Quotes of All Topics . Occasions . Authors
I have no problem having any actor from anywhere play a role. I'm excited for any actor that gets a job, I truly am. Even if it's a role that I'm up for and I don't get it, I never begrudge any actor having it work out for them.
I mean, I know thousands of people died and everything, but if it happened today, there's just no excuse. They'd be much safer inside a movie theater watching one of my movies instead of burning alive in a collapsing skyscraper.
When I got into this, I never thought about reviews. I never thought about what people would say about me, I was just a young guy who was excited to become a comedian and an actor, and I just wanted to get to do what I got to do.
By the time I auditioned for 'Aliens in America,' the July 7 bombing had happened in London. So I'd had those experiences where I would get onto the Tube, and people would get off. So there was a lot about Raja that I understood.
The United States, per capita, at a certain period in its history, had the most junkies of any country ever in the world - right after the Civil War. The most brutal war, the greatest amount of casualties that America's ever had.
Like I've known Francis [For Coppola] for so long I think, "Oh, Francis." And then you see his name on something with The Godfather, and you go, "Oh, yeah. He's also that." The person you knew of before you met the actual person.
When I am sitting home, and I am happy and I have my TV show and I don't need to work and I'm married now and I like to be in line by my pool with my yoga instructor wife and eating fruit and taking in the sun, then life is good.
Home Alone was a lot and a lot and a lot of standing and sitting and walking and running and it was physically demanding but in this, I'm doing back flips and riding ostriches. It's physically demanding in a new way, so it's fun.
The future of Arab films is absolutely up to Arabs and no one else. They've got the equipment, they've got the will, they've got the talent, now they just need a little bit of history behind them and a bit of cultural relaxation.
I actually find something rewarding about that tension between satisfying myself and satisfying others. Because first of all, I can't provide my own structure, and that tension provides a structure for me to actually work within.
Different films, different genres show the different things I do. It's nice because it brings different groups of people to following what I'm doing. So hopefully, it kind of reiterates that I'm not just a one-trick pony as well.
I think the healthy way to live is to make friends with the beast inside oneself, and that means not the beast but the shadow. The dark side of one's nature. Have fun with it and you know, is to accept everything about ourselves.
I've got to work really hard and I know exactly what I've achieved because I know how hard I've worked, and I make sure to work as hard as I absolutely possibly can, because I know that's the only shot I have at being successful.
Darwinism is still very much alive, utterly dominating biology. Despite the fact that no one has ever been able to prove the creation of a single distinct species by Darwinist means, Darwinism dominates the academy and the media.
I think it's criminal how little people in the military are paid. These are people out risking their lives, taken away from their families for long periods of time. I think they should be paid dramatically more than they're paid.
I think having a vision can make someone an influential man. I'm not talking about acting or anything like that, I'm talking about people I admire, whether it's a writer or a musician or a sports figure or a politician, whatever.
Anything I did with the WWE was not therapeutic by any stretch of the imagination. The reality is that nobody's going to tell you that, because they have an umbilical cord hooked to Vince McMahon. I, ladies and gentlemen, do not.
I put a lot of time and energy and thought behind what I do and the characters that I create, and I don't want to do anything peripheral that is going to make an audience see me up there on the screen rather than who I'm playing.
I was doing a show in Bridgeport, Conn., and getting offers for more money from Boston and other cities in the east. But I figured I would hold out for New York. Then one day, I got a call out of the blue from Hollywood from KNX.
I think Superman's journey is to become comfortable on earth. Of course he's got his role as earth's greatest protector but he also wants to be as happy as he can and if that happens to be with Lois then he's going to find a way.
One of the most amazing things I got from the film, so much green screen, there are so many moments and it really taught me about how important it is to have an intention when flying, when going somewhere and having an intention.
The interesting part of the process is developing the character, you know, why did he become that? Why is the guy a murderer, or why is this guy a pervert, or whatever he is. So that's the fun part for me to delve into the abyss.
[My father] had a massive middle-age breakdown. And left the family. And then it just completely fell apart. And my mother was heartbroken, just completely devastated. To make ends meet we started selling off all our possessions.
There's this character, Theo Galavan, who becomes the ringleader for the revolution of villainy in the city of Gotham. He becomes this mentor figure for Jerome that really inspires him to go off the deep end, and it's really fun.
I would love to have an ocean of love right now. That said, the number-one rule of acting is, 'Do not seek approval from the audience.' People don't realize that. You can't do stuff to get applause. You have to live in the truth.
