Quotes of All Topics . Occasions . Authors
Do you remember when Fabio got hit in the face with a pigeon on the roller coaster, and it broke his nose? Sometimes I feel like I'm the pigeon, and the Internet is Fabio's face. Actually, I don't know if I'm the pigeon, or I'm Fabio's face. Depends on the day, I guess.
I'm somewhat of a masochist at heart. I like to sweat. I come from a very competitive sporting background - my dad was a world-champion surfer - so it's always been a part of my DNA. I do a lot of soft-sand running, hiking, yoga, and boxing, and I compete in triathlons.
It doesn’t make sense, it’s not logical, it’s not a safe profession or a smart profession if you wanna make money or have a living or have a family. So the fact that we keep doing [theatre] means we’re getting something from it that is almost childlike in its innocence.
A nightmare would be when somebody is trying to be funnier than everyone else. And you've got a group scene or two-person scene, and one person decides, 'I'm the funny in this,' and bulldozes everyone else, and they make sure they're the reason everyone loves the scene.
You want to try and bring a character to life in an honest a way as you possibly can. It doesn't matter whether he's a doctor, an actor, a car salesman or a captain of a starship. If you can bring truth and honesty to that character, then your audience will believe you.
I've always been interested in apologetics, the topic of different world views and, 'Why are we here?' and 'Where are we going?' I grew up in the church, and sometimes kids who grew up in a church can be sheltered and can't engage with people with different world views.
It was truly a lesson in don't take something at face value. You know, so many of us do in life. Whether it's because of how somebody looks or because of what they're wearing or what have you, you kind of assess a person in the first five minutes before they even speak.
The thought of filming in London was a big draw because I could stay in my house. I read it, and I was really taken with it because it felt at once very unapologetic for what it was, which is a romantic comedy. But at the same time, a little spiky and a little truthful.
A friend once asked me what comedy was. That floored me. What is comedy? I don't know. Does anybody? Can you define it? All I know is that I learned how to get laughs, and that's all I know about it. You have to learn what people will laugh at, then proceed accordingly.
Hong Kong people, they treat me more like a director, like a producer, like a filmmaker. If they recognize me, they treat me as a producer more than a star. And also, I make one movie in three years. I think they already forget who I am, because I've been away too long!
I went to high school in Virginia Beach, Va., and we had these guys - they were surfers. They didn't like me, never talked to me. And if they didn't like you, they threw toothpicks at you. After I did a play, it was different. I found out I was pretty good at something.
As a child our dreams got scattered all about and all our future prospects got scattered to so many places, and we spend our lives trying to find the little pieces that make up our lives and make up the dreams that we had as a child that got blown away in the windstorm.
I always had a lot of respect for the hard work and the hours and the dedication it takes to do these jobs but even more now, yes. The fact that we've gotten the opportunity to go to the FBI and meet the people who do this for real and also have consultations with them.
I really like the way that Jack Nicholson [acts] in particular works. I like the fact that he takes enormous risks. He's an enormously disciplined actor who seems to be totally capable of dealing with the business as a business and yet drop it totally when he's working.
I have come close to producing films. But generally by the time they hit the screen, there's about 50 people with producer credits, so what's the point. I usually find scripts I like with no money attached and take them to producers that I know and try to raise finance.
There's so many things I want to do. I want to work with great filmmakers, great actors, great scripts. And there's no reason for me to do anything short of that, because I'm 24, I don't have a family, I don't need to make tons of money, and I'm not dying to get famous.
There isn't any great mystery about me. What I do is glamorous and has an awful lot of white-hot attention placed on it. But the actual work requires the same discipline and passion as any job you love doing, be it as a very good pipe fitter or a highly creative artist.
Showing young children in these communities, that there are outlets for their feelings, that there is room in a space for their stories to be told, and that they will be applauded - and it's not about ego, it's about connection: that their pain is everybody else's pain.
They're [zombies] us, you can also have the wrestler zombie, the clown zombie, the Jay Leno zombie and the nun zombie. I've never seen the clown werewolf or vampire. But because zombies are us, at the lowest possible level, they're a lot more versatile for storytelling.
I see a film or a TV series or a play as being this machine. It sounds quite robotic, in its description, but it's basically a machine and you're just one of the cogs that goes in it. You're not the biggest one, and you're not the smallest one. Everyone's the same size.
They [Marvel] don't tell you. You never know with them. They have their world, but they don't like to spoil anything, so nobody knows until it's set in stone. You don't know. I actually don't know what they have in store for Wilson Fisk, or my Wilson Fisk, I should say.
I knew that I did not have to buy into society's notion that I had to be handsome and healthy to be happy. I was in charge of my "spaceship" and it was my up, my down. I could choose to see this situation as a setback or as a starting point. I chose to begin life again.
I knew that I did not have to buy into society's notion that I had to be handsome and healthy to be happy. I was in charge of my 'spaceship' and it was my up, my down. I could choose to see this situation as a setback or as a starting point. I chose to begin life again.
The high income tax come pretty near passing in the Senate. Only lacked about six votes. So it won't be long now. Well, there is millions and millions that are not making it, that would be glad to give up 99 per cent if you would let 'em earn a hundred thousand or more.
When you have helped to raise the standard of cooking, you have helped to raise the only thing in the world that really matters. We only have one or two wars in a lifetime, but we have three meals a day -- there's nothing in the world that we do as much as we do eating.
