Quotes of All Topics . Occasions . Authors
I am the product of hustlers who taught me how to do it. They gave me a hustler's ambition. Not a bad thing to get from your parents. But hustling only gets you so far. You have to trust yourself. And you have to be ready to fall on your face and be okay when it happens.
Paris Hilton, that's very interesting what she did. I've never done that. I haven't really sort of ever got into that. As time passes, maybe I should record it and put it in a vault so that when I get a little old don't have the energy I can remember how life used to be.
I always thought Woody Harrelson is quite a persuasive guy. He's the kind of guy who can call you up in the middle of the night and tell you, 'Let's all go get a donut!' And you're thinking, 'It's the middle of the night,' but somehow you still get up and go get a donut.
I have a responsibility to diversity onstage, but one of the things I've heard about our production of 'Boys' is that it's a bunch of white guys. Well, race is a component of this play. You can't just drop people in willy-nilly and say, 'Well, we're going for diversity.'
Groups like the NAACP, The Anti-Defamation League, NOW and GLAAD, will respond to derisive language directed at their constituents. The price paid by those who cavalierly chose to verbally disrespect the dignity of African Americans, Jews, women and homosexuals is steep.
I find myself more interested in producing. Not because I'm interested in the financial side of it, but just getting together the right elements to make a film, that side of production. I would not be good on the financial side. It would be a disaster from the beginning.
So much luck! I'm not putting myself down, I'm not saying I don't have talent - I must have, to have got this far - but I honestly believe that some of the greatest actors in America are tending bar and waiting tables and driving taxis, and it will never happen for them.
I was a very good baseball player and football player as a kid, but my father always told me - occasionally while striking me - that I was much more interested in how I looked playing baseball or football than in actually playing. And I think there's great truth in that.
As a kid, I spent an awful lot of time pretending I was somebody else. I think growing up in the 1980s wasn't very exciting so you kind of create this secret life of an alternate person. You pretend to be whatever you need to be that day, so you live in that dream world.
You get the sense that [John] Hughes is so right about the way groups divide and then divide again and then sometimes align and then sometimes break apart. And this idea that Michael Hall's character says, "On Monday, are we going to be friends?" you know, based on this.
The truth is often terrifying, which I think is one of the motifs of Larry and Andrew's cinema. The cost of knowledge is an important theme. In the second and third films, they explore the consequences of Neo's choice to know the truth. It's a beautiful, beautiful story.
I have been pretty happy with how I look but if I have a hectic week with family or work life, that has got to be my priority and the gym takes a back seat. Then a couple of weeks turn into a couple of months and before you know it you feel like you've got the 'dad bod.'
What you find I think in the mystical strain of Catholicism is that you're put in relationship with God, and you have many opportunities not only of talking with God in petitionary prayer, but also of listening to God, being attentive to God, as happens in contemplation.
Whatever is on the page is what I'm married to. I'm very prepared. I'm a thespian. I don't like to improv. I don't like to go off course 'cause I think that's where stuff happens. When you stick to the material 'cause it's written so well, that's where the magic happens.
If the crowd is too big, it's too much for me. I took my daughter down there, and all I did was spend all of my time worrying that she was going to get lost because you're caught between somebody with a sandwich in their hand and somebody in a costume. It's really crazy.
The office of drama is to exercise, possibly to exhaust, human emotions. The purpose of comedy is to tickle those emotions into an expression of light relief; of tragedy, to wound them and bring the relief of tears. Disgust and terror are the other points of the compass.
Thousands of climate scientists agree that global warming is not only the most threatening environmental problem but also one of the greatest challenges facing all of humanity. We must demand a separation between oil and state. We can get off oil and slow global warming.
Making a film, you do need stamina, whether you're doing fight scenes or not. It's important to keep fit. I'm not talking about having perfect abs and stuff, but you've got to be on top of your game, especially if you're playing the lead. You have to look after yourself.
The stage for our whole show is actually really interesting and a lot of fun. There's always something going on so we figure even the people who come up and don't know Big Time Rush love the show because there's always something going on, so that's what we love about it.
I got my first tattoo when I was 19. The one on my shoulder is an eagle. I'd go to the beach, and I'd take off my shirt, and I'd almost feel self-conscious because nobody out there had tattoos except my buddies, the guys who rode motorcycles. American-made bikes, mainly.
I always laugh the hardest at the stuff you see in day-to-day life. It's great when somebody can tell a joke that really makes you laugh hard, but to see some kind of personal interaction that no one could write is so good. Those are always the things that make me laugh.
I have no control over people's perceptions of me at all and that's one of the things I decided very early on is that I can't control the way other people think of me. All I can do, especially when it comes to my career is go out there and do cool unique kinds of things.
I never even thought about being an actor. Somebody asked me if I'd like to learn the craft, and I said, 'Okay.' I was a gymnast in a show at that time, and somebody asked me afterwards one night. I performed as a gymnast for nine years, and then I did acting after that.
There were six kids in our family, and I grew up fast. I had to do a lot of things on my own. I was a rebellious teenager. That's why coming into the film business was good for me because it gave me some discipline. Once I became an actor, I had to grow up a little more.
Dexter's a unique killer in that his father saw his dark impulses, shined a light on them, and told Dexter that he saw them, he accepted them, that Dexter is good and that he is worthy of love. And I think that's what enables him to focus his energies in this unique way.
