Quotes of All Topics . Occasions . Authors
I like Billy Beane for the fact that he - his idiosyncrasies, that he can't watch the games without getting too emotional, that he often has food down his shirt, that he tends to break a few chairs now and then. I mean, these things make him human.
I think it was a possibility, I think we're all kind of delusional like that, we think that we can all carry on being who we are without bending ourselves to make ourselves acceptable and expect someone to come along and see to us and rescue to us.
People are easily intimidated when they decorate their home. They think it has to be one way. But there's no one way. It's your way, your style. At the end of the day, you have to live there. It's your cocoon, your nest. You have to be happy in it.
There isn't any sibling rivalry; I think we have very different, very individual career paths and have never really thought that way. He's my brother. I only have one, and we're very close. We wouldn't ever allow that stuff affect our relationship.
The film is a direct mirror of the director. If your director doesn't know how to dress, there will be an aesthetic of the film that won't come through - whether it's in the costumes if he doesn't know exactly what he wants or the look of the film.
People like Tywin Lannister are very much victims of that system, and of that environment: 'This is my place, don't threaten it'. I don't know how relevant that is to today. Politics is the most corrupt profession on earth, no matter where you are.
A lot of my friends are gangsters. Not like gangsters - well, yeah, all sorts of levels of criminality - but not the types that are preying on innocent people. I have no interest in the type of criminality that has no respect for collateral damage.
To be honest I think my read is people are now taking this seriously. They realise that the game is up and the planet and all of us - I mean all of us - have to really start doing something much more drastic in order to try and contain the impacts.
Crime is one of the leads of the show. If there's ever anything that deals with a character's personal life, you don't have to worry about it getting too crazy. People don't have to worry about character arcs. Each episode is a self-contained unit.
I met Chad Smith of the Red Hot Chili Peppers. I'm not really star struck by actors, but musicians, that's when I get star struck. Chad Smith is my number one drum influence, so that was a real mind-blow. I spoke to him - proper English, thank God!
I'm a character actor. I have to find work in good movies where I can make something of my role. I'm a very lucky guy to be in that kind of position. It's like a kid who dreams of becoming a baseball player and then he gets to play for the Yankees.
I know I am old-fashioned, but I don't want to bring out a fashion line, I don't want to bring out an album. I just want to do the work as best as I can, and if that effects change for somebody, then that is great. I don't want to change the world.
I never look back and think too much about my films. I've done some work I've been proud of over the years but which of them is my favourite I really don't know. I could say the last one. I've had little jumps in my career like Unforgiven possibly.
I don't think writing stops until the film is out. In the edit, it's another draft. [The script] is the food for set, and then the set is food for the edit, and the edit is food for the screen. It's constant, and this is just the first stage of it.
If I was left to my own devices, you would see about ten T-shirts in rotation with maybe a few nice pairs of jeans - but I also like to look good. I like feeling really well put together, I just don't have the aptitude and the knowledge to do that.
It's just an ice bucket with a bottle in it. The two flute glasses are little tray. I got to shut the curtains. I'm in my boxer shorts and shirt. I'm going to take a bath and go to bed. But I want to shut the blinds so it's really dark in the room.
My entire life has been an attempt to get back to the kind of feelings you have on a field. The sense of brotherhood, the esprit de corps, the focus - there being no past or future, just the ball. As trite as it sounds, I was happiest playing ball.
What intrigues me is that there are funny people in the real East End. It's famous for it. There'd be blokes dressing up as women as a lark, but 'EastEnders' seems blind to the fact that they enjoy a laugh. There should be a cheery chappy on there.
One year, I went to Cannes with the film 'The Indian Runner' that Sean Penn directed. Everyone else in the film was all the same height, and on the red carpet, when they were taking photos, none of them would stand next to me, and I totally got it.
I see people around me with very unhappy love lives, who may have held out for that perfect somebody. And the failure to achieve that brings along a lot of bitterness which is very unattractive; therefore they're probably less likely to achieve it.
I started doing the big Hollywood stuff, and I realised, 'Oh, there's no rehearsal at all; you just turn up on the set, and sometimes you haven't even met the other actor, or the woman who's playing your wife, and you're suddenly in bed with them.'
There are a lot of problems in the world, a lot of tragic things that have to be addressed, economic, medical, political, all kinds of things, but, to my way of thinking, they pale in comparison to the overall problem of the environmental deadline.
So, whenever you hear or see violence, there is violence on both sides of the border, or it's both country's responsibility. When we talk about trafficking with weapons, with human beings or with drugs, we talk about it on both sides of the border.
What was so good about it was that the set that they originally built stayed there, and weathered over the five years. It got five summers and five winters of weather. It became more and more authentic as we worked in it, and they added bits to it.
You have to pretend to live in those clothes that they lived in, to live within the climate that they had then. You have to imagine with the help, obviously, of all the other technicians that are around - the writer, the director, the other actors.
