Quotes of All Topics . Occasions . Authors
The chemistry and the comfort and trust between two people playing a love story l is key, and to have a friend that I could trust, and whose sensibilities I already understood, made it so much easier, and is a big part of why it all looks natural on screen.
I'm a dog lover. With the holidays, everything gets a little bit hectic. There's a lot on your mind, and maybe you forget that your animals also feel that stress as well. So try to keep them on the same routine; try to keep the chocolate out of their mouth.
The racehorses assemble at the starting barrier in all the finery of a mediaeval pageant, the jockeys in silks like figures from a Tarot pack, the bookies in leather and tweeds standing beside their boards each confident that the future has been controlled.
I don't take pictures when I'm with my kids, for the sake of my kids. It's important when you're as busy as I am that you give your kids your time when you're with them, and nothing compromises that. I've been lucky enough to have fans that understand that.
I believe if you go to a movie theatre, and you see something you think is incredible, if you walk out of the theatre and there was a bin in the lobby of DVDs of the film you just watched, you would buy four of them - one for you and three for your friends.
I like being a consumer. I'll do collabs with brands I like, only because I would like something free to wear. But I don't want people to dress like me, which is what you're asking when you create a brand. The fashion industry's just a super-duper headache.
I'm not that big a fan of sampling. But I feel like if I'm going to do it, I'm going to do it to where it's more of a reimagining of a track. The songs that I do utilize samples on, most of it you wouldn't even be able to tell what it was unless I told you.
I'm kind of a horse whisperer; I don't know what it is. I'm not great on a horse. I'm getting better, but I'm not brilliant. So yeah, I've spent a lot of time with horses. They're great creatures; I love them. I do love riding them when I get the chance to.
The only one that's appeared in my dreams is the one from Aliens. H.R. Giger's version of that Necronom was almost like a tic. It's reptilian. That creature is like a baby and tic combined. It's very frightening. It scared the hell out of me, it really did.
I know what it's like to be ignored, and I think that is the big problem about the prison system: These people are being thrown away. There is no sense of rehabilitation. In some places, they are trying to do things. But, in most cases, it's a holding cell.
I don't feel like I've ever subscribed to the stereotypical notion of success. I've always equated success with having integrity, conducting yourself with compassion and honesty, and following your heart despite whether or not you ever make any money at it.
There are instances where you're in a space with someone who has been extraordinarily successful, and they don't necessarily connect with you as another person. You can be a prop for them to deliver their stuff, and you're just another element in the scene.
To use a word I never thought I'd apply to myself, I've sort of become a Luddite with regard to information. Where everyone else is getting their Twitter feeds from 'The New York Times' and their 'Huffington Post' emails, I live in a little bit of a bubble.
It is a fact that our fresh water is becoming more scarce and that the new ways we are getting energy in America - fracking, mountaintop removal, cyclic steam extraction, deep-sea drilling - all pollute water, pollute the air, and pollute our soil and food.
Moments are incredible, but in my fantasy mind I see a Globe company which is renowned throughout the world for what it does with pure storytelling. So that people come and say: it's not just the building, it's the only place you can hear this kind of work.
In 'Star Wars: Episode II,' when Jango Fett is chasing Obi Wan Kenobi through an asteroid field, they needed a big asteroid to shatter into a million pieces, and I had to figure out how to do the fracturing, write the code, and show an artist how to use it.
I remember taking my brother's car out, pushing it down the driveway in neutral in the night, and going out joyriding with friends and getting flat tires and getting busted. My license was revoked by my dad. So, definitely, I was a kid. I was a teenage boy.
The whole reason I did a bodybuilding show was to see how far I could push my own discipline. It was the hardest thing I've ever done. When I made the switch to acting, I was able to break that down into small, measurable goals like I did with bodybuilding.
When it comes to wilderness animals we have to make an effort to preserve what areas we can that they can be themselves in. Its come to a point though, clearly, where some species have to be cared for by humans if they are not going to disappear altogether.
I've gotten to travel all over the world and meet all kinds of people and do all kinds of great things, so it's, like, surreal. It just lets you know how time flies, especially when you're having fun. It seems like time keeps going by faster as I get older.
Listening to people espouse beliefs different from mine is informative, not threatening, because the only thing that can alter my worldview is a new and undeniable truth, and contrary to what Jack Nicholson says in 'A Few Good Men', "I CAN handle the truth.
I'm a big Harrison Ford fan. I kind of pattern a lot of things after him, the way that he's an every man. He's one of the biggest action stars ever, but he transcends that term because he's such a good actor. I tend to really appreciate the stuff he's done.
I worked a lot of non-acting jobs for a really long time. They ranged from auto mechanic to landscaper to manual labor to working in a factory that made airplane parts. I even tried to go to school as a paramedic and ended up being an orderly in a hospital.
Usually you talk about directors in terms of the way they choose camera lenses or a kind of light to create a certain effect. But to me the most valuable commodity for a movie to create is a feeling of life, and that's what A Hard Day's Night has in spades.
A lot of people give actors credit when they gain weight for a role in a drama when they win an Oscar, but when you’re doing a sitcom, people don’t give you a lot of credit, because you’ve got to keep your weight on for five or six years if it’s successful.
