I've become a representative of the American Diabetes Association, and then I just became national spokesman for the American Heart Association for a campaign called The Heart of Diabetes, which brings the awareness of cardio-vascular disease to diabetics.

I knew lots of Irish ladies in my life who would say daft things and then would just say something incredibly truthful in a very simple way with simple language - a few well chosen words that would take an intellectual five minutes to express. I like that.

No one ever tells you what the grieving process is going to be like. The process of losing a parent or ending a show or vocal injuries - they all bring on their own special breed of dismay... You just have to ride the wave. You don't have any other choice.

So the audience, at times, lets us know actually what is so special about the show that we can't even necessarily design or predict. Which is great. That's what you want art to be. You want it to be alive and to actually have a life in the way it's viewed.

I think people are obsessed with their pets because pets don't speak. It's that simple. After you hang up the phone, you never hear a dog say, 'You're a liar, and you are making the same self-sabotaging mistakes that have kept you single for far too long.'

But George Lucas is carrying about Black actors, about Black men, about Black history, which really incorporates and tells all of history. You can't take one race out without eliminating every other race if you're going to tell the story of the human race.

Our strategic evolution has established Monsanto as the leading innovator in agricultural seeds and technology, .. The financial discipline we have exercised has also allowed us to establish a solid foundation which is poised for growth in the years ahead.

'Divergent' is a story about people who don't fit into a category - that is a big part of the message - but it's also about conformity and forcing people into these simple archetypes. At the end of the day, humans don't exist like that. We're multifaceted.

I remember, when we started 'Leverage,' we were all in Chicago, and I read the script for the pilot and thought, 'Boy, this is just a real interesting place to begin a character.' I had to figure out how to go about playing someone who had hit rock bottom.

The most attention I get is in a book store or video shop when I go to the foreign film section. Sometimes that can be fun, but usually those women want to talk about philosophy or something very dense. It's not like they're tearing off my shirt, you know.

The script for 'Infamous' was so poised between tragedy and comedy. It's a dream part. One reads those scripts with a sense of melancholia. When you read a script that good... I remember thinking, 'Oh, this script is too good. They'll never give it to me.'

I'm in the Apple store on Regent Street far too much; I'm obsessed by whatever the latest Apple gadget is. For clothes, I love to shop in Liam Gallagher's shop Pretty Green on Carnaby Street, or Cult Clothing in Crouch End, for Original Penguin and G-Star.

[Julian Albert] is a CSI investigator; a forensic expert with similar skills to Barry, which gives them a different relationship to, I think, anyone else that he works with, because they're sort of treading on each other's toes in their field of expertise.

What we're doing with Band of Brothers is trying to put it into human terms, so it is not just a flickering, black and white myth on a screen, it is a resonant story. I want the audience to recognize themselves in these men. They're not just mythic heroes.

My father came to the U.S. from Lebanon in 1920 when he was 8 without knowing a word of English. He traveled to Green Bay, Wis., married, bought a house, and he and my mom, Helen, raised 10 kids. Everything depended on his one-man business driving a truck.

Youth is seen as everything. You don't know anything when you're young. It's great being older, just having a more balanced perspective. I wake up and realise that what seemed to be important last year no longer is. I'm increasingly grateful for every day.

When eventually I started to act a bit more, I realised that circus school had taught me something that a lot of actors my age didn't have: physicality. They didn't know how to move. Acting is not all about talking. There is something animalistic about it.

It may sound strange to say it of someone so famous, but I think Leonardo DiCaprio is underrated, particularly from an awards perspective. He is a very versatile actor. He started very young, and 'What's Eating Gilbert Grape?' is one of my favourite films.

A Realtor is an old fashioned Real Estate man with a neck tie. A Real Estate man sold you what you wanted, a Realtor sells you what you don't need. A Real Estate man showed you what you could raise on the land, a Realtor tells you what you can build on it.

I'm profoundly changed. There's a bittersweet emotion that I feel from playing this role. . . . I want the world to be different because I was here. However lofty or crazy or delusional that may sound, I want people's lives to be better because I was here.

My aunt Julie was a production manager, and she heard of an opening. Some show was looking for children to run around the house or whatever. I auditioned and got the part, and I showed up in all of my monstrous energy, bouncing everywhere like an electron.

Compared to my talents, Whoopi Goldberg is like one of those fake plastic Buddhas you get at dollar stores. I mean really, I fail to see the humor in an overweight negro woman with dreadlocks, no eyebrows, and is named after a childish term for flatulence.

It's kind of ironic that my character is a doctor who acts very gay with his best friend. I don't see how gays could ever be doctors, they spend too much time whining about everything. Just get off your soapbox and go back to designing floral arrangements.

You know, I've just always been sort of goofy and kind of gone with it. I actually usually work more in drama, but I have been floating back and forth with comedy, and somehow they keep giving me jobs in comedy, so I guess there's something funny about me.

I love playing characters that go to extreme places, and I love to explore different kinds of psychological landscapes, so it is ultimately a kind of fun, but it's also complicated and colored by the depth of the nastiness of it, at certain times, as well.

