Quotes of All Topics . Occasions . Authors
Dad, I may not be the best, but I come to believe that I got it in me to be somebody in this world. And it's not because I'm so different from you either. It's because I'm the same. I mean, I can be just as hard-headed, and just as tough. I only hope I can be as good a man as you.
I aspired to be a writer and then I just started getting acting work. I really didn't have a direct goal, I just knew I wanted to be in this industry telling stories and doing this for a job. I thought my path was going to be as a writer, but I'm pretty happy doing it as an actor.
There are a lot of comedic actors who are just out to be the funny one and get all the laughs and they'll sacrifice your joke, the scene, the story just to be the star. All they want is attention and to be number one. You can spot those guys from a mile away and they're the worst.
Most of the books that I've adapted I'm doing because I love the book and I feel like it's a great work of art in itself, and when it's a great book I feel as a director or a writer that I have a responsibility to rise to the level of the original. It makes me try to reach higher.
I gave up so many things. It wasn't that I was out of control - it was just years of eating anything I wanted. I wouldn't eat a whole pizza, but if I wanted pizza two or three times a week, I didn't think to limit myself. So I just cut out all the stuff that I viewed as unhealthy.
Be grateful. Find something to be grateful for. Don't do too many things that make you feel like you deserve to lose because we do program our own computers. I believe there is a plus and a minus column and if you end up on the minus column, your own conscience will make you lose.
You have to be like a sponge and use what you can and how it relates because TV is fluid. Things change on a week-to-week basis. Those are the things that I do with every character. If I'm involved in a boxing movie, I go see fights and learn about boxing. It's part of what we do.
The actual time you're acting is miniscule compared to the time you're getting ready to do the work. The big difference on series television is, there's not a lot of hanging-out time. You're pumping those pages out, you're doing six, seven, eight pages a day. And I like that pace.
I think there is a lot of loss in being a professional child actor. All of a sudden, you start to want to be an adult at the age of 8 or 9. I never did kid stuff, so to speak, so I was in many ways ostracized by the other kids. But I did get this other life, so it was a trade-off.
If you think back to the moments when you've gone through the most pain in your life, or the most severe anxiety, your body is very much involved in that. Your body is expressing those emotions. So, when we, as actors, try to access those feelings, the body is a great tool to use.
I grew up listening to a lot of player-piano music in my house and a lot of old Tin Pan Alley songs and American standards. My dad listened to a lot of traditional Irish music and I grew up doing musical theater. So most of the music I was exposed to as a kid was pre-rock n' roll.
The show definitely has a romantic construct, and that's a genre that I've never had access to, in a significant way. This interesting for me to see, as an Asian guy, just standing back. I just wanted to break my way into a different genre. I was tickled that it was offered to me.
The one thing I remember about Christmas was that my father used to take me out in a boat about ten miles offshore on Christmas Day, and I used to have to swim back. Extraordinary. It was a ritual. Mind you, that wasn't the hard part. The difficult bit was getting out of the sack.
There are many films in which minority groups are caricatured to the point where truth is all together lost. There are many more films, good in general, but untrue in their presentation of the Negro's life as totally divorced from the Caucasian's or the Caucasian's from the Negro.
I was born in Newton, MA. Graduated from Brown University in 2001 with honors in English as a playwright. I attended the National Theater Institute at the Eugene O'Neill Center in Waterford, CT just after Brown. I moved to NYC in 2002 and was a professional... waiter, for 3 years.
It can no longer be an afterthought in a child's development that the analytical side is not of equal to the creative side. That the creative side can be pushed aside and we just push the analytical side. Especially with the development of a child's brain at the elementary levels.
I suppose the only thing at 50 you can really start to look forward to is just total irresponsibility. As you get older, you can just sit in a chair, wear anything you want, you know you can walk down; old people dress cool. You know they wear sweatpants. The elderly have it down.
It's strange, 'cause a play, you start at the beginning and you go all the way through to the end. So it's naturally very well rehearsed and you get a rhythm and a flow. In film, you can shoot the ending before the beginning. It's very odd. And it's like a craft you have to learn.
It's the fun part 'cause you don't have any of the real heavy-lifting to do. You just come in and shout and chew scenery, and just be awful and say a few jokes, and you don't have to carry the romantic storyline or the quest part of the story. You just pop up, every now and again.
A relationship is an imaginative act, it's an act of creation. Someone said to me the other day that a relationship between a person and a kid is unconditional; but the relationship between adults, to each other, is conditional, in a sense. But that condition can be the best kind.
We[with Jordan Peele] wanted to do something with [Barack] Obama because we actually felt that Obama was kind of responsible for us even getting a show in the first place because there's this biracial person who might, you know, have to ride the divide between two different races.
Some of the greatest achievements ever have been achieved as a result of the Church. The Catholic Church. I'm not Catholic but yeah, the Church, for instance, you take a walk through the Vatican, and to your right is the double helix staircase built, I think, in 1138 or something.
I'm not a writer. I marvel at writing. I am sometimes absolutely astounded when I read something and I think how in the world did that man or that woman sit down at a typewriter, a computer or a pen and an ink well, and seemingly have nothing come between their heart and that pen.
My default position is not to be an actor. My default position is to be a follower of Jesus Christ. If that means I continue in acting, great! I'd love that. But if it means I need to change professions someday because I can't provide for my family, well, that's what I need to do.
We know that God disciplines His children, and that testing, suffering, and persecution come to us from Heaven to stretch, grow, and mature us into the men and women God intends to make us... If we keep this in mind when hard times fall, it can be a real source of joy in the fire.
