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We're very open and outspoken about our faith and our beliefs. We also talk about our doubts, our moments of insecurities. We talk about it all day, how we're inspired by God. We recognize little miracles every day, and that's how we're raising our daughter.
It's fun to do something different. And there are things you can do in a small palate that you can't necessarily do in a larger role. You can go a little further and do things you could never pull off for any length of time, but you can do for the short run.
My dad's an artist, and my grandfather paints - he's not a painter; my grandfather's a butcher - but he does a lot of crafts, stained glass, painting, that stuff. There is art in our family, and I was an art major in college along with being a theater major.
I think David Letterman is a genius. Night after night he is funny and smart. He seems to really enjoy his jokes. They seem connected to who he really is. I like watching him, and there is no one better at turning an awkward moment into something very funny.
I want to get to a point in my career where I can be a role model. A good one. I want to say, 'I got here without drugs, and I got here without drinking or smoking. If I can do it, you can do it. I have no doubt.' I really want kids to have a chance in life.
I consider myself a decent athlete but when I started to train martial arts like Kung Fu, I realised it had nothing to do with how athletic you are. It's all mental. It's what you know, how you use it and your mental toughness and composure. It's incredible.
I think that Matt Murdock, the way he kind of holds himself, he's quite sensible at times, and he's quite serious. I think he would admire Captain America - not that he wouldn't admire Iron Man, but I think he probably be a little put off by his grandiosity.
Theatre is so much fun because you do theatre and you have a month of working it out on your own, and then a month of rehearsal, so by the time you get to stage I know where I'm failing and I know where I'm succeeding and your boundaries are pretty concrete.
Everything that happens later in life is appreciated in a different way. You can appreciate the thing for what it is, which you couldn't if you were 25 and had never experienced much else. You would take it all for granted and think that's what life is like.
I've always felt kind of safe on stage, protected. I've talked to other performers about this and they feel the same things, particularly in the live arena. I never get nervous going on stage to do a play. Doing film or television I'll have more butterflies.
To go from Jon Favreau for Iron Man 1 and 2 to Kenneth Branagh for Thor and the very different world of Thor, it's about how to adapt to Coulson in a different setting and a different world while, at the same time, still have him be a part of the same world.
The cruelty of nature is you have to work out harder when you get older ... It should be the other way around: Work out hard when you're a kid you should be able to coast when you get older. But unfortunately you have to do more to stay in the same position.
For an actor, it's very important to get a clear idea of what a director wants, and their intention for what they want to get out of a scene and how they want to shoot it. Having that knowledge is really valuable, for an actor. It means you can deliver more.
The comedy community is fairly supportive of human beings in general. There are some things you can teach with comedy that people can't learn by being hit over the head with facts. I think, as comedians, we're trying to change the world. It's slow, but sure.
What does kissing really mean to me? To me, if you feel, when you kiss a girl, that certain feeling of all those dolphins, like, swimming through your blood stream, and you get those good tingles inside your stomach, I don't think there's any better feeling.
I have a solo deal with Columbia Records. So it's about, do I want to release an album, when can we do it, what kind of album should it be, how should it be released and marketed and what's the right timing? Do I have time to do it? It's all about questions.
I recently had a few days off while shooting a movie in Budapest, so I took a cab from the set to the airport, looked at the departure board, and decided where I wanted to go right then and there. I spent four days in Rome and didn't tell anyone I was going.
One of the great privileges of having grown up in a middle-class literary English household, but having gone to school in the front lines in Southeast London, was that I became half-street-urchin and half-good-boy at home. I knew that dichotomy was possible.
Screenwriting is definitely the majority of my time, but I do still act when stuff comes up. I do a few jobs a year.People ask me that all the time about written something for yourself to star in, and it's strange. I just approach it as two separate careers.
I met Kevin when I was 19, at a Second City workshop. We were paired up together in the first class I went to. By the end of the class we formed our improv group, and over the next three years we performed leading up to the formation of The Kids in the Hall.
But, Tarantino has seen all of my movies. He's seen my good stuff, he's seen my bad stuff, he's seen the ones I directed, he's read my autobiography. There's an awful lot of things he knows about me, all of which I think had something to do with his casting.
After 'Homeland,' I was offered a lot of very authoritarian, square, angry boss types, but I wanted to do something different. Casting directors are surprised when they look at my CV and see all the work I've done, from Shakespeare to playing Nelson Mandela.
I grew up watching period dramas, as we all did in the 1980s and '90s - endless adaptations of Jane Austen and Charles Dickens - and I loved them. But I never saw anyone like me in them, so I decided to find a story to erode the excuses for me not doing one.
The reason I'm drawn to it is - both the off road racing and the motorcycles on the track - it takes a lot for me to quiet my brain and anything that requires 100% of my attention and focus I find very soothing and that is the closest I get to being content.
My kids watch everything downloaded; they have no idea what the numbers or the names of the channels mean, except "FX makes the show that I see on my computer." So it's harder to get a show on the air, but at the same time, there are a lot of terrific shows.
