Quotes of All Topics . Occasions . Authors
I pretty much live about 10 minutes from my office. I have two kids, and I have about 8 projects that I'm working on, so I basically just get up and go to work, and go home every night and play with my kids, so I don't really know.
I've always felt like I'm on the outside. I think certain people judge you right away, and I've always been acutely sensitive to that. I'm fighting, whether it's accurate or not, a perception that I get of people thinking I'm dumb.
I feel very, very grateful. I'm a lucky guy, you need a lot of luck, and then when the cameras roll, you have to have this group of writers, directors, and actors that just gel, and it seems to literally be happening more and more.
When I first read the script to 'Black Hawk Down,' I didn't think it was the greatest thing in the world - far from it. But I thought the script at least raised some very important questions that are missing from the final product.
I think, and I mean this sincerely, I was raised humbly. We were a lower middle income family and a household that was scrimping by at times. We were watching the dollar, stretching the dollar, and coupons. It was all those things.
The human animal is a beast that eventually has to die. If he's got money, he buys and he buys and he buys. The reason he buys everything he can is because of some crazy hope that one of the things he buys will be life everlasting.
Part of the advantage, and part of the result of trying to be a producer and director, are the practical things, you find. It's so advantageous to go to a place that you already have a feel for, a literal and spiritual familiarity.
It's embarrassing to tell you how much my friends make fun of me. Seriously, when you have a doll made of your face, it's ridiculous how creative your friends can get... pictures, videos, little animated cartoons that they've made.
I especially like Duke Ellington jazz, which is a little more... I lived in New York for a while. I lived in Harlem for a bit, and I just fell in love with the idea of that era of New York, that jazz era, especially jazz in Harlem.
I had a 90-minute one-man show. I performed it and my life just exploded. Everything - my life just changed. Every writer, director, producer, studio head, movie star - they all wanted it. It was the hottest property since 'Rocky.'
I had done a couple of auditions for 'Amistad' and didn't feel it was going to go any further - and then the call came about heading to Los Angeles to work with Steven Spielberg. It was surreal: exciting, challenging, overwhelming.
Solomon Northup is one of the most remarkable people I've ever encountered in my life; one of the most amazing stories I have ever been in any kind of contact with. To not tell that story would have been disgraceful, in my opinion.
My real name is Chord Overstreet. I actually got my name because my dad is in the music business as a songwriter. I was the third one in my family born, and there are three notes in a chord, so that's how they came up with my name.
I went from sort of trying to get work to all of a sudden being signed up for the next few years on something, and something of this scale with some of the best people in the business involved, acting and directing. It was a dream.
Everything shifted for me after 'Rush.' It wasn't as financially successful as other things I'd done, but it gave me more movement, more options, more doors opening, more meetings. All of a sudden, it's, 'Oh, wow! You're an actor!'
It's very easy to leave when things go wrong, but to stick around and to basically give life to a town because of everything that it gave you generation after generation after generation, that to me is what defines a true American.
Putting on weight is easy all the way through. But after the first couple of weeks, the novelty wears off very quickly, and your body is groaning and starting to really shout at you, saying, 'Why? Why? Why? Why are you doing this?'
The guys from Atari that are making the next Alone in the Dark game came and we had a great meeting. I'd love to do that. I'm a fan of videogames. I like them. And to get to be part of one of them would be a fun and exciting thing.
Truly what the Emmys are about are the machine behind them, and Oscars are the same way, where if you have a big enough machine behind you, you get nominated, because truly how many of the best performances actually win...not many.
I think we all have a little voice inside us that will guide us. It may be God, I don't know. But I think that if we shut out all the noise and clutter from our lives and listen to that voice, it will tell us the right thing to do.
I feel like you are this or that because other people say so. I wouldn't know how to play a psychopath. I don't think about it that way. You think about playing the scene but if the other people say that guy is crazy, then you are.
Whereas I used to get depressed or neurotic or dwell on things, I see my son's bright eyes and smile in the morning, and suddenly, I don't feel like I'm depressed anymore. There's nothing to be depressed about when you've got that.
I want to see my kids grow up in a world that I grew up in, which was it had imagination and it had hope. And all of a sudden, I see that being dissolved, and I see, as a country, as a people, we are a republic. We are a democracy.
Luckily, what you trade off in not being part of the comic book canon and not having some literature that you can use to your benefit, in terms of figuring out who you are, you gain in the ability to just be whoever you want to be.
One of my favorite episodes was the one in which Homer grew hair. That was a very unique episode, since there was a gay secretary, but that wasn't even the issue of the show-the issue was Homer's image changing because he had hair.
I definitely think that theatre is something I'll keep coming back to in my career for as long as I can. I also think theatre's something you have to be very fit to do. I am fairly fit, but I don't think I could do it all the time.
