Quotes of All Topics . Occasions . Authors
Success is a terrible thing and a wonderful thing. If you can enjoy it, it's wonderful. If it starts eating away at you, and they're waiting for more from me, or what can I do to top this, then you're in trouble. Just do what you love. That's all I want to do.
We all grew up on movies with scenes where the actor is lying, and you know he's lying, but he wants to make sure you know it's a lie, and so he overacts and all but winks at you, and everybody in the world except for the girl he's talking to knows he's lying.
At some point in our lifetime, gay marriage won't be an issue, and everyone who stood against this civil right will look as outdated as George Wallace standing on the school steps keeping James Hood from entering the University of Alabama because he was black.
In the ’60s, when I was growing up, one of the great elements of American culture was the protest song. There were songs about the civil rights movement, the women’s rights movement, the antiwar movement. It wasn’t just Bob Dylan, it was everybody at the time.
In the '60s, when I was growing up, one of the great elements of American culture was the protest song. There were songs about the civil rights movement, the women's rights movement, the antiwar movement. It wasn't just Bob Dylan, it was everybody at the time.
Here's the thing about movies, all movies end up on television. That's their life. Whether you like it or not, I don't care how much money you spend on it, or how big or broad the film is, or who the actors are in it, eventually it's all coming out of the box.
The best advice my dad ever gave me is that acting is believing. Acting is not acting. It isn't putting on a face and dancing around in a mask. It's believing that you are that character and playing him as if it were a normal day in the life of that character.
There was a moment when we were casting 'Groundhog Day' when Bill Murray was not at the top of my list. He'd been getting crankier and crankier. By the end of 'Ghostbusters II', he was pretty cranky. I thought, 'Do I want to put up with this for twelve weeks?'
Fame in itself is, you know... It involves a whole discussion on just that word, 'fame.' It's a power; it's another degree of power, to be famous. I think it's obvious: you have more influence the more well-known you are. And, hopefully, it's righteously used.
I have never in my life found myself in a situation where I've stopped work and said, 'Thank God it's Friday.' But weekends are special even if your schedule is all over the place. Something tells you the weekend has arrived and you can indulge yourself a bit.
'Notting Hill?' Does that poke fun at being British? Maybe it does. In 'Mickey Blue Eyes,' that's kind of the point: the clash of worlds, the unlikely combo of a respectable Englishman and a mob guy. If you take out the Britishness, you don't really have much.
I don't think of myself as funny. I think of myself as rather grave, actually. And I'm suspicious of fun. I never quite know what that is or how to deal with it or how to generate it. That's my fault. I know it's a burden on the people I'm with. It's tiresome.
I'm really enjoying living in Los Angeles. It's a great city to live in. I'm living a very suburban domesticated lifestyle out there - a two bedroomed little bungalow with two cars, and we're just driving around, going to meetings here and there - it's lovely!
Whenever I get an audition to do something that is sci-fi-related, it makes me really happy because I realize that I can continue doing the work that I'm doing and continue meeting people all over the world. It does baffle my management team sometimes, though!
I don't consider myself a stand-up comedian. I consider myself a performer; a comic as opposed to stand-up comedian. Stand-up comedians stand there and do their bits; I break every rule in creation. If there's a rule that can be broken in stand-up, I'll do it.
I go on at least 2-3 auditions a week in the pursuit of more work. So I'm constantly working on material and constantly honing and trying to perfect a craft that is never perfectible - it's always new, and it's always different. It's always a work in progress.
My biggest tip is this... treat bread like chocolate. You wouldn't have a chocolate bar in the morning and then a double chocolate bar at lunch and then some chocolate before dinner. I was essentially eating a loaf of bread a day. And that doesn't work for me.
I was watching the last season of 'Mad Men,' and they're now so in their characters and they're so comfortable in their characters, and they're doing such good work. That can only happen from doing it over and over, and developing a character over seven years.
Joss Whedon said to me, 'If you think you are taking over the show, you have got another think coming.' He said, 'You are here only because I don't want to kill a villain off every week. I want my villains to be more interesting and multifaceted and then die.'
I don't do Facebook and I don't do Twitter, and already I notice that, with some of my friends, there's a whole sphere of conversation that I'm completely on the outside of, and that's my choice. But, to a greater extent, that's what the whole of life is like.
I go into meetings with some film-makers and they literally have nothing to say, they're almost bored by their own material. I'd rather work with people who are very passionate and very animated about what they want to do. People who just want to tell stories.
It takes so long to write a script, thinking to yourself, "Am I wasting my time? Am I putting everything into this thing that maybe just won't ever exist?" I always think, God, acting is so much easier. At least for acting you have the source material already.
When you do an hour and a half and you destroy, like tonight was great. I had an awesome time. I realized that I'd been up there for about an hour and a half and I realized, "Wow, I'm gonna get out of here without doing Walken." It is a bit of a moral victory.
I recycle. I have a house in the south of France and I have a small garden. My name is Dujardin - 'from the garden.' I grow carrots, peppers, strawberries, green beans, and things for salads, but there are lots of wild boars all around and they steal the food.
I was very shy and I was very introverted as a kid, but whenever I set foot on stage, I kind of opened up, and I think a lot of kids need an outlet to express their creativity. And a lot of kids are scared to do that if there's not a safe environment for that.