My world was completely different to other boys my age. When I was six I was earning money, and by 10 I was paying more tax than the parents of other pupils. I feel a lot older than my years. Because I was working with adults, I had to mature a lot quicker.

I don't like DVD extras. No. Especially when they do things like put out alternative endings? I find all of that a little bizarre, because there should only be one ending. I don't like to be told, 'Oh, we could have had it this way,' for the director's cut.

Older people say, 'Oh I loved you in 'Sense and Sensibility,' and that's the only film they want to talk about. Equally, there are people who only want to talk about 'Galaxy Quest.' And there's a whole bunch of teenagers who only want to talk about 'Dogma.'

In terms of social media, I try to have my voice heard loudly in the cacophony of other influences whether from television and the Internet or social media... I want my voice to be heard in terms of the standards and values that I try to pass on to my kids.

A new setting is amazing cause it's new for the team, and it's new for our characters. It's a breakaway from the normal deal. You get so tired, locked into a show for so many years. You get used to doing the same thing. A little shake-up and change is good.

One of the amazing things about Spider-Man is that you don’t see skin colour when he’s in the suit. You don’t see any religious beliefs. A hero is a hero, whether you’re a man, woman, gay, lesbian, straight, black, white or red all over ― it doesn’t matter.

The biggest lesson from Africa was that life's joys come mostly from relationships and friendships, not from material things. I saw time and again how much fun Africans had with their families and friends and on the sports fields. they laughed all the time.

The biggest lesson from Africa was that life's joys come mostly from relationships and friendships, not from material things. I saw time and again how much fun Africans had with their families and friends and on the sports fields; they laughed all the time.

I've always been homeschooled, so doing it on set is kind of the same thing. My mom makes it very interactive - we'll get a book on chocolate and learn how to make it, or she will buy antique items. I love military history, the mechanics and strategy of it.

When I was a little kid playing baseball, my manager called me Sleepy. And only a few people, who know me from way, way back, call me that still. I used to drift off and that's why they made me the catcher, so I wouldn't fall asleep. That gift I have still.

I've been lucky to be a part of many blockbuster movies... in which it's hard to get to that level of being memorable, but I still have fond memories of 'Independence Day,' to be sure. There are also many small ones I've had that give me many fond memories.

I planted an orchard when I was 13. The impulse came from wanting to grow my own apples. That and the nursery catalog showed an apple tree with a beautiful girl standing under the fruit. Whether the flavor or the picture that did it, I've been hooked since.

If the film isn't in some way going to study behavior then I'm not interested, but the reason why I'm not interested in directing in film is that it would take me, to be as good an artist as I feel I am an actor, it would take me another 35 just to conquer.

Good storytelling doesn't have to be in the form of the classics. It doesn't have to be revered by everybody. In fact, to me, the best storytelling is not universally loved by every single person. I think you can water down the ethicacy of the work, itself.

Imagine you are walking along, and you trip over something and you turn around and find that it is a huge diamond. You would pick it up and do everything in your power to take care of that diamond because it might take care of you for the rest of your life.

My dad was a roofer when I was young. I believe he owned his own roofing company in Florida. And then he fell through a roof, broke his back. Permanently. I mean, he's not paralyzed or anything, but he's had to deal with pain for all of his life since then.

I enjoyed being in California for a while. But that's the thing about London: you can't really shake it. I've always had the impression when I was in L.A. for long periods of time that simultaneously my life was happening somewhere else, and I'm missing it.

I would say growing up in Nashville has been a huge influence in my music. Growing up with my dad being a 2-time Grammy-winner, BMI songwriter of the year for five consecutive years in a row, and having the legacy he has is definitely a huge influence, too.

Don't be afraid to be human - you're human, you're going to have emotional days. You're going to have days when things suck and then some days when things are great, but don't feel guilty because you're experiencing that. Don't feel guilty from being human.

I always leave that for other people to decide, because some of the things I consider to be disasters are some people's favorite movies. And that's what I like so much, is that you never know. Something intrigues somebody and means nothing to somebody else.

I did 'Echo Beach,' a surfing drama that meant I was often topless. Next came 'Demons,' and the opening sequence had me in my boxer shorts; and then there was a scene in 'Trinity' with me walking around in boxer shorts. It was only one scene in each series.

I've always been able to work as an actor and support my family and did great jobs, and more often than not, I got to turn down jobs that I didn't really want to do for various reasons or refuse to work with people I didn't like - and there are quite a few.

The reason why I hate working in theatre is the tedium of memorisation. But once that is done, then you feast on this never-ending meal. If you play it correctly, every night is fraught with very high stakes that are very difficult to find in everyday life.

There's no real downside to any sort of work that I do. I'm all so grateful for it, but I wouldn't say that animated work is just a walk in the park. It is easy, it's really fun, but I don't know why I really stress myself out every time I'm about to go in.

The interesting thing with child actors is that kids are natural actors. They're wonderful actors, and most kids are acting all the time. They're imagining they're out in the yard playing. They're imagining that things happened, and they can get very vivid.

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