I have quite a rich inner life, and I'm constantly looking for a way to express that. I haven't found it yet in acting. When you're playing a character, you're only going to find outlets for very specific parts of your inner world.
I'm not a big guy. I'm not a menacing guy. I'm not an intimidating guy. I may look that way, but just spend two seconds talking to me, and you know that's not who I am - not as a person, as a character. It's not who I intend to be.
I love getting anything homemade - anything that's from the heart. If you can make or craft your own something, that always goes above and beyond, like, a candle - which is great, but if it's homemade, that's so much better for me.
One thing I've noticed is that I can tell when a young actor or a young actress is going to become a huge star. Everybody else will say, "Oh come on, Michelle Pfeiffer, are you kidding?" and I'm pretty much always right about that.
I think people are a little surprised sometimes at the level on which I actually talk. I don't talk like Caine. And every once in a while, somebody is surprised because I smoke and I drink. But I don't feel that is a contradiction.
It was just like, "What am I going to do today, in L.A., as an actor? Well, I guess I could go to Seth's [Rogen] apartment and smoke weed and hang out." And that's all we'd do. We'd smoke weed, hang out, play video games, and talk.
I want to get away from it all. Move to the sticks. Montana. Hundreds of miles from civilization. Get a cabin in the snow. Curl up with some cute girl. Say stuff to her like, Scream all you want, sugar. Ain't nobody gonna hear you!
Unlike other enduring characters such as 'Sherlock Holmes' or 'Tarzan,' being the 'Doctor' allows you a certain freedom that is both very demanding and very thrilling. It allows you to make the character using elements of yourself.
All of my free time is made up of motor sports endeavors, be them motorcycles or off-road racing or track days. I just love anything with an engine. That is one of my main loves. Obviously, my other well-known love is Kristen Bell.
Anthony Mackie in 'The Hurt Locker' is everything an actor can hope to be. So rock steady in his portrayal that you immediately forget every performance he may have previously given, and focus only on the character in front of you.
You have to get through the Hamlet hoop as a young actor. Your classical qualifications are based on the quality of your Hamlet. And then, as an older actor, you have to get through the Lear hoop. And I'm approaching the Lear hoop.
He was somebody who made me think, I suppose, about the contemplative life. I've always been a city fellow, but I've often had vague thoughts about 'checking out' and perhaps going into a monastery and just seeing what it was like.
I taught Sunday school when I was younger, and ended up an elder in the church, and it just seemed to me that a lot of people who went to church certainly weren't - the rest of the week - living what I would call an Christian life.
Life is difficult for everyone, everyone has bad days. Everyone has trouble in their life, because it doesn't matter how rich you are: Sickness and trouble and worry and love, these things will mess with you at every level of life.
Life is difficult for everyone; everyone has bad days. Everyone has trouble in their life, because it doesn't matter how rich you are: Sickness and trouble and worry and love, these things will mess with you at every level of life.
I honestly think that it automatically hurts me if I said that I supported the war in Iraq and I support the troops. That automatically kills me for getting a bunch of movies, a bunch of TV shows. People don't want to hear from me.
If I had to describe myself to an alien I'd say I was bigger than the average human, enjoy a drink or two with a good meal and have a bigger head than most. I'd also say I'm really handsome - especially if they were a female alien.
One of the skills I had to learn and become proficient in is kissing a man. I had never kissed a man. Will Smith did it in his movies, so did Jake Gyllenhaal, and I figured it was my time. So it was me and Steve Carell - fantastic.
Pollock said several times that he couldn't separate himself from his art. Not knowing much about modern art when I began to read about him, I was much more his persona - his struggles as a human being - that was interesting to me.
From a stupidly young age I was always involved in anything, whether it be a nativity play or little kids plays. Wherever it was, I was involved and I think it was because more than anything, I wanted to be the center of attention.
I love going to the Via Giulia, a beautiful old cobbled street, which has a bridge at one end behind the Palazzo Farnese. It has long creepers hanging from it, and is the most evocative, beautiful place to stand and enjoy the city.
For Keeping the Faith, I looked at [George ] Cukor's old films like The Philadelphia Story, stuff that's hilariously funny and really smart with a cutting critique in the humor, too. With this, when I read it, I was laughing a lot.
If you're doing an hour-long show, you're working movie hours, doing a 12-15-hour day. We work three or four hours a day, and get every third or fourth week off to give the writers time to write. It's the cushiest job in Hollywood.
Listen, the Latin people, I love the Latin people. They are so loyal to you. Even if you haven't been on TV for thirty years, they still love you. And they cherish you and give you respect. You're not fast food in the Latin market.