheap, or overdone everything else is just gone.
I've learned that for Indian people, the opportunity for us to succeed is very slim. So acting was a great tool for that. And in the process of learning about my culture, I've learned how to connect myself again to my ancestors.
Everyone working on 'Tyrant' wants to present the world and the issues in it in an intelligent, open, fair, non-reductive kind of way. For the actors, we have to try and make these stories as truthful and compelling as possible.
I don't speculate too much about the future. That's the thing about this job - it's so fickle. You take the jobs, you read the scripts and, if something interests you and you like the people who are working on it, you go for it.
I started to itch to do a play again and 'Macbeth' came to the surface in my mind. I never thought I would do it in a conventional way. A sweaty Macbeth with blood on his arms coming in fresh from the battle doesn't interest me.
There's always the standard six people you can hire that have played all these villains in Hollywood. Instinctively, when they come on screen, you know what's going to happen. You don't know the story, but you know what they do.
You can't just look like one culture and expect to inspire a multitude of people. That doesn't work over time. Everybody wants somebody to look up to that looks like them so they can truly believe in that reality for themselves.
I want to go wherever there's great work. I'm a huge fan of film primarily. But you can get a great TV show and get attached to it. Making a great film is forever, though, so I always want to be part of film. It's my first love.
America always seemed to me this foreign land that I imagined I could escape to if I needed to get away - and I think that came both from the fact that I was born there and from watching so many American movies when I was a kid.