I remember my first agent telling me - because they found me as an actor, but I was probably more interested in writing and maybe directing - they were like, 'Well, you can't do both things.' And I was like, 'I'm gonna show you.'
Tea? Good God, no. It's mud. How the British ever built an empire drinking the filthy stuff is beyond me. And if we carry on drinking it, I've no doubt that the empire won't last much longer. No, a civilized person drinks coffee.
If you fall out of favor, you quickly stop being part of the conversation. But it can take one great project to turn things around. All you need is one hit or one great idea well-executed, and everybody's talking about you again.
I've lived a little bit and traveled the world and experienced a lot of things that I can play any role, and I think I can get into stuff that people never thought I would ever do because of my experiences and growth as a person.
I've always believed that the director does whatever the hell he wants. That's what you sign on for as an actor - I can't stand it when you have actors who are trying to leverage directors into doing things they don't want to do.
It was always that I finished one movie and then had no idea what I was doing. I think there's a limited amount of planning you can do, at least in the position I'm in. Maybe more successful actors can plan more than I'm able to.
Any part I do is a marriage of the words - what the playwright or producer or show runner's vision is - to how I would play it. It took me a while to get rid of 'Oh, they want it this way, so I'm going to do it how they want it.'
In the future, I kind of like the idea of doing music for film. I think that would be a nice job. I've always liked the sound aspect in movies. I guess once I have more instruments under my belt, it could be something I could do.
I don't play long parts. They must be short parts, but they've got to be parts that mean something, that matter, where people will notice when I'm on the screen, and people will remember the character after they've seen the film.
There's really no way to teach you how to act, but there is a way to teach you how to teach yourself to act. That's kind of what it is; once you learn the little tricks that work for you, pretty soon you find yourself doing that.
In 'Gran Torino,' I play a guy who's racially offensive. But he learned. It shows that you're never too old to learn and embrace people that you don't understand to begin with. It seems like nobody else got that message, I guess.
I'm amazed by just constantly - there's not a week that goes past where there's not someone in Ulan Bator or Rio De Janeiro suddenly says, 'Ooh, 'Downton' started this week.' You completely forget it's staggered across the world.
When people come to see my stand-up, they get a chance to see my characters interact with each other. I enjoy pushing my characters to the limit. No matter how far out there I go, I look for things that make the characters human.
If I was at school and one of my friends said something funny, I'd write it down in a notebook and take it to the writers meetings. I never told my friends about it. I just thought I could incorporate stuff that was true to life.
People tell me I look mournful. They say, "Cheer up, Dan, it's not that bad!" Sometimes, I just look into space, which freaks people out. If I was ever required to do anything other than look haunted, I could. I'm a happy person.
As we age, there are different things that become important to us and that means that different aspects of our character come to the forefront; certain aspects recede. And that's fun. It would be shitty to have to imitate myself.
I don't think you could function on set if you think like that. I think once you start to think of the impact, then you're not really coming from a truthful place. I think the best thing to do for me is what's worked in the past.
For the charities, their relationships with celebrity supporters should be as deep and purposeful as the ones they have with any of their supporters and volunteers, based on a genuine understanding of the issues they're tackling.
As you know, Sunday at 11 o'clock is the most segregated hour in America. You have black churches; you have white churches; you have Hispanic churches. It's not really reflective of the world we live in, by and large, in America.
Restoration I did because I really loved e novel and I like Michael Hoffman, who directed it, but it wasn't a really challenging part for me. I'm not critical of the film: I just don't think I gave a very interesting performance.
I'd love to play in a Red Sox game. It would be so awesome to actually walk out on the field and play, just for one inning. I'd also steal everything I could get my hands on in the clubhouse, which is why they won't let me do it.
Athletes are sort of part of the community at large. They have to be dedicated to what they do, and go through lots of peaks and valleys. And there's a lot of training that goes into their careers. It's a struggle. Very dramatic.
They were totally supportive, always saw everything I did. One of the thrills of my life was when they went to the theater to see something that I wasn't in. It opened doors for them that otherwise would have been totally closed.
My first trip abroad was to do a TV version of "Les Miserables" in France with Anthony Perkins. There I was at 12 acting with the guy from Psycho (1960). My parents were teachers, and it was hard for them to relate to that world.
As an actor, there's always that fear. You don't know where the next job's coming from, so you say, 'I'll do that, I'll do that, I'll do that'. Your choices are not always clearly thought out, and you can end up taking mis-steps.