Quotes of All Topics . Occasions . Authors
I can apply myself to the format of 'SNL,' I can apply myself to the format of 'Conan,' but at the same time, I'm still being J. B. Smoove. I'm not changing up my style, I'm not changing up how I think, what's funny to me, my delivery, the way I carry myself.
I don't want to play earnest. I'd rather play somebody who's kind of sleazy. It's much more fun, especially in a comedy. You don't want to be some earnest guy who's just trying to do the right thing but can't. I want to be doing the wrong thing intentionally.
I love the company of people. I always have and always will, it comes with my family. But earlier in life I might have got a little nervous if I was alone for a day or two in a row. I might think, "Where are they?" Now, I just go on doing naturally what I do.
I just didn't lock into being in the right role in the right big movie and it going huge. I did never really make the leap to hyperspace. Who's to say that it can't still happen. I just enjoy working, and feel fortunate to be doing the things that I am doing.
You are only an actor if you absolutely love it and can not do anything else. Starving for your art is great in your 20s, but it's not so great at 35. It has to be absolute love. You can't worry about being a movie star or anything else. Just love. That's it.
I'm very proud of 'Gavin and Stacey,' but I think I have to write something else even to start to consider myself a writer. Just because you do something once, it doesn't mean that's who you are. I played football last night; it doesn't mean I'm a footballer.
All of us, regardless of how we identify, need a community in which to grow our faith. We require the tangle of other souls to enlarge our hearts, to perfect our relationships with one another and to help us understand more deeply our better Selves (big 'S').
If I don't need the money, I don't work. I'm going to spend time with my family and friends, and I'm going to travel and read and listen to music and try to learn a little bit more about how to be a human being, as opposed to learning how to be somebody else.
We never want to be a band that keeps our fans at arm’s length. This has always been about us and our fans together. We’ve been on an amazing journey with our fans already, but knowing that the best is still to come is a pretty exciting feeling for all of us.
Michael Ian Black wears many hats. He's a stand-up comedian, a comedic actor, he's now a writer-director so he knew how to work with all of us. And furthermore, because so much of his career is based on improvisation he gave us the freedom to do that as well.
There were some super-lean years, yeah. I'm six feet four. And I entered into this period all of a sudden when I was too big to play a kid and I was too young to play an adult. Like, I couldn't play the lawyer, but I couldn't play the high school kid anymore.
If you want to provide for your family, maybe show business is not a high degree of success. You will need to keep your day job until you make it, and know it's an odds thing just like the NFL. I personally wouldn't recommend anybody to go into this business.
Sometimes you feel you're making something really special and when it comes out you might still feel that way but for some reason it doesn't get the audience. So many things have to come together to get a creatively successful and financially successful film.
I actually got thrown into my Bar Mitzvah because my teacher, my Cantor, did not tell me that they would all say 'amen' at the end of each, for want of a better word, paragraph. And that threw me completely. I almost went into an Ella Fitzgerald sort of scat.
I think 'The Wire' is my all-time favorite TV show. It's so brilliant, the way it critiques society, and how it handles that everybody who gets power loses their moral code and stops going to the root of the problem and just tries to maintain their own power.
I sometimes buy albums that I don't like now, but that I know I will like. Coming out was the same thing. In high school, I thought, 'I know I'm going to have to deal with this, but I'm not confident enough now.' But when I finally did, my whole life changed.
I made 'Siam Sunset.' In Australia, it was pretty much universally hated, but I did notice that almost any American who saw it loved that film, so in 2001 I made a film in America called 'Swimfan,' and they released like a big studio movie, and it made money.
I think I got turned onto The Beach Boys for the first time with the 'Endless Summer' album in 1974. The power of that music still, to this day, bypasses the brain and goes straight to the heart. You don't have to think about it; it's something that you feel.
There is that stereotype of a nerd with the high pants and pocket protector and that kind of thing. That can sustain comedy for maybe a movie - hence the 'Revenge of the Nerds' franchise - but not for hopefully years on the air. It's a sight gag, not a story.
I was the sibling that kind of kept it all on a level when life at home got tough. I did it through comedy, sarcasm and distraction. All families are complicated, but my home life was glaringly uncomfortable much of the time, and it was me that took the onus.
This is a perilous time, and more than ever, the world needs a united and strong America. If, God forbid, we live to see Mr. Obama president, we will live through a socialist era that America has not seen before, and our country will be weakened in every way.
My family took a vacation to Universal Studios when I was really young. Me and my brother Richard - who's also an actor - were both really intrigued by seeing the behind-the-scenes stuff of how films are made. We kind of begged our parents to get into acting.
Since I am from Spain, once the morning has gone, I like to take a nap while falling asleep to black and white movies. It feels less lonely. There is a comfort in hearing their voices, like when you're a child and your mother tells you a story before bedtime.
I went there and helped him shuffle pictures of people, and one of the agents asked me if I was interested in acting. Of course, I was a little bit interested in it; I'm sure that's part of the reason I moved to L.A. even though I never admitted it to myself.
