Quotes of All Topics . Occasions . Authors
I believe London is the city New York wants to be when it grows up. I love the wealth of cultural resources that a city of that size can offer. I also believe I don't have to sacrifice all of my standards for human behavior to avail myself of them.
It's our job as actors to make it look like it's not manufactured. If you have two actors who understand their characters - and therefore what they are trying to portray - then all they need to do is be the characters and there's a chemistry there.
I just don't believe in love at first sight anymore, even though I've based my whole career on the concept. In my experience, power, money and influence always attract the opposite sex. It's something that I've always exploited - with good results.
My father was an army champion boxer... in the British army. And so he loved boxing and talked it up as a sport. But then when my brother and I were beating the crap out of each other, he was always trying to tone it down. But I am a fan of boxing.
In this business, it's important: if you consider yourself a journeyman actor like I do, you need to stay topical. So I'm always looking for projects that are challenging, that put me in a light that's different from anything I've ever done before.
I come from an era, in my world, where you just had to define yourself as who you are and what you do. I happen to be an actor. I happen to be someone that loves to act, that also likes music, that also likes to speak, and that also has an opinion.
I thought, 'Oh, this is great,' because maybe someone who does look like me will watch 'Agents of S.H.I.E.L.D.' and realize that they can be an actor if they want to be, or they can be a superhero. They can have a hero that looks like them as well.
If I had signed my fourth season of SNL, I wouldn't have ever had the opportunity to do Curb Your Enthusiasm. If my buddy OG Pearson wouldn't have passed away, I wouldn't have been in L.A. for his memorial, and I would've never auditioned for Curb.
As a father, I always want my son to be perfect. When he was young, I tried to train him in martial arts, but he said, 'I don't want to become like Bruce Lee's son, with everybody telling me how good my father was.' I just think my son is too lazy.
I don't know if there is a gene for comedy, but my dad was a very funny man. He just didn't know it. He was a naturally funny character, and when my brother and I would laugh at things he said and did, he would say, 'What do you think is so funny?'
I haven't always voted for the same party, mostly because I find that strange. One thing I've never quite understood is when people say 'I'm a Conservative' or 'I'm Labour,' before even hearing what the person running stands for or wants to change.
It has to be real, and I think a lot of the problems we have as a society is because we don’t acknowledge that family is important and it has to be people who are present, you know and mothers and fathers, both are not present enough with children.
Yoga class is intimate even just from the standpoint of taking off your socks. Exposing your bare feet can be a big deal. You may be an African American next to a Caucasian or a Latino. But once practice begins and we drop in, separation dissolves.
...it can be so boring being you sometimes, and if you were the most special thing like that, it could be really great, but maybe some people say the same thing about you, and you want to tell those people: 'No, you're stupid, it's no fun being me.
I wanted to do serious movies. I had a certain idea of what good acting was. That's since changed, and I love doing comedies now. I don't like a lot of those movies now, but I thought those were movies that I could do real, serious performances in.
And also, folks live in a regular world, so when they come to our show [Aladdin], we want to take that away from them for a little bit. Just give them two hours to make up for the train that didn't come on time or the terrible news you get from TV.
As you mature and gain a semblance of wisdom and a sense of what life is all about... this is by no means true of everyone, but a lot of actors like to escape themselves. Inhabiting another person's persona is often a good way of escaping yourself.
I ran into my old friend Michael Kenneth Williams, who I worked with on a show called 'The Philanthropist' for NBC. He was going to be doing this show called 'Hap and Leonard.' He was playing Leonard, and they were looking for somebody to play Hap.
For me, when working on a film or play or television show, everything for me starts with the screenplay and I am devoted to that and that is what I work from. Any research I do or any preparation I do on my own is all ultimately in service of that.
I'm not the kind of actor that can go completely cold into an emotional scene. I have to transport myself emotionally by whatever means possible, and that basically means you carry the situation with you all week, all episode or all day beforehand.
In looking at Hollywood and its structure, the director controls the medium, and I want to be in control of certain things. I want to be able to get my own ideas and my own feelings out there, and the only way to do that is to be behind the camera.
Things that make me laugh range from a wonderful stand-up like Jerry Seinfeld, Louis C.K. and Chris Rock to my son Gabe, who does great improv work. I also look backwards to the great comedic actors like Jackie Gleason, Paul Lynde and Phil Silvers.
What I've learned from fatherhood is that having a son cannot, did not, change my love for The Bachelor! I thought that having a son would make me grow up when it came to my TV viewing habits, but I love The Bachelor even more after having a child.
With hacky sack, somebody brought one to recess in sixth grade and it kind of all went downhill from there! The same with the yoyos! One kid brought a yoyo one day and people started getting them. I just kept at it and found that I really loved it.
I came to London. I spent nine months doing domestic work and gardening because I knew I wanted to get a West End show. So, when I was offered jobs in Stoke or Leicester or whatever, I'd say no. Eventually, I got 'Godspell.' It was gently building.