I think, as written, 'Assassins' simply acknowledges the very human need to be acknowledged. As director, I've got to put aside any particular biases or prejudices that, as a moral human being, this is not an appropriate or acceptable way to get what you want.
I'm not scared of doing movies that are just about entertainment. I'm not scared of doing movies that are really challenging and cover difficult terrain. I just want good experiences and I want to challenge myself and I want to just keep learning, as an actor.
Because, as we all know, it’s easier to do trivial things that are urgent than it is to do important things that are not urgent, like thinking. And it’s also easier to do little things we know we can do than to start on big things that we’re not so sure about.
I think it's because in America you always get the sense that if you fail, you can just pack up your things and go somewhere else and try again. But in England, it's so geographically small that if somebody succeeds here, it reduces your chances of succeeding.
My dad had a commercial film company, so he had a videotape player before anyone. So he got Mel Brooks movies or Citizen Kane or some classic old movies. And every summer the revival house in Evanston would show the great films from the '50s and '60s and '70s.
If you did go to high school and then college, there's definitely a solidarity with someone that is from your hometown and knows your mom, and all that stuff. There's this weird politeness that we have, as a society. You don't want to make it hard for anybody.
At Murry Bergtraum [High School] if you were really funny you sat at this table at with all of the funniest dudes, the toughest, the coolest - everybody sat at that table. It was like the ghetto Algonquin Round Table. [Comedy] was my entry, my membership card.
June 1st is a date that is looming in everybody's mind with the final enforcement of the UIGEA. I actually think it may, finally, once and for all prove that it's an ineffective law. Congress created that law and now Congress has to do something to correct it.
The pollution they produce, market, sell, and show to billions around the world is at its core contemptuous of the country that gave them better lives than nearly 100 percent of everybody who's ever lived. And they pass that contempt along for everyone to see.
The only thing I ran into is that I am a wanderlust, as far as travel and adventure. I will go off on any given moment with the family and friends to explore the world. I go around the world once a year. I go to Africa, you know, Russia, wherever... I love it.
You do a movie, depending on the character, there's some degree of makeup involved, especially when you're playing a vampire and you're all white and kind of dead. Sleeves, regarding costumes, there are generally sleeves, which I appreciate. I think we all do.
Thank God I never hooked on anything. I never had a monkey on my back. I just wanted to self-medicate, to numb myself through liquor. It's how I dealt with life, reality, stress, change, sadness, memories. The list goes on. I was really trying to feel nothing.
Jewellery's not a big thing for me. The only thing I wear is a gold cross on a chain that I got for my 21st birthday. You have to take it off every day for filming, but that's the only time I'm not wearing it. You won't find me in rings, bracelets or earrings.
I was a janitor when I was 16, cleaning out garbage rooms in Washington, D.C., and they were foul. It gets really hot in D.C. in the summertime, and you then take on the essence of garbage. People would stand away from me on the sidewalk as I came toward them.
'Thelma and Louise' was a pretty important film for me and still is. It's a social film about many things - gender, freedom - and it puts someone like me into the place of these protagonists. Watching that movie, you are living through the eyes of these women.
When you start making a movie, people want to know: Who's the star power? And very early, I realized there's not a lot of 26-year-old black actors who have been given the opportunity to be the lead of a film. It's, like, Michael B. Jordan, and then we're done.
You know, I'm not really any good at working out when people are flirting with me. And I think I'm too flirtatious with people I'm trying not to flirt with! What I am good at is making people feel uncomfortable. I don't want to but it always ends up happening!
I know not everyone starts out reading high literature. If you read enough you might be drawn to some other things, so maybe those vampire books are what they call 'gateway books.' I just coined that term. I don't know if there's a thing called 'gateway books.
I walked on eggshells a lot. I have a bad self-esteem problem, and my father probably facilitated it. He once looked at me very seriously when I was about 15 and had whipped cream smeared all over myself. He said, 'You'd do anything for a laugh, wouldn't you?'
I have been 'absorbing' people - their voices, their mannerisms - all my life, to the point where I am a sort of Frankenstein of different people. My own speaking voice is, in fact, a mixture of how my two best mates speak, because they are cool, and I am not.
The relationship with the cast has everything to do with how a performance develops, and in a sense that while you're discovering a play in the course of rehearsal with the director, you're also discovering it with your fellow actors. We're all in it together.
One of the big draws of the show is here's a guy who is ordinary in a lot of ways but, due to his profession, he's placed in extraordinary situations that he has to make right with action and with thought. That's what is appealing about Jack - he takes charge.
I hate complaining about paparazzi, I hate complaining about being recognised, because if I ultimately didn't want to be an actor or in the public eye, I would quit doing what I do. That's not the reason I do it, but I love the work so much that it's worth it.
I dont mind if somebody comes up to me and shakes my hand, but if Im in the middle of a restaurant and somebody asks me for a picture, I can be a jerk and say no, or I can say yes and draw more attention to myself, which is exactly the opposite of what I want.
I failed everything in school. I left when I was 13 because I had no comprehension of what the hell they were talking about up there at the blackboard. I must have that ADD thing. But, listening to people I thought, that's wonderful to be able to tell a story.