Quotes of All Topics . Occasions . Authors
I watched a couple of films I was in and thought, 'Those are pretty close to what we wanted them to be. I feel actually weirdly OK with it all. I can still see flaws in what I'm doing, but I think I delivered. I think I improved the film with my presence.'
There is something wonderful about turning up every day and knowing that not just the character but the whole movie kind of rests on your shoulders. And there's great satisfaction when you think it's going well and then real terror when you think it's not.
I hope a kid listens to my stuff, I hope there's a change made and at least somebody walks away with: "I'm doing this because I like it." People are going to hate it and that's okay, but I have to do it because my happiness is important too, it's worth it.
Some people can very easily switch off and be guilt free, not that what I'm doing is about guilt, but they can completely disconnect and not care because it doesn't affect them. I've always really cared about what happens and felt a certain responsibility.
I like all like classic rock bands like The Beatles and The Who and stuff and Led Zeppelin so I kinda dress like that. Kinda retro I guess. Well not retro but, like tight. I don't know. Like just jeans and shirts. I don't know. Kinda rock and roll I guess.
For decades, community colleges have been the backbone of American workforce training. Because they are nimble and closely attuned to local community needs, they are inherently positioned to be influential leaders of the movement for a sustainable economy.
I ride my bike for transportation a great deal - occasionally I ride it for fun. But I also have a generator bike that's hooked up to my solar battery pack, so if I ride 15 minutes hard on my bike, that's enough energy to toast toast, or power my computer.
I never went to stage school or anything like that. It was always plays, productions at school and things like that. The thing for me with acting was it was the only thing I could fully concentrate on. I loved playing sports. I didn't really love studying.
A lot of these roles that I feel like I've had some sort of impact, or that have had an effect on me, have always been with directors who have the time to somehow get to know me. Any good director's going to be curious about who it is that's coming aboard.
My wife, Keisha, came home once, and I had these violinists playing for her, and I'd prepared dinner for her, and I write poems. She's pretty amazing, so I like to celebrate that. She's really taught me how to celebrate life; that's something I've learned.
I did a show called 'Lois & Clark' - it was about Superman - years ago. They wanted someone to play the president of the United States. The plot was the president got kidnapped by a group, and they made a clone of him, who was very irresponsible and silly.
I have no idea why we bleed maize and blue, but we do. There's something about Michigan. Maybe it's that we're less jaded out there in the Midwest, I don't know, but it's a love of what we do and each other that brings us together. It's just a magic place.
I'm in 'Gods of Egypt.' It was CGI on a level that I've never encountered. You're in a blue environment on a mirrored floor because that's going to be looking like Ra the Sun God's boat. In the studio, it was like I was in a Robert Lepage theatrical piece.
I played a father a few times. You don't have to shoot heroin to play a heroin addict ... I'm not running for president but I could play a candidate. Most of the time, you don't really have to have those things in your life to understand what they're like.
It's not that your back hurts, .. You get these horrible, ice cream brain-freeze headaches. So I would go in on the weekends and get these things called blood patches, where they'd shoot blood into your spine. It was like running a marathon to get it done.
There is something very unsettling about being with someone when they die. People say it's peaceful. It's not peaceful. It's the most personal thing you can do, is die, and you feel almost like you're invading someone's most personal moment by being there.
I had to get used to wearing a mask and wearing a prosthetic and performing with those things while singing and expressing myself through stylized movement, while keeping it as human as possible so the audience could be closer to the horror of the Phantom.
You know, some actors, all of their potential is in their youth, and when that passes, their qualities of as an actor pass. But he - Alan [Rickman] was the opposite, and their are other actors who are like that, who, really, their potential is in maturity.
Like journalists. The police have an extremely sick sense of humor, very guarded, very private, very male, which they need to survive on an everyday level. I don't think anyone has ever managed to tap that on the screen - it would actually be too shocking.
If there is some sort of trouble at home, kids don't think that James Bond is going to come save their mum from their dad, or their dad from their mum. They don't think, "Bond is going to come and save me." Superman is a different sort of idealized figure.
There's a saying within the Asperger community: if you've met one person with Asperger's syndrome, you've met one person with Asperger's syndrome ... Within this condition, beneath this label, the variety of personality, of humor, of behavior, is infinite.
We all exist in a time of widespread exponential growth. We are busier than ever. When things pile sky-high on top of each other, I try to take a moment to: breathe, smile, repeat. This mantra helps me align to the reality outside of the superfluous noise.
I wanted to take part in this campaign because it's so easy to forget the many women who live their lives in fear because of domestic violence. Men have an important role to play in sending out the message that real men do not hurt or abuse their partners.
You are more thoughtful because you don't act as quickly anymore. When I turned 70 it was the first time I felt young for my age. Fifty dropped on me like a ton of bricks - there is something about that number - but when 70 came along I felt good about it.
My preference is for good writing. It doesn't matter if it's for film or TV. Whatever. It starts with the writing. Even though I've had problems with writers, it doesn't matter how great of an actor you are. If the writing is bad, you're going to struggle.
