Quotes of All Topics . Occasions . Authors
I did use my own accent in a play once. It's a very freeing, liberating experience. Actors are often asked to adopt a different accent, and sometimes a different voice, so when that's taken away and you don't have to think about it, that's a lovely thing.
I'm excited about 'Luke Cage' with Michael Colter, who plays Luke Cage. I play the villain, Cottonmouth. It takes place in Harlem. It'll just be amazing for people to get to see an African-American superhero, which there weren't any when I was growing up.
The picture is not a documentary, ... It's a drama that has to be crafted. Reality is not art. You have to make choices when you're trying to make something work. And the choices we make I think are accurate. There aren't any lies in it. There are assumpt
I've been through almost every type of obsession as far as music genres go, so I usually say I just like a good song, but the songs that are the most universal that a person on the other side of the world knows and can relate to is a very powerful entity.
To go straight to 'Scandal' and get to play the larger-than-life guy who has the page-long rants and gets drilled in the leg with blood flying everywhere, it was a blast. It's really been a nice counterpoint after the first season of 'The Carrie Diaries.'
I've seen so many beautiful curvy women gain success in hollywood and then wither into bobble headed stick figures in some grotesque attempt to fit a revolting hollywood trend. I like real women, not the broomsticks that Hollywood has been selling lately.
I'm beyond proud and happy - I never imagined I would have one fan, and there seems to be a few. I just couldn't be happier that people seem to like what I'm doing and seem to respond to it. If they weren't there, I don't know what I'd be doing right now.
My father was a professor of folklore, and my mother was a teacher until she was married. I had a good relationship with them, and the only argument we had was when I went to university and wanted to go into the theater instead of studying to be a lawyer.
L.A. is cool. If I could have the rest of my family out there, I think it would make it that much better for me. As far as work and the weather, you can't really beat it. I just wish they had the New York social life out there. That would make it perfect.
Johnny Ringo to me was just the best antagonist that I've ever played, because I played him as a guy who has a death wish and had done everything that he wanted in life. As far as he was concerned, a gun fight was about as exciting as it was going to get.
When I look in the mirror, I see someone who's happy with how he looks, because I was never one of the handsome Hollywood people. And I've had success as I've gotten older, because I'm able to play characters. I no longer get the girl, but I get the part.
I've tested for I-don't-know-how-many pilots, and I didn't get any of them. I would always try to go off the top and make it as spontaneous as possible, but acting in sitcoms is such a skill set, and I didn't have it. I wish I did back when I was younger.
We have a tendency to sugar coat the Civil Rights movement by showing arm in arm and everyone singing 'Kumbaya'. We don't really always show the resistance from the government, the resistance from the status quo, from the majority to silence the movement.
Being able to live my life transparently does empower me to feel like I can be myself more. It's easier for me to flirt with girls now that girls know that I'm gay. It almost makes it a sexier encounter than if I was trying to pretend that I was straight.
I guess my first big break was getting the hit show 'Cavemen' on ABC. People made fun of it, but it was a huge opportunity for me and moved me out to L.A., where I learned a ton about acting and how much I didn't want to be in makeup for four hours a day.
There's a place in Botswana where there are 100,000 elephants living in a single population. Think of the amount of space they need. Remember, the United States would fit in Africa three times over and there would still be space. That's how big Africa is.
Period costume films are fun to discover, but they're not relatable. It's more, 'Wow, that's cool - did it really look like that back then?' Whereas with a comedy, you're like, 'Yeah, that's me, that's my friends.' No matter what, I want people to relate.
Acting in general you just feel kind of stupid doing it anyway, but when you're pretending to be rolling around and dodging a foot or riding an ant, you're having to really do it seriously and there's nothing there. You've got to put faith in the process.
In Peter Ackroyd's book 'London: The Biography,' he describes the route of the medieval wall that enclosed the original city. Take the book and follow it from the Tower of London via the Barbican to Ludgate Hill. You experience the real history of London.
There's things that you don't want to do and they keep haunting you and following you. Bennett Miller directed this project [Capote], who is a friend of mine since I was 16, and Danny Futterman wrote it, and he's also been a friend of mine since I was 16.
I usually find myself hiking in a place that not a lot of people go hiking, just trying to find some solitude. I like being out in the middle of nowhere. Not always, but it's a good place to go to just reflect and think, and it's something I really enjoy.
I've had people say to me, 'Look at the sky, the fields, the ocean, the beautiful sunset. Isn't that proof positive of God?' Following that line of thought, look at the magnificent rainbows after a big rainstorm. Isn't that proof positive that God is gay?
I don't know a lot of guys who started out as a hard rock and roller with a white stripe in their hair. Suddenly I do a TV movie and I wake up the next day and I'm a teen idol, like I'd laid on a beach in California all my life waiting for that to happen.
I'll work with a director if I think I'm going to get into a comfortable situation, and if it's someone I respect and who respects me, even if they're not so well known. Movies are hard to make, and you have to work toward a common ethic and do your best.
I think I just never wanted to be the creepy guy where people say, 'Why do his leading ladies keep getting younger and younger, and why do they think he's so hot even though we know that the girl who's playing this part actually has a handsome boyfriend?'