It was the shaving that bothered me the most. I'm not a great fan of shaving and I had to be really clean-shaven, hands, head, hairline, all the fluff off my face, everything except my eyebrows, so this sheen, this kind of polish they used on me, would stick.
I'm really glad I had the chance to live in Jensen Beach and Stuart before everything exploded. I'm always going to be fond of that area. For me, it was a sleepy little fishing town, and it kind of represents what Florida was before the development explosion.
Every writer has to make an emotional journey from artist sitting in attic to being part of a business. The writer of a film is like Tinkerbell. You are only there because people believe in you. The moment they dont, because youre a pain the arse, youve lost.
I had been thinking for a while about how bored and tired I was of playing straight-down-the-middle everymanish characters that have what I call white guy problems. And I missed playing characters who lacked dignity and more importantly, lacked social skills.
I thought 'Back To You' was a good show. The writers' strike really kind of put an end to that, though, honestly. There were a couple of factors involved, but to start a show and then to have it disappear and not come back for that long... it's just bad form.
It's just a challenge doing live television every week; you know, it's a challenge to come up with new material every week and stuff like that and try to keep it current, you know what I mean? Like, it's just, you know, it's a kind of a stressful environment.
When I read a story that I think has value and I want to be in it, that doesn't change for me. It doesn't fall out of favor for me. I might have to move on because the universe is saying you can't make this right now. But I'm going to circle back and make it.
I feel the freedom of being able to find comedy in the darkest moments because it makes it way more interesting, I think. Otherwise, you're just cruising down a path that's been traveled millions of times. It's cool to find the strange truth in those moments.
In terms of viewing the world in a certain way, when you're talking about monsters and talking about the metaphor that you're trying to create, as Black Americans, you oft times stand apart and you have to look at things from the inside out or the outside in.
My mother was an extraordinary theater actor in Canada, and when I would finish school, I would go to the theater. I would do my homework, we would have dinner there, she would do her play, and then me and my sister would go home. So I grew up in it that way.
When we shoot 24, there are so many things I have to worry about, from the script to technical things to my performance, that I don't have a second to be bored or take anything for granted. We produce 24 hours of film a season, which is like making 12 movies.
The unknown is the most frightening and mysterious thing, especially in the modern world where we can practically Google anything and find out the back story. I think to have that element of mystery it almost creates a frustration that is closer to real life.
I did some research into what was going on in terms of the sexual revolution that was happening in the '60s in the gay community and particularly in the drag world. Before the '60s, guys doing drag would dress like their mothers or iconic Hollywood actresses.
The interesting thing about doing serial television is that the character is growing separate from you, the character and the show are growing, and you get to observe that and participate with it in a way that I think is actually really exciting for an actor.
I became more curious about the story behind the story [in the House of Cards]. So what was really going on behind the headline? And it's a little bit sad that that show, it doesn't seem so much like entertainment the way it did back when we started doing it.
At that moment in time when we feel like the other, we were not the person embraced, not one of the cool kids, not in the club - when you're that person, it makes you feel smaller, and when they persecute you as a result, that's a difficult position to be in.
When you have a child, your relationship with every child in the world changes. It's like you're in a club you didn't know existed before a child came into your life. I believe you should make the world more beautiful for all children in any way that you can.
Some people get into this business and they're so afraid to lose anything. They try to protect their position like clinging to a beachhead. These actors end up making really safe choices. I never wanted to go that route. If I go down, I'm going down swinging.
Your tenacity is a larger deciding factor in your success than however good or bad an actor you may be. I feel like that's just something that cannot be overstated enough for people getting into the business. You have to really want it more than anybody else.
There's something outrageously funny about the bold-faced lying that's going on, in a general way. Just the blatant denial of facts, whether it's climate change or crowd sizes. Every day, there's another blatant lie. I think there's comedy in there somewhere.
I'm very opinionated, and when you're put in a position where you're getting the storylines that are not necessarily what's cranking at the back of your mind, or digging at the potential of your character and you have to sit on your hands, that's frustrating.
Somehow, someway, you get kind of labeled this guy who was in a Freddie Prinze Jr. movie too many. And Freddie Prinze Jr. - it's not his fault, either - it's just these are the things that happen. I'm not a George Clooney; I don't have a ton of opportunities.
When someone bestows something on you, no matter how true it is, when someone says, 'Sexiest Man Alive,' I'm honestly going, 'Thank you. Right on.' For me, it's never canceled out anything, it's never made me go, 'Does this make me less talented of an actor?'
There are two ways to go when you hit that crossroads in your life: There is the bad way, when you sort of give up, and then there is the really hard way, when you fight back. I went the hard way and came out of it okay. Now, I'm sitting here and doing great.
I don't have a philosophy for choosing roles. Sometimes, it's just, 'This might be interesting; that might be fun to do.' There might be interesting actors or directors in the project, even if the part is not important. And then sometimes, you need the money.
I think history repeats itself. There's a constant conversation between the oppressed and the oppressor. No matter what your field is, whether it's gender equality, the Time's Up movement, or diversity casting, it's always going to be a back-and-forth battle.