People love music, they love songs and they love movies. I just don't understand how, along the way, a musical become something that was less than both of those, instead of being something that is an incredible merge of two things that people love.
I've never had a huge circle of friends. I can't spread myself that thin and go 100 million miles an hour all the time. I choose to give truly of myself, entirely of myself, to the people I choose to do that with, and I can't do that with everyone.
I made the mistake of writing something very, very short about Obama for this website that I write fiction for, and my father told me never do that again. And he was right. I have nothing to add to a political conversation because it's not my area.
I met some fans who said, 'Please start Twittering!' They even walked me through it, but I'm terrible at it. I'm so bad at keeping it up. I forget how to use it. And I'm not very savvy: I try to send a private message, and it goes out to everybody.
A lot of things went incredibly well for 'Scrubs': from a ridiculous number of downloads on the iPods, to whenever they issue a new season on DVD it kinda sells out, and we got nominated for an Emmy. To be picked up for six years is all gravy, man.
What helps writers, and ultimately, obviously, helps the actors - who should serve the words that the writer puts on the page - is if the character has damages, because then the writers can cultivate and excavate, like a dentist going into a tooth.
I think one of the coolest things about the job is the level of trust we have for each other. The actors fully trust that the writers will write amazing episodes, and the writers trust that the actors will follow their instincts with the characters
We were looking to collaborate with someone on both those fronts [ writing and directing] and it ended up just being me [in Brief Interviews with Hideous Men]. So, at this point, it's the epitome of a passion project and I just hope people like it.
I work very hard on motivating everything I do as an actor. Explosive moments have to be completely motivated; whether they're explosive comedy or explosive horror, they have to come organically out of a scene and an interaction with another actor.
The thing that is so touching about - I can come right up and call him Mr. Simon. The thing that's great about Mr. Simon is he really uses the audience as a partner, and they tell him what's working and what's not. So he's always working on a play.
I'm doing a film called 'Black Mass' where I play James Bulger. The reason to play him is obvious to me. He's a fascinating character. It's not like anything I've done before on that level. I'm very excited to slide into that skin for a little bit.
Scientists are not these guys in lab coats deep in the inner bowels of universities and hospitals with their Bunsen burners. They're the people molding the culture that we live in, the future of our culture, and the technology we rely on every day.
The goal is just to try to get better and better, and the only way that makes sense to do that is to work with the best people. Surround yourself with the best artists and learn from them, and try to sink your teeth into the best material possible.
Any time I claimed to be white, that would be unacceptable. It just doesn't make sense in people's minds. If I'm white, how can I walk through a department store and still have people scared that I'm going to rob them? Which, that can still happen.
When I write a film, there's a particular thing I am wrestling with and the question or concern I'm dealing with has to be big enough for me to dedicate a year or two of my life. If the question isn't big enough, or rich enough, I'll lose interest.
Everybody said, 'You hit it so big when you were on 'Ally McBeal.' ' I didn't do anything for a year after 'Ally McBeal,' and I had to write David Kelley to get myself back on 'Ally' a second time because I thought the character should be on again.
Even in the realest American cinema that I see, there's still not that sense that this is reality. There's still that sense that you are watching a movie. And hopefully, if we did get our jobs right, that sense disappears when you watch this movie.
I think America has dealt with - I mean, this is simplistic, and of course I don't live in America - but the impression I get is that there is not a kind of obligation to dislike those who are better off or be frightened of those who are worse off.
Although 'L.A. Confidential' is a long movie, there's never a moment when you think, 'I'm loving this... but when's dinner?' Each time I see it, I discover something I hadn't noticed before. It has a tremendous skill in developing all the subplots.
I try to be as calm and as reassuring and a rock to my daughter as I possibly can be. I try to teach her everything that I never knew when I was her age, and I try to give her all the advantages and the things that I didn't have when I was her age.
When was the last time you were super offended? I might be like, 'That's the dumbest thing I've ever heard!' Or, 'It's not my thing,' or, 'It was a stupid joke.' But there's such a sensitivity now. Political correctness has become really insidious.
No one smokes because they like the way it tastes. If we did, they'd make cigarette-flavored cookies, candy, ice cream. What is this? Marlboro fudge with nuts? Give me a scoop of that, willya? She's gonna have the Menthol Swirl with the Camel chip.
Everywhere I go, everyone I talk with, everyone I think about - their salvation is what is on my mind. I love fellowship with Christians, but I can't become preoccupied with the pleasure of fellowship when I know that sinners are sinking into hell.
If I hadn't refused Ken Russell, Fellini and Spielberg and made their movies when they asked me, my life would be no different. It is not my fault that I accepted one movie and turned down another. I don't see any point in defending myself, either.
When I grew up, I lived in the ghettos of Hollywood; it was the most disgusting place to be. I was known as the crazy little kid. I did impressions. Then I realized that's not what I want to do. I don't want to be a comedian to please other people.