Julieanne Smolinksi has a history in rock journalism and she's a huge rock 'n' roll fan, and she was a huge fan of Ava (Elaine Hendrix) and Gigi (Elizabeth Gillies) and of the actresses. I was really lucky to get her, in between seasons on Grace and Frankie.
I am very interest in the human condition. That is what I love about acting. I like studying different people and their psychosis. I like discovering what makes them tick. I always find that with any character I play. I need to find out what makes them tick.
Some said America took a step forward electing a black president. In light of the unconstitutiona l expansion of powers, lack of transparency and fueling the fires of unrest that clearly hasn't been the case. Vote based on merits, not to fill a racial quota.
There was a three hour differential in performances because the sponsor insisted it be done live for California. You would go on at 8 pm in New York but you would also have to go on at 8 p.m. in California. That meant coming back in to do the show at 11 p.m.
In theater, you are there, you have a character, you have a play, you have a light, you have a set, you have an audience, and you're in control, and every night is different depending on you and the relationship with the other actors. It's as simple as that.
Being at a film festival reminds me of the power of film. The power that we have in our hands. Telling specific stories about personal matters can start the debate that is needed today, and that connect you with realities that you had no idea were connected.
I think if you look at Sam Raimi and Jim Cameron, those guys know things about filmmaking that almost nobody knows anymore. They are students of film from when they handmade films themselves, you know cut films with their own hands and razor blades and tape.
Now is a good time, 10 years ago would have been a good time, and 10 years from now it will still be a good time to see a dynamic, entertaining movie that's wall-to-wall Miles Davis where the music will hopefully spark some desire to know more about the man.
If you have something to get off of your chest, there is a proper way to do it. Everybody has a bad day, and, for some people, you're under a microscope and you have to deal with the consequences of having a bad day in front of people. But everyone has them.
I really, really love what I do, and there's nothing I love more than getting on stage and playing for an audience or working on a part, getting in front of the camera, and meeting all the cool people I get to meet, and going all the cool places I get to go.
I'm fully aware that I am a lucky, lucky man. This Oscar belongs to all of those people around the world battling ALS. It belongs to one exceptional family, and I will be it's custodian and I promise you that I will polish him, and wait on him hand and foot.
I try genuinely, when I'm playing a character, to not judge them and just to inhabit someone as how one sees them. That being said, you also want to make sure that you don't blur the edges of people too much because humans are naughty and complicated beings.
I like the Open Window Fresh WetJet scent; it smells pretty good as you are using it. I like fresh and clean smells, so it makes sense that I would also be partnered with Swiffer because that is what they are all about: making your house all fresh and clean.
I was being taken around by a press agent at the Venice Film Festival at age 18. Was it fun? Sure. But it was a dangerous path to be walking on as far as having a substantive life. Because the casualty rate at the Venice Film Festival for 18-year-olds? High.
I'm trying to learn classical piano, Mozart and Beethoven and stuff. I took lessons when I was younger and now I sort of sight read the music and play it by ear. It's fun. It takes up a lot of time. I practice a couple of hours a day, but I find it soothing.
The script, I always believe, is the foundation of everything. And if you don't connect to that foundation, if you don't believe in that and feel that you wanna spend three, four months of your life exploring it, then all of the other elements are secondary.
My first job was when I was eight. I did this opera, which was a Robert Wilson/Philip Glass opera, called 'White Raven.' That was a very confusing and trippy creation tale, and I was a kid who brought up the sun and rotated the earth. It was very empowering.
Why did I decide to become an actor ? I decided because my brother helped me decide. I knew nothing about the entertainment industry, and never thought I actually would. I never had an interest in it. I grew up not watching many movies or rarely watching TV.
Look, a lot of directors were actors, even if they were unsuccessful actors which I think is helpful. I think it's a really helpful thing for a director to have experienced that. It helps you know how to talk to actors and how to get what you need from them.
When I was growing up, we learned our history almost as lives of the saints. And it came as a shock, "Oh, Jefferson had slaves?" It always comes as a shock to us that elevation to the White House didn't somehow cleanse them of all their deep character flaws.
It's very true that you can be both selfless and selfish at the same time. What we tend towards, particularly in filmmaking, is this binary sort of, 'This is a good guy, this is a bad guy.' And I quite like the fact that life is a bit more complex than that.
My Latin education teaches me that religion comes from religio, which means, 'to bind.' To bind with rope. And that's all it means. So whenever I hear somebody go, 'I feel so religious right now!' I'm like, 'Well, you're tying yourself up in knots, are you?'
I never felt that I was a leading-man type in high school. I was always the goofy guy who was getting attention from girls who could make them laugh by doing impersonations of, like, 'Saturday Night Live' sketches... I was more James Stewart than James Bond.
I think a mantra I always told myself is, "No matter how many times somebody pitches the ball at you, if you swing every time, eventually one of them is going to connect." Being yourself and persistence are two things that became my daily mantras, I suppose.
I was 18 and making 150 quid a week, which was a lot of money to me. Then there was a bad winter and I got paid off. Then my firm, JW Henderson of Bowling Green Street, Leith, went bust. If they hadn't folded, I'd probably still be scaffolding and loving it.