Quotes of All Topics . Occasions . Authors
If I'm going to make something in the kitchen, even if it's something as simple as a sandwich, I will take the extra time to make it a great sandwich instead of just an average sandwich. I don't mind investing a little extra work to make something special.
I really like playing good guys, of course. Although, people make mistakes in their lives, and you could say that the mistakes make us who we are, by how we respond to them. I just don't want to play boring good guys, but I don't have that problem, anyway.
In an industry still dominated by men, working with a female director on an episode written by a woman, helmed by a female showrunner, all while doing scenes with your screen sister is like getting to see the big five at the wild animal park. It's awesome.
'Power' usually starts principal photography around mid September, and the first table read is always like one big family reunion. The most common comment we hear is how 'well rested' everyone looks... something that can't be said by the end of the season.
I remember when I first started having these interpretations of these images, these clichés of what movie stars are and this and that, and they're egomaniacal pricks and tyrants, but in general, for the most part, they're nice people to tell you the truth.
I don't think I ever expected anything like an Oscar ever, to tell you the truth. That is not my motivation when I do these roles. I really am motivated by being able to work with great people and create a body of work that I can look back and be proud of.
I thought, well of course, Kinsey absolutely adored teaching. He was a wonderful teacher. So these kids really inspired me. So that was a clue I hung onto. He loved young people, he absolutely loved them. And he loved teaching them and trying to help them.
At one point in time or another, everyone's an outcast, and you have to deal with those sort of issues in society. Especially for teenage kids, I don't think there's anyone that's really been through childhood and not been an outcast in one way or another.
I'm a control freak, and anytime I direct something, I try to make it as homemade and handmade as possible. I feel like that's my favorite type of filmmaking, where you can see the seams, and it doesn't feel like a swiftly produced, whole seeky-eyed event.
I remember a kid throwing an orange at the back of my head in Spanish class and calling me four-eyes, and I remember saying, I said, 'That's true, and I have two more eyes than you.' I felt like it was better. If I have four eyes, I'm twice as good as you.
I know a lot of people who are weak, who are in a perpetual cycle of poverty and being locked up. There are guys from my neighborhood who are in jail or who are dead. It does take a certain strength to know your environment and say, 'I can grow beyond it.'
They use those monitors now, and sometimes you'll be doing a shot and then suddenly you see yourself on one of those monitors, and I always say turn the monitor round, I don't want to see myself on the monitor. I never see myself 'til the movie's finished.
The hardest thing about sex scenes is that everybody is a judge. I don't know the last time you murdered somebody or blew anyone's brains out, but everyone has had sex and probably this morning, which means everyone has an opinion on how it should be done.
I didn't start making a real living until eight or nine years in. Even after 'Goodfellas' came out, I was still working as a waiter, and people would recognize me - that was an odd experience. But when 'The Sopranos' hit, that was like an exponential leap.
I was really impressed with Naomi [Watts]. She was a producer, and she was doing things that I wasn't really aware of. The way she was able to switch from handling problems to shoot a really difficult scene, I think is a real testament to her true ability.
My girlfriend in eighth grade had been asking her friends when I was going to kiss her. At a dance, my buddy said, 'You better do it now!' I went in for it. I felt like the coolest person on the face of the earth. A week or two later, she broke up with me.
Actors spend most of their time out of work, so I actually spend more time making furniture. The thing about furniture that's much better than acting is that it's just me. There's no director, no script - the concept is me, unless a client wants something.
You can make anything into a play for the simple reason that the human mind is one of the best writers in the business. So, if you've got a writer who's clever enough to give you enough clues, you will fill out every blank spot in a play, every single one.
You'll never have any trouble with Mr. T, I'm just a big, calm teddy bear kind of guy. Mr. T ain't ashamed to cry. When I go out and I meet people who are suffering and they come and talk to me, Mr. T cries, Mr. T who could break a man's jaw with his fist.
My wife's brother has a little house on a small island in the Baltic Sea, and we go there at Christmas. The 30-minute crossing from the mainland to this island is the most terrifying cruise you'll ever take. They give you a barf bag when you walk on board.
I never felt comfortable in real life very well. It's always been an awkward kind of thing for me and so when I hit the stage I just sensed freedom. I sensed, 'Here's a place that I can have all the experiences of life and not feel uncomfortable about it.'
I hit the ground running, without a lot of training, so I had to do whatever I could do to survive as a professional, and if that meant being that character 24/7 and acting out, I was going to do that. I lived those characters, I brought them home with me.
For a long time, I had been very secretive about a lot of the things I'd been through personally, and a lot of that is purposeful. My fan base, for the large part, is the younger generation. They're like, 'I want to know everything! I want to know it all!'
There's no social realism in 'Tyrannosaur.' It's not about the social landscape or the political landscape or any of that. It's just about human beings. I never made 'Tyrannosaur' in reference to anybody - I just made it because I had to make my own films.
Until the year 1967, it was a crime, for which you could be put in prison, to make homosexual love to someone in your own house. If they came in and caught you at it, you could be put into prison. This has changed - I'm talking about England, incidentally.