We live in a bubble sometimes, and you can get out of touch with your fans. You go to the studio, you come home. But coming to Comic-Con is a real opportunity to connect with the people that made your show happen and are responsible for its continued success. It's really humbling.
I really think in life there is a lot of mystery and things we just can’t understand and your brain has to adapt... We all have to deal with the twists of fate whether they are explained or not and it’s how you react in life to these curveballs that is really the measure of a man.
I like stories in specific time periods. 'The Revenant's' era of American history was fascinating because it was this lawless no-man's land. It defined the idea of the American frontiersman as man conquering nature. In a way, the story of Hugh Glass is about man dominating nature.
'Con Air' was kind of a turning point for me, in my mind. I never shot anybody in that movie - I never did anything bad - because there were so many bad guys in that movie. I said, 'The hell with this, I'm just gonna be a lovable guy.' I'm like Steve McQueen in 'The Great Escape.'
I take my work enormously seriously. When I do something, it has to feel right. Everything has to be right. I’m not ambitious about my career, but I am ambitious with each job. I can be fairly annoying to work with. No compromises, let’s put it this way. Compromises are from hell.
I grew up on a wide range of stuff. OutKast, they been around for over 20 years, and some of the L.A. cats like Defari, Dilated Peoples and Likwit Crew. I was always going to these shows and catching the KRS-One tennis ball, as he would throw those out, EPMD. I could go on and on.
I am a professional actor and I don't go about moralizing about what the character does. Otherwise, seriously, why be an actor? You're not making some kind of social statement. That's not what actors do. They may inadvertently do it, but it's because of the script, not the acting.
The laws of nature tell us there's a finite amount of any substance on the face of the earth, and at some point, that's going to run out. And if we're smart and we have some grace and we have some willingness about our destiny, then we will take ourselves into the renewable world.
Please God, I'll never be in a war zone, but everything I sort of know about people who come back is that it's a hard transition to make. I mean, even if you've not been in a war, even if you've just been in the Forces, you come back and probably have more fights in civilian life.
Oftentimes when I'm deciding to do a movie, the main thing is really, that I look at, is the director. I've come to feel that more and more. The more movies I've done and the older I've - the more experience I have, I always knew it was a director's medium, and I always said that.
I've really enjoyed the independent film world. I've had a blast. But, the reality is that I really want to make bigger movies. If I could make movies that carry great characters and great performances and great pathos, and can have an explosion or two, that would be fine with me.
Prior to 'The Shield,' basic cable was just a wasteland of reruns and NASCAR. When we came along, I think there was a collective, 'Hey, if they can do that, why can't we?' from the basic-cable networks of the world. We ended up being the cornerstone for a network, and a great one.
It's odd, how those things happen to actors. A thing where you think, "I have no idea how to do this," something will happen in your life comes up and you just get it. I don't know how you get it, but actors are pretty extraordinary, in that regard. I think it's fear that happens.
Big Stephen King fan. I think he's dismissed often as a hack probably because of his prolific body of work, but he's anything but. I think he's a terrific writer. And not just a genre writer; he really approaches a number of complexities in everything he writes. So I'm a huge fan.
It's funny; it's a real balancing act. In TV, everybody's talking about authenticity. In order to make 'Dirty Jobs' authentic, I really can't be overly informed. The minute I am, I become a host... It's a very tricky business paying a tribute to work, because TV is very bad at it.
I wanted to be a farmer's wife. I thought it would be quite fun to wake up of a morning, collect eggs and have sheep and pigs as pets. I know now that it would also involve having to sleep with the farmer, but at the time I wasn't thinking about the sexual implications - I was 11.
When I was in high school, I liked to pretend that I was a Russian foreign exchange student. I would do things like go into a pizza restaurant and tell them I'd never had pizza before, and they'd bring me into the kitchen and show me how to make an American pizza. It's really fun.
You pity the fool because you don't want to beat up a fool! You know, pity is between sorry and mercy. See, if you pity him, you know, you won't have to beat him up. So that's why I say fools, you gotta give another chance because they don't know no better. That's why I pity them!
My oldest brother used to take me to the theater. The first play he took me to see was 'Black Comedy,' then he took me to see 'Butley.' We'd see all these British plays. And 'Hello, Dolly,' with Pearl Bailey. I was unconsciously thinking, 'Gee, I would love to be able to do that.'
Wikipedia is a strange thing. Whoever gets there first, you know, they decide. Like the picture: You can't choose it! You can't be like, 'You know, I hate that picture of me doing stand-up from 2005 - that doesn't exemplify who I am.' You take it down, and someone puts it back up.
I never fell in love with another woman. I cannot have a relationship with a woman if I'm not in love...I'm a very particular person, I'm not very much interested in short adventures with women or girls. I have to fall in love with someone in order to have a realtionship with her.
When I became a father acting sort of took the place of what I did in my free time and my children became the main focus. I play a lot and my children play. Both my sons - my daughter's still too young really - have surpassed me with their music skills, which is wildly irritating.
We look at the ancient Greeks with their gods on a mountain top throwing lightning bolts and say, 'Those ancient Greeks. They were so silly. So primitive and naive. Not like our religions. We have burning bushes talking to people and guys walking on water. We're ...sophisticated.'
The big fun in Battleship is that there are no current battleships in the Navy today. The battleships are about 1,000 feet long and they have huge guns. They were what you saw in WWII. The last battleship that was used was the Missouri, which is what the Japanese surrendered to...
The big fun in 'Battleship' is that there are no current battleships in the Navy today. The battleships are about 1,000 feet long and they have huge guns. They were what you saw in WWII. The last battleship that was used was the Missouri, which is what the Japanese surrendered to.