I would say I've actually done a lot more comedy than I've done drama. It's weird the way that worked out, because when I came out of theater school I took myself way too seriously, so it's kind of ironic that I ended up sort of going down the comedy path.
My homies that are around me never give me that 'star pass'. I've hung out with some stars who are playing basketball and everyone let's them score all the baskets. Shooting pool, they let them make all the shots. My homies don't let me get away with that.
My homies that are around me never give me that 'star pass.' I've hung out with some stars who are playing basketball and everyone let's them score all the baskets. Shooting pool, they let them make all the shots. My homies don't let me get away with that.
It's something I want to do going forward - make a movie that is commercial and universal and will play in any movie theater or living room in the States or the UK, but is definitively Canadian. I don't think there's such a thing as prohibitively Canadian.
I've never seen Kendrick Lamar crack a joke, and I've met him, but I'm sure he's hilarious, too, just because he's so good at rapping. J. Cole is a funny guy as well. Drake is funny. But who's the funniest guy I've met who is a rapper? I would say 50 Cent.
Often when I finish a film I'll have that feeling inside me: 'I never want to do this ever again. I don't want to pretend anymore. I want to be myself and do that.' And then, thank God, that feeling goes away after a month or so and I'm raring to go again.
The first thing that pops into my mind when it comes to playing cowboys is my father, Lloyd Bridges. When I was a little kid, I loved to dress up like a cowboy - put on the boots, hat, and walk around. He was in a lot of westerns, and my dad loved to ride.
When I was a young boy in San Francisco, I remember being sent home from playing with a friend, and I remember the mother saying, 'Tell Jeffrey to go home.' And I said to the girl, 'Why?' She goes, 'My mother says that you're the people who killed Christ.'
The definition of success to me is not necessarily a price tag, not fame, but having a good life, and being able to say I did the right thing at the end of the day. Of course, the price tag is definitely part of it, but it's not the whole thing in my book.
It's a little like casting out hundreds of fishing lines into the audience. You start getting little bites, then more, then you hook a few, then more. Then you can start reeling them in and that's a loveliest feeling - the whole audience laughing with you.
When they were small and my wife really had no other responsibilities, except taking care of the family and all of us, it wasn't that big a deal. It was fun. Hey, we're going to Moscow. We're going to Italy. We're going to Toronto. We're going to New York.
Acceptance and assimilation, you know, breeds mediocrity and perhaps an even more sheep-like conformism in terms of what kind of music you're supposed to listen to if you're gay... What are you supposed to look like? What's your body supposed to look like?
I'm not sure what's going on in Britain. I don't know what's going on in London. Because London is no longer an English city, and that's how they got the Olympics. I mean, they said, "We're the most cosmopolitan city on Earth," but it doesn't feel English.
Actors endow the villain in fiction with a warmth and quality that makes them memorable. I think we like fictional villains because they're the Mr. Hyde of our own dreams. I've met a few real villains in my time, and they weren't the least bit sympathetic.
I don't know if you remember me, but I used to work here in the factory." Were you one of those despicable spies who every day tried to steal my life's work and sell it to those paraseeded cop cat, candy making cads?" No sir!" Then wonderful, welcome back!
You can get digital technology that almost is film quality, and go make little films and do everything you can to find a little understanding of your own voice and it will grow - Don't take no for an answer - Take every opportunity you can to do something.
I ended up doing three very complicated off-Broadway plays that, in certain ways, were not successes in that they were received in a complicated way. But for me they were successes because they forced me to act without singing, which I'd never done before.
I feel like a lot of times when you get signed to an agent they just send you everywhere, so I still audition for a lot for voiceover stuff. I actually don't book a lot of it, and I love doing it so I get disappointed because I want to do more voice stuff.
Money doesn't mean anything to me. I've made a lot of money, but I want to enjoy life and not stress myself building my bank account. I give lots away and live simply, mostly out of a suitcase in hotels. We all know that good health is much more important.
Do I believe it's possible that some young person, young voting actor, or even older voting member for the Emmys, would sit there and go, 'Yeah, that's a great performance, but oooooh, I just hate everything he stands for?' I don't believe that's possible.
The first thing I did on television was a PBS thing where I played a priest. It was a Walt Whitman or Carl Sandburg story - I can't quite remember - but I was a turn-of-the-20th-century priest kind of guy. Never saw it; don't know if I was any good or not.
'Animal House' was my first movie, so I didn't have anything to compare it to. I was a sight gag more than anything else. So I can't say it was one of those things where your life changes. When the movie came out, I had to ask for the night off at the bar.
Our job, you know, in the entertainment profession is to try to illuminate and show people all sides of humanity, and it doesn't just mean that you can only do movies that are only about the good parts of us. You have to be able to eliminate the bad parts.
When I started, with films like 'The Bay Boy' and 'Stand by Me', I look back on those interviews and I'm amazed; there's no mention of my father; it's not even 'son of Donald Sutherland.' I caught a bit of a break in that it never felt like a weight to me.
'Slow West' is a film that I did with Michael Fassbender in New Zealand and Scotland. The director was John McLean. It's a film set in the 1800s. I play a young Scottish boy brought up in the royal family. I fall in love with someone who works on our land.