A lot of people give actors credit when they gain weight for a role in a drama when they win an Oscar, but when you're doing a sitcom, people don't give you a lot of credit, because you've got to keep your weight on for five or six years if it's successful.
The search for truth in cyberspace will take you through the wormhole, and there's nothing on the other side but pedants and nitpickers and bottomless ambiguity. If you're not careful, you'll spend all your time proving everything and understanding nothing.
I like [Count] Olaf's wardrobe, because the whole thing seems like it should be a period piece in many ways, and yet the date is non-specific. So I would wear cloaks and jackets, but also turtlenecks. I was a little beatnik, and kind of hipster in that way.
You know that thing when you're not asleep but you're not awake, and you can't move your body? I had that kind of nightmare, and I felt like all my teeth were crumbling in my mouth. Now I have this fear of all my teeth being knocked out of my mouth somehow!
When it comes to marijuana, I think it's ridiculous to live in a country that espouses freedom, liberty and equality, yet won't follow through on a philosophy that says: "If it's not hurting anybody or their property, you can do any goddamn thing you want."
It's never fun having to bulk up for a job on an action film, then lose weight for another role. I don't actually mind working out, but it's the diet: I'm half-French, so I love my food, and boiled chicken breast for breakfast is not my idea of a good meal.
Playing a cop goes a long way. I have a lot of friends who are working as actors, and as soon as I started playing military characters or cops, and not the actual criminal that we're chasing on this show, they all said, 'You actually can have a career now.'
I think that its easy to think of the environment as all doom and gloom and that, 'What can we do, it's too late. And the polar bears are gone, and everything is gone.' But really, just the little steps that we can make as individuals make a big difference.
Requests for mustache rides were the big common theme, around the time of the release of the season. People were saying how much they hated him, obviously, and how they would kill him or choke him. There were just all kinds of things. You name it, I got it.
At the end of the day, my life isn't about other people's work. I've got to stop giving stuff away. I've got my own stories to tell, and a great need to tell them. I've got these images, these thoughts in my head, and I need to find a way to cope with them.
We'd get into trouble a lot in school, and I could sweet talk my way out of it. I was really a charmer: I was the guy who would get to the office, the principal would sit me down, and within 10 minutes, we'd be, like, talking about some movies or something.
I feel like the world we live in seems to be full of an increasingly grey area, but the culture that we live in seems to be getting really entrenched in black and white positions, and I think it's urgent to talk about that because it's going to kill us all.
The Sixties - I had to have my foot in everything then. I'm doing the same thing now but through an intermediary. You know. The food company. Maybe that's the way to go about it. You go right straight into the inferno, and when you get older, you pull back.
I tend to not have to handle things that are probably gonna end up being irrelevant, that aren't gonna have much to do with the film. I have probably a better understanding of really what does matter, when to pick my battles and when to kind of let them go.
Today's youth cannot miss something they have never known, but I fear that there are no current fictional characters whose impact and influence will last with such abiding affection into their 'sore and yellow' as this splendid man's creations have in mine!
When I was a little kid I loved the Marx brothers and discovered Monty Python when I was 10 or 11-years-old. I used to take a tape recorder and hold it up in front of the TV to record entire episodes to play over and over again, so that I could memorise it.
What's most exciting about the 'Cobra Kai' series is that it pays homage to the legacy; it has the nostalgia sprinkled throughout, the callbacks to all the stuff the fans would want to see. It has a completely fresh, relevant angle into the next generation.
I am a board game enthusiast, a board game evangelist, a board game nerd, but I wouldn't say I'm 'keen' because I very rarely win, and 'keen' suggests you're actually good at something. But I do play a lot of them, and I have a pretty good-sized collection.
The Ricky that the public see, whether it be on screen as a character, in public, or on social media, is very outgoing, and I'm a bit of a class clown. Then those who are closest to me know that I can be very sensitive. I can be quite insecure about myself.
When I was in first grade, everyone made fun of my name, of course. I think it's kind of a big name to hold up when you're nine years old. It seemed goofy. I used to tell people I wanted to change the world and they used to think, 'This kid's really weird'.
I work with amazing organisations: I work with I'm A Performer With Disability, and I work with a clinic which tries to get opportunities for people with disabilities to work in the film and TV industry, and we're making strides, and they're making strides.
I'm a working class lad. So at 25, and with no-one in our family having any theatrical inclination, when I said, 'I'm going to scratch all that and become an actor,' I may as well have said I was going to be a Premiership footballer for the chance I'd have.
I used to drive up from theatre in Michigan to Stratford, Ontario to watch every show. I idolized the actors from Stratford. I was very influenced by them because they would come down and work at my theatre and get time on their American Equity union cards.
You can make five massive hits in a row and still not get cast by the directors you want to work with, doing little movies. There are no guarantees. I'm trying to sign up and do movies that I'll be proud of, if it's my last one. That's how I think about it.
Between 18 and 19 years old [in the 1950s] I came to Paris. I studied art. And that experience really did change my life. I was living hand to mouth. I walked everywhere. I thought, this city is incredible but you really have to experience it by walking it.