I was never a big guy in pubs. I was never the main kind of aggressor or anything like that, but I found myself in trouble because I always had a mouth that would come back with something, and there was just never anyone who could make me be quiet.
My agents and my managers are very good at whittling things down to the things they think I would be good at and that I'd respond well to, and that includes theater, TV and film. Whatever it is, if the material is right for me, then I'll go for it.
There's a certain kind of existential freedom that comes to people who realize that all the things that they hold onto and that they think define them, once they're gone, there's this new freedom to determine the way you're going to live your life.
When you're on, like, NBC, or - I don't want to call out any names. But when you're on bigger networks, they just want to find something that sticks and aren't really necessarily trying to develop anything. On TV Land, they've developed 'The Exes.'
Whether you're working in corporate America or you're a journalist, construction worker, a teacher or an actor - we're all trying to keep working. If one job is ending, you look for another job. When 'Psych' ends, I will be looking for another job.
In business, you take a swing and you hope that you hit a home run, but sometimes you strike out. Strikeouts and failures are important. Being down, getting punched in the gut every once in a while by life and coming back up, that's accomplishment.
My friend and I sang an a cappella rendition of Extreme's "More Than Words" at one of our football pep rallies in a desperate attempt to look cool. For a while, I wore pink Converse All Stars because I thought it made me seem daring and irreverent.
My friend and I sang an a cappella rendition of Extreme's 'More Than Words' at one of our football pep rallies in a desperate attempt to look cool. For a while, I wore pink Converse All Stars because I thought it made me seem daring and irreverent.
I find in film acting that however many years you have done it for, you can feel totally relaxed and at ease with the people around you, absolutely wonderful, then roll camera and a little part of you goes, 'Ugh'. It is learning how to manage that.
'Vikings' has been so many different challenges, and some of that is, at times, you have to be big and imposing and violent and vicious, and then you have be pulled back and withdrawn and just more layers and more time to portray those layers, too.
I think I'm wealthy. I make a good living for what I do. Well, it depends. If I'm doing an independent film I'm making no money - probably losing money. But if I'm doing a studio film, I'll make a decent wage. I can live for a year without working.
I very often get that question: 'What is your real profession?' That's because in Sweden, it is 'not allowed' to have more than one profession - there's something suspicious about it! But nowadays it's more accepted that one can do a lot of things.
We understand 'Roots,' and that experience was mind-boggling, and it changed the way society viewed race relations. It was incredibly important. With 'Roots,' I was just as proud as anybody else that people of color were getting their stories told.
I was just a minion [in "X-Men: Apocalypse"]. They just told me what to do so I didn't really have much to do with it but I was curious to see how they were going to top it and if they could and I think they have. I'm very excited to see it myself.
You know, I was really privileged to meet Woody Allen, who is now a filmmaker, let's be honest. He's also an actor. And he's classic. And because I have no conception of what classic fashion is now, I respond to his slightly outdated sensibilities.
Since Idi Amin was from the Sudanese section in the north of Uganda, he was darker skinned. He had more of a blue undertone. So, we did change the coloring of my skin to be closer to his. But otherwise, there were no transformations besides acting.
Everyone knows deep in their hearts that the drums are the coolest instrument, and that a band is only as good as its drummer. So I'm all for drum solos. I'm all for drummers hamming it up. I'm all for drummers standing up and kicking over the kit.
There are people who are genetically made to start record labels, and I'm not one of those people. People just have it in their blood and are good at it. Corey Rusk from Touch and Go and Ian MacKaye. These are people who have made their own labels.
I was never really aware of being famous. Being in a magazine or on a billboard - that really didn't register to me at all when I was younger. People would come up to me and recognize me, but I was very fortunate in that people were always so warm.
One person who has taught me a lot and inspired me a lot was Peter Falk. I was fortunate enough to have worked with him in this movie called 'Vig.' He brought my work to a place where it literally shouldn't have been for another two or three years.
[ Zero Mostel] would tell anyone anything, not to be impolite, but he'd show that he wasn't at all afraid of however much money that person [had] or whatever title they had in a company. It didn't scare him. Mel [Brooks] was very much the same way.
My kids started school, so having a strong base in Melbourne has been a key priority. I'm not daunted by the travel. People say, 'It's so far to Australia,' and I say, 'You get on the plane, you eat well, you sleep, you wake up - and you're there.'
I dreamt of being an astronomer; I had a series of 'How and Why' books on the planets and the stars. At that stage, there were only 14 galaxies; now there are multiverses, dark matter, the nano-microscopic world of the interior of atomic structure.
What I try to do is make sure that the directors I'm working with are on the same page and want to do the same kind of films. You can really protect yourself as an actor if you work with really good people. It can hide a lot of flaws along the way.
I think satire is a luxury of literate middle-class people. People who are well fed and relatively secure in their beds can laugh at their troubles. They can enjoy sitcoms. For those who aren't quite so lucky, well, the irony might be lost on them.