Why couldn't there be even a western slasher, or why couldn't there be a serial killer in a kind of pirate buccaneer Caribbean, just someone that's just doing terrible, terrible things in the ports, the sexy ports of Jamaica during the Pirate Renaissance.
The only difference between comedy and drama is that, in comedy, I'm going to utilize the tool of creating laughter to deflect discomfort and, in drama, I won't use a tool, but we're going to actually deal with the discomfort and see what comes out of it.
I certainly treasure the memory and indeed the picture, which still hangs in my house in Scotland, of Ronnie Barker and I with the Choir when we came to Wales to shoot our Welsh choir section of the "Two Ronnies" programme. You are very close to my heart.
The thing with acting is I'm at the liberty of someone who wants to book me. With music, I can do it all the time. With acting, I could, too, if I wanted to write a script and do that whole thing, but music is a constant thing. Acting, I have to audition.
Martial arts is like dance. It's so beautiful and what I love about the martial arts mostly is that what it basically says is you take their energy and you redirect it. Then if you need to, use it on them. That whole thing about redirecting energy I love.
You know, I know a lot of lifeguards. Both my parents were lifeguards at a lake in El Paso, Texas. I was a lifeguard in a swimming pool in Portland, Ore. And I have known and met and befriended a number of oceangoing lifeguards in California where I live.
I go by the role pretty much. And I think the only genre I haven't gotten to do but I'd love to is a western, but no one has ever asked me to do that. Unfortunately they are very few and far between these days, but that is one type of film I'd love to do.
I know, just from directing television, where you have a huge support system of producers and writers and a script supervisor - not just the cast but a crew of 100 people - there are, as a director, hundreds of questions that you have to answer every day.
I think it gets a little harder as you find more success. As success happens, you have to figure out this question of 'What I am going to do next that stands out?' Because then you get seen as 'this thing,' which is a part of you. But it's not really you.
Star Wars' is such a phenomenal global supernova that anything that gets said about it becomes kind of fact and gospel, and then taken by the legions of fans who are so excited to have more 'Star Wars,' that they roll off on all sorts of flights of fancy.
Look, you're on the set for six months, with someone who's rooting to be attracted to you, and you're rooting to be attracted to them. I never understood the separation of work and life in that situation. But the time I spent with Megan was our own thing.
Haunted since the day its discovery was projected all over the world in 1994, I, like many others, have always wanted to see inside the Chauvet cave, site of the world's earliest known cave art. Quite rightly, we will never go. It is closed to the public.
When I was ten, I loved movies like 'Cool Hand Luke' and 'Roman Holiday.' When I watched those things, I felt like it was such a good escape. It wasn't even that I needed an escape, but I wanted to be an actor so I could give that feeling to someone else.
I've always been attracted to the 'don't follow the rules' type of girl, the rocker girl. I've always been attracted to somebody who you can lose yourself in the moment with. You can hang out with her, and it's like you're the only two people in the room.
Everything I've done goes back to pro wrestling. Had I not been able to achieve what I did, I guarantee you... my high school jobs were always working in the highway department - driving dump trucks, patching up roads, digging ditches, driving a forklift.
I knew that one movie could either kill my career or give birth to it. It's the same thing with Nelson. If you fail at Nelson [movie about nelson Mandela], you don't get to comeback and say, 'Well, I was trying. Let me do it again.' There are no re-takes.
Yeah, I like working in television, a lot. I really enjoyed my time on 'Lost.' I like developing that hint of family with people. I mean, if you're on a happy set. If you're on a set where there's some sour apples, then I don't like working in television.
I started out with the intention of studying physics. I was a terrible high school student outside of the fact that I did well in physics, but there's a big difference between being good at physics and being a physicist, so I jettisoned that very quickly.
For the show, it's really important that we remember that Lucifer is the Devil. It's important for Lucifer sometimes to remember that he's the Devil: to keep the notion that he is a wild animal that is seemingly being tamed but, at any moment, could snap.
When you work in television, working for a big corporation, no matter who you are, you can always get cancelled. That sucks. Do you really want to work with an axe over your head for the rest of your life? Not me, not really, and not if you don't have to.
I'm quite lucky in that at certain angles I look all right, and at others I don't look so good, which enables me to play some leading roles and some stranger, more 'character'-type parts. I wouldn't say I'm the conventional handsome Hollywood leading man.
It's always a problem with television and with films, you always shoot things out of sequence, so you just take your best stab at every moment. You can't really - you'll drive yourself crazy if you dwell on the negative aspects of it or your shortcomings.
Like most people - unless they're very practised at it or have no warm blood at all in their veins - I feel a little apprehensive about the red carpet. It's always a bit bewildering when people are taking pictures and asking questions before the ceremony.
Filmmaking is such a collaborative piece of art that you can't look to one person - you couldn't look to me, you couldn't say, 'Because Vin's in it, it's this or that...' It's really all of us coming together for that period of time to try and make magic.
When two people break up, it's all about them; they can't see anyone else. And the people getting smashed to bits are the kids. Then you're getting torn - your mum wants you, your dad wants you. You just get shredded. It has a long-lasting effect as well.