I am very excited to be the head women's basketball coach at Beloit College, ... This is a great opportunity for me. I am looking forward to putting my stamp on the program. I am confident that I can and will be successful here.

The desert feels Irish in a way - lonely and barren. If someone said, 'Think of a happy place for you,' I'd say a glacial plane near the South Pole, the wind howling, nobody in sight, a shack with a pot-belly stove and some tea.

Ultimately, it has been a struggle- but I was in Minneapolis and Austin a couple of weeks ago, sitting in theaters with complete strangers watching this weird movie that Kirk and I thought up and I was excited to be making film.

There's so much noise that's happening in our world, but the little voice that you've always got to listen to is your gut and your intuition, and you can do things and go beyond boundaries, if you to trust that gut and instinct.

[Mike Tyson] was fantastic. Well, here's the cool thing about Tyson. It turns out he's a huge fan of Old School, which was one of Todd Phillips' earlier movies. So he got to the set and he already liked Todd and he trusted Todd.

I look up to actors. I look up to Robert DeNiro, I look up to Johnny Depp, I look up to Al Pacino, I look up to run-of-the-mill really good actors. I love watching movies, and I love watching other actors and learning from them.

I had a woman breakdown and cry when she met me which was difficult to deal with because immediately when someone starts to cry, you want to comfort them, you know, 'Poor thing.' I comforted her. I tried to make her feel better.

You know, we're a tight family. I live right down the street from my folks. I talk to my mother every day. I'm a momma's boy. We all are. So there's no exclusion in this family. You're part of it. We embrace you and lift you up.

I think journaling is a key to success. You can set clear goals for yourself. You can start noticing repetitive behavior patterns and see the type of things that keep bothering you, and then you can have a bird's eye view of it.

I was at Pepperdine University in Malibu, and during my sophomore year, I played a dying burn victim on 'ER.' The makeup artist put burn makeup all over my body and I couldn't move or eat for 12 hours. I lost 8 pounds that week.

The Sixth Sense is not a good white film. Insomnia is not a good white film. They're just good films. So why we can't we have good films that happen to have black people, or Asian, or Latino, or any other minority group in them?

If my kids are doing well, then my life is going pretty well. And if my kids aren't doing well, it doesn't matter how the other elements of my life are. It's kind of amazing to have a context like that. This is really wonderful.

I grew up in St. Louis, Missouri. I lived in Grand Blanc, Michigan for a year and that's when I got involved in acting and took classes there. A manager who saw me at the agency I was at in Michigan wanted me to come out to L.A.

My older sister showed me 'Hellraiser' when I was, like, 4, and 'Friday the 13th.' She kind of scarred me, but I like watching scary movies with people because you're together in this scary situation. It makes all that more fun.

But basically what I like are the possibilities, and the fantasy element of the show. Not science fantasy so much, but fantasy, the humanistic elements and how people relate when they’re in a dire situation or comedic situation.

But basically what I like are the possibilities, and the fantasy element of the show. Not science fantasy so much, but fantasy, the humanistic elements and how people relate when they're in a dire situation or comedic situation.

That's the whole reason I got into acting: I don't do this like some grown-ups have to do it, because they have families, and they have to make money. It's not my job. My dad works to support our family. So I just do it for fun.

You'll see a lot more blood in 'Saw' movies or something like that than you will in either of the 'Last House' movies. I kind of think it owes more to 'The Virgin Spring' which is the original source material, the Bergman movie.

I don't like to hold too much formality in concerts. It's not that I don't like seeing people who are really polished and put together. But I'm more excited by things that are a little bit breaking apart as you're watching them.

I wanted to be an actor. Maybe a comic actor, but an actor. That's what got me into acting was putting on an act, because in life, I wasn't funny and I felt on stage or in the movies, I could do whatever I wanted to. I was free.

I enjoy roles that involve a task outside of my natural capabilities - for example, playing a number of musical instruments or sword fighting or cutting a suit. You have to look as though you can do it, without too much editing.

At the core of 'Star Trek' is Gene Roddenberry's vision of the future. So much of science-fiction is about a dystopian society with human civilization having crumbled. He had an affirmative, shining, positive view of the future.

Sometimes I finish a movie, and I get used to a certain lifestyle, and when that stops, I get a bit lost for about a week. 'No one is bringing me lunch anymore - I've got to go do that myself?' I lose the main point of my focus.

In my culture, my mother's sisters are also my mother. And my father's sisters are my mother's, too. So I have many mothers. My mom has a fierce love for her children. And she's known to say things like if you die I'll kill you.

Let's keep the chemists over here and the food over here, that's my feeling. What do I know? But that is a big aspect of fast food is their ability to artificially taint the colors and the smells and stuff to stimulate appetite.