Will [Smith] is not like preachy. He's more like lead by example. There's two ways to approach Will. You can follow or you can watch and learn, and I just kind of watched him and learned how he dealt with people, how he dealt with life and how he approaches his own work.
I think there's a difference between making a feel-good movie like 'Think Like a Man' and a feel-good show like 'Common Law.' It's not too heavy, it's not too serious. You just walk away with a smile on your face. I think that makes people somewhat more endearing to you.
Day to day and doing the work and getting to that honest point - that, for me, is always about - and always will be as long as I do this - refining and refining and refining and refining the truth... constantly being as truthful and honest and raw and real as you can be.
Where I come from, it's a little bit like England. We start from the theater, and we do films a bit on our free time. The history of making films in Scandinavia is so old, it's like the oldest. The Nordic film industry started before Hollywood in Stockholm in Copenhagen.
I played soccer, and I played in a band, and sometimes I was able to do a movie. And my school would cooperate. It was a very easy way to roll into what later became my profession. It's more innocent. When you're a child actor in the U.S., it's a different thing I think.
My mother wanted to be an actress. She wanted to follow her dreams and she never really got a chance to do that. I feel like I'm following her dream in a way. She's proud of me for doing what I wanted to do, but at the same time, I'm kind of taking up where she left off.
My family, they're not really that involved in what I do. Career-wise, they're very supportive. They're involved after the fact. I don't tell them anything, usually, until I'm finished filming it or mid-way through filming it. It's just a job, and I approach it that way.
I think I'm actually built for fatherhood. I love to have a good time and play, but at the same time I've got a really serious side to me, and I think that's the balance you have to have. Get on your kids' level, but at any point in time, let them know who the parent is.
Americans aren't good at accents, but the English are because their accents change. You go five or six blocks and the accent is different, so they are used to hearing different pitches. In America, you gotta travel maybe 10 states before you can really hear a difference.
"I don't ever want to try to be a 'cute guy.' I want to be Charles Laughton, or Oliver Reed, or Lon Cheney. That's way more fun for me." And once I flipped that switch, that's another thing I've taken off my shoulders, where I never have to worry about, "Do I look good?"
It's different being a director. I suppose, especially if it's a story you've written and you feel compelled to tell, in some ways it's a lot easier than acting because you're orchestrating the piece. As an actor, sometimes you're trying to second-guess what people want.
I simply don't understand the refugee crisis. The history of humanity can be told through a story of migration and settlement. If I can't protect my family, I'm coming to where you are; I'm just coming. It's a round world, and we've all got to get on with it and move on.
I'm an east coaster, you know, I'm brought up in Toronto where it's very much like, kind of a miniature New York in that there's a subway and you're surrounded by people a lot and, you know, you bump into people and you have interactions and you communicate and la la la.
When you think about [Truman] Capote in the - was what he did exploitative of a person's life or exploitative of these murders? You look at our culture now, you look at celebrity and how it plays out in our culture now, and Capote was one of the great PR men of his time.
I have this mistress: show business. I get a lot of love and adulation from outside, and [my wife] lets me have that, while she does all the real-life stuff that counts making sure the kids are going to school and all that. I married a saint well, a saint who curses.
It's the only way I really know how to tell the story is to be able to kind of live through the characters. So when I find something that resonates with me, it's usually because it cuts to something very real inside of me; something that I've gone through or experienced.
You can't think about how people will perceive you or your character. All you can do is focus on your work. The rest is up to the universe. I've been acting for 16 years. I've done 55 movies and, in all seriousness, there's maybe five that are good and the rest are crap.
I was convinced that acting was for fools. I was on the stage when I was eight with my father, he was playing one of those Greek blind guys that sees things and warns people, whilst I was in a blue skirt. I think there were 5,000 people in the theatre, it was ridiculous.
What you have in most education software is that they're catering to the decision-maker who makes the budget allocations, and that decision-maker has a lot of check boxes. Does it do this? Check. Does it do that? Check. They could care less about the end user experience.
I emphasize the dual mission of the Life Cube Project: involving as many members of the community as possible; and encouraging people to write down their goals, ambitions and wishes. I hope that the concept has an impact on these students' lives - that would be my dream.
Canadian comedians are generally more well-rounded... They have to do a lot more. In order to have a career in this country, you have to do everything. And in the States you can narrow-cast, you can be just a sitcom performer or a stand-up comedian or a sketch performer.
We all have our ambassador that we send forward into the world. We all have people we are varying degrees of real with. There's a public face we all wear. As I get older and more comfortable in my skin, I am trying to combine the two so the real me is there all the time.
I was a major Anglophile. My brothers and I were raised knowing both languages, French and English. My dad was born in Austria, educated in Britain, and then went back to France. My mom was born in England, but raised in Egypt and Malaysia. We were a globetrotter family.
And if you're a golfer and you watch a golf film and Matt Damon swing, and it's not great, then you're not going to believe in the golf story, you're not going to believe in the rest of the film. That's the whole movie, so if that swing looks like crap, the movie's crap.
I became a Christian man in a very real way. I could have just said the prayers that were on the page, but it was a real thing that really saved me. And you can't identify unless you're really going through it. It's a full-blown exchange of heart, a surrender of control.