The greatest experience I've ever had in a movie theater was watching "Star Wars." It shaped how I look at the world. My imagination was so small before I went in that theater and there was an explosion in my head. I just couldn't figure out how someone came up with it.
The videos I put on YouTube have expanded my audience beyond what I could have done at just a Hamburger Mary's. People saw the videos, started booking me, and literally 40-plus countries and thousands of gigs later I can basically say that YouTube has bought me a house.
It's kind of bizarre, isn't it? Having that kind of attention. I'm not under the microscope in the same fashion that a lot of the other cast members are, so I think I can slide under the radar a little bit more, but getting any attention at all is completely new for me.
When you were a kid and the circus came to town it was awesome to see these little creatures, but these things go out of fashion, like polyester blazers with rolled up sleeves. We don't have to suffer them anymore so why are there all these little people running around?
I think a good MP is someone who cares for their community and becomes their champion, which is why I will make my home in any seat I am lucky enough to be selected for. Looks play no part in the equation, what matters is your ideas and connecting them to the electorate.
People think that the people in Hollywood have some master plan. They just make the movies that people go to see. I think it's that simple. I promise you if people were lining up around the block to see a Bible movie, they'd make Bible movies from now to the end of time.
The thing with film and theater is that you always know the story so you can play certain cues in each scene with the knowledge that you know where the story's going to end and how it's going to go. But on television nobody knows what's going to happen, even the writers.
My priority is to turn people - especially kids - on to sports and being active so they don't even have to think about it being good for their health. If people participate for the fun of it, and believe me - it is fun, then fitness programs will be much more successful.
Kaytoo [from the Star Wars] is more even-keeled. And he's a badass. He comes from the Empire, and he's a security droid. Some people call him an enforcer droid. He has the ability to enforce things. That was what he was built for. He's tall. He has an intimidating frame.
Howard Hughes innovation was in the aviation field. His designs and spirit of experimentation was at the forefront. As far as his work as film producer, he certainly went after a bigger and more ambitious kind of filmmaking, even if he wasn't necessarily a cinema artist.
I know there's an impression that I'm someone who seeks to have violent confrontations with people. I don't. Do I regret screaming at some guy who practically clipped my kid in the head with the lens of a camera? Yeah, I probably do, because it's only caused me problems.
I'm always going with my visceral reaction when I read a script. I am more drawn to characters who are conflicted, and in developing a character exploration. If it's a baddie, I'm rarely intrigued, and if it's a goody two-shoes - too much of a good guy - I'm not, either.
I was thirteen, and I did a movie that got attention, and I got attention, and I didn't like it - it made me uncomfortable - so I just quit. And then I was trying to figure out what to do and was worthless at everything, so I was like, 'All right, I'll try acting again.'
I think it's even harder because I think as always, Hollywood is sort of glamour central for the world, and the entire world looks to it for not only entertainment, but the whole idea of the youth factor and youth being sold to our culture via young actors and actresses.
Being internet famous is kind of like being a camp counselor, and you've got this group of rowdy energetic kids every day. You've got to come up with something new every single day to entertain all of us. The internet is a 24-hour playground, there's a lot of enthusiasm.
It's really important to keep sponsoring young people so the audience gets used to them and starts enjoying them. They're the only way your show can keep going, otherwise it's going to burn out in one or two years. Hopefully you're creating your headliners of the future.
I think musicals can be more than what people imagine. That'll be the case with 'Matilda.' It's such a clever thing to stage. Parents would have read this when they were young and will want to share it with their children because they have such a fondness for the source.
While I have felt lonely many times in my life, the oddest feeling of all was after my mother, Lucille, died. My father had already died, but I always had some attachment to our big family while she was alive. It seems strange to say now that I felt so lonely, yet I did.
I would jump into the middle of the street and say, "excuse me, there's a Mercedes that's got to get through here." And I would push people out of the way, "get out of the way! Let him through!" Smacking their cars and stuff. Just like, "whack" and you just jump into it.
I've always been a night person. There's a sense of virtue attached to getting up in the morning and doing things and starting the day, and I always felt bad for not being that person. But as I've gotten a bit older, now I'm completely okay with it. That's just who I am.
I love taking on roles that other people have written for me just as much as I take on writing - just not as much of a, 'Oh, that guy.' I want people to start saying, 'Oh, Brett Gelman's new piece is coming out. That's a Brett Gelman movie. That's a a Brett Gelman show.'
If more of our so-called leaders would walk the same streets as the people who voted them in, live in the same buildings, eat the same food instead of hiding behind glass and steel and bodyguards, maybe we'd get better leadership and a little more concern for the future.
My dad is from Queens. I remember visiting as a kid. My grandparents grew up here. All the actors I respected were coming out of here. All the hip-hop I was listening to - Beastie Boys, A Tribe Called Quest, Biggie, Wu Tang - was coming out of New York. I'm just into it.
There's no director or actor that I want to work with more than anyone else, other then maybe Johnny Depp, who I really would love to work with. I don't view any directors or actors above regular people, so I'm just happy to work with anyone, as long as they have talent.
I don't think there's a date minimum or maximum. I don't get the whole 'All right, you've got to wait three days to call after the date.' If I got a number from a girl, I'd call that night. There's no science to it for me. You just do what it is that you feel like doing.