When I was young I was very close to my parents. I never liked staying at my mates' houses, I always wanted to be with my parents and then suddenly at 17 I was like, "Oh well, maybe I should just move half way around the world."

What I love about comedy is that we're this group of weirdos, and the only language that matters is, 'Are you funny?' And it really is this oddly cool American idea where comedy's the marketplace of ideas. May the best idea win.

I think becoming an actor because it's a ridiculously insecure profession to go into. I feel very comfortable but very lucky. I think any time that you imagine that it's plain sailing for hereon in, then you're kidding yourself.

'King Lear,' I've been seeing all my life. I mean, the great actors of my lifetime... to join their company, as it were, by playing a part that's challenged them, is one of the great joys of being an actor who does the classics.

I think what I do in my acting world and what I do in my standup world is bring up a brand that I want to bring across. Once you figure out your brand and what you do, it's kind of easy at that. You end up getting your audience.

Once I had started film, I suddenly said, 'Wow, I love it.' I moved there from New York. But I've always gone back to the theater, and it is more satisfying, really, because you get to give a continuous performance - no sequels.

Acting is an art form and you want to take roles that are challenged and it's more of a challenge I think to play dark characters. Not that I want to always play those, but it is a challenge and challenges are rewarding and fun.

I think I come from a theatrical tradition where, if you look at the great theatrical actors of the British theatre, they took enormous pride in being wildly different from one role to the next. That's the tradition I come from.

I look for things that are very different from my life, and that are curious and idiosyncratic to me. And then, I like to find if I'm able, just a little bit, to step into a world that I know very little about. That's great fun.

I grew up a Red Sox fan. I grew up going to Fenway Park and the Museum of Fine Arts and the Science Museum and Symphony Hall and going to the Common, walking around. My whole family at different times lived and worked in Boston.

When you know your mom and dad are doing things that are not idyllic, as far as your desire to defer to a parental ideal, you start to see your parents as peers, perhaps, and that's not the healthiest thing at that early an age.

I'd tax the Daily Mail [if I were a Prime Minister] so high no one could afford to buy it. I hate that paper, I think it's really vicious. I picked one up the other day and every single page is about hate. It's just so negative.

My first paid job was delivering newspapers. The first paid acting job I got was dressing up as Edam cheese and handing out leaflets on London's Oxford Street. I got pushed over by these little herberts and given a good shoe-in.

A lot of the TV shows, they do long hours, and they do a lot of days, and you don't get a lot of time. But the good thing is, if you get one that's made in L.A., or made in a place you want to be, you get to go home every night.

You always want to try and evolve an art form. It's not a very humble ambition; it reeks of arrogance. If you can, you want to try to do something that people haven't done before and give people something that they haven't seen.

You don't have to be Willy Loman about it. But, "Airline food is crazy. Hey, what's with these rent-a-cars?" or you go up and talk about how Christopher Walken wanted to know where my dog's tail went. That really happened to me.

For you, it's a silent movie. For us, it's a talking movie because we had lines on set. There's a lot of noise on set and music. We spoke in English, in French, in gibberish, but it was very alive. The challenge was tap dancing.

Gary Sinise and I go the furthest back of the Steppenwolf people; we were both saved from academic mediocrity as sophomores by being cast in 'West Side Story' by this transformationally beautiful teacher named Barbara Patterson.

Garry Shandling in particular - really had the concept. He really knew it, and it was done so lovingly. He would go beyond the joke, and sort of go into the character. His "funny" was very different, and I really appreciated it.

That's an actor's life. I thought Meet Joe Black was gonna be one of the big changes for me, and it was gonna be a runaway hit - and it wasn't. And with Mr. Mom, I said, "There's just no way." And it turned out to be a huge hit.

I am a firm believer in education and have worked very hard to tell young Latinos that they must go to college and that, if possible, they should pursue an advanced degree... I am convinced that education is the great equalizer.

Sometimes a character is really based on research that you do. Other times it's just based on your imagination or perhaps your conversation with the director. Or sometimes all of the above. It depends on the movie and character.

I was happier going back to my roots: training like men do in my hometown of Pittsburgh. Back home the guys in the gyms don't lift to look good; they're lifting to lift. They do it because they want to squat more and bench more.

My father loved me so much that he did not want me to be a laborer or anything. I dont know if its the right thing to do - push your kids into something and then stay on them until they do it. Let them pick what they want to do.

I liked doing comedies, but as I got older I was better suited to do Westerns. Because I think it becomes unattractive for an older fellow trying to look young, falling in love with attractive girls in those kinds of situations.

Share This Page