I am such a 'True Detective' fan. I was anticipating it each Sunday as it came. I'm kind of a sci-fi fan. I was really hooked on the 'Battlestar Galactica' series. I think I owned every box set of 'Battlestar Galactica.' I also really love 'Bob's Burgers.'
At the end of the day, acting is all about telling lies. We are professional imposters and the audience accept that. We've made this deal that we tell you a tale and a pack of lies, but there will be a truth in it. You may enjoy it, or it will disturb you.
Part of the reason why so many actors lose the plot when they go over to America is that they become part of an industry, so that's why they don't want to play weak, bad or vulnerable guys - because that's not sellable; that diminishes their profit margin.
Everyone is an artist. Everyone is creative in their own way and that that creativity is a great thing. It's a human thing and it needs to be nurtured and it can help us go down life's path and help us to become deeper, richer, more satisfied human beings.
'Fight Master' is a proving ground for young, aspiring fighters who want a chance to play on a bigger stage. That's something it has in common with 'The Ultimate Fighter,' which has always been like a farm league for the UFC, a place to develop new talent.
For anyone who's a fan of the 'X-files' show - I mean, I have the ultimate role. I got to deal with Mulder. I got to talk to him; I had a fight sequence with him. Really, for anyone who is a fan of the show, I think I fulfilled a lot of young boys' dreams.
I love the ideals of my country. But I hate that we've been so denied any real knowledge of the world and don't have the education to think clearly, so we vote against our economic interest and believe in our most shallow first thoughts of fear and hatred.
No one trusts me any more. I spent half the movie Maigret (1988) (TV) arguing with people and I was accused of causing big on-set rows. But what they won't tell you is I fought for Simeneon. I fought for the maintenance of quality. I don't believe in lyin.
At first I'm sort of answering everything the way you're 'supposed to' answer, and I lost a bunch of followers... I was like, 'What the hell is this all about? What is Twitter supposed to be about? If you're not answering your fans, then what's the point?'
There's this thing, something in the water in America that is so intoxicating as well, that's like your dreams can come true. You can have it all. You can be the master of your destiny. There's this thing it encourages - this illusion of your significance.
It was quite instant that he wanted Harry's approval. Did you notice that? And the children sort of rescued him this time. It's a great turnabout. That's what happens as your children get older. They do things for you, and it's quite shocking when they do.
While I still do a lot of horror, it doesn't feel to me like I'm repeating myself. I like to stay interested. I'm kind of turning into one of those elder statesmen, like a Vincent Price or a Donald Pleasence. I like to think of myself alongside those guys.
You see a Clint Eastwood movie, and you might not know if it's from Universal or Warner Bros. or another studio. He has affiliations with so many studios now, but there was a time when you'd just look at a movie and think, 'Oh, that's a Warner Bros. film.'
On stage, it is a tremendous thing to be able to make people laugh. But one of the things that I have always loved is when I am in shows where you can turn the audience upside down and make them cry or move them. That is when things are the most rewarding.
I was a very undisciplined person but acting was something that actually motivated me to get up in the morning. I hadn't experienced that before, but it was something that really excited me. I think I could be quite self-conscious and it gave me a release.
I was so envious of everyone who went to Sylvia Young Theatre School. I wanted to go, but my dad flat-out refused. He thought I'd become some tapdancing freak without qualifications. And he was right in a way. I'm glad I didn't go. That might have changed.
I don't mind reminding people it's a movie, or that you're telling a story. Everybody knows this, but for some reason, we want to be real. I don't get it, I like the fakeness of my craft. I don't think the audience minds-they all know we're making a movie.
It's weird to think I have fans now, so I appreciate all of the people that follow and support me - and I love them to death. But yeah, when I start looking on Twitter, and I see, 'I want to name my kid after you,' I'm like, 'Whoa!' I'm a little surprised.
I went into show business because I love to work with people, and what I enjoy most about acting is rehearsing and getting to know people and their talents, forming relationships. Working in this business, barriers drop and you get into people real quickly
Running for me has always been a great place to get away. It's a great stress reliever for me. It's great if I need to be working on something in my mind, whether it's things I need to be memorizing or thinking about, or I have some presentation coming up.
'Quantum Leap' gave me a huge opportunity as an actor. The nature of the role and it's demands allowed people to perceive me as a versatile actor, and the wide success of the show around the planet gave me a certain notoriety that helped me get other work.
'Star Wars' is such a phenomenal global supernova that anything that gets said about it becomes kind of fact and gospel, and then taken by the legions of fans who are so excited to have more 'Star Wars,' that they roll off on all sorts of flights of fancy.
I do like working out. I feel my best when I work out, but you know, I'm human. I like to ride my bicycle and lift weights and hike. When I am diligently working out, ideally, I like to work out four days a week. If I can do that, I feel good about myself.
You do actor's job for intense scenes like this - you dream about them - and you get scared until the day it finally happens. But when you feel safe with your partners, the crew, and your director who all did a wonderful job, you get into the zone quickly.
I'm not in the business of trying to be a celebrity. I like entertaining and being in movies. I like when people leave a movie and talk about it with friends. My biggest struggle is the press... its an odd thing and something I've had to learn a lot about.