Quotes of All Topics . Occasions . Authors
The film is made in the editing room. The shooting of the film is about shopping, almost. It's like going to get all the ingredients together, and you've got to make sure before you leave the store that you got all the ingredients. And then you take those ingredients and you can make a good cake - or not.
Working on 'Downton Abbey' is amazing, but there's an ensemble cast of between 18 and 21 actors. With 'Love Life,' there are two couples and a few other key characters. As a smaller unit, you've got to take more responsibility - at the same time, you can have more ownership of the direction it's going in.
I've never, ever in my life touched a photographer. Some of the cruellest things I've ever said have been to photographers who are chasing me down the street, some of the sharpest, most efficient emotional barbs. And they know that in that moment, in that one-to-one wit competition, they just got smashed.
Someone asked me what part of the body is the most important to be strong - it's the big toe. The big toe especially, and the inner front-third of your feet, are what give you balance and will make you infinitely better at any sport, any physical activity and, as you get older, will keep you from falling.
My late wife - she died of cancer. We tried everything we could do to save her. I wish that I could have done more and that I could have been with her at the moment she passed away. I couldn't be in that room because I knew it would be so devastating that I wouldn't be able to take care of the kids after.
Even with an improperly ground mirror, the Hubble delivered extraordinary images. When the flaw was corrected, the Hubble delivered images of transcendent beauty and value for many years. So too 'Terra Nova.' Even in its flawed first season, each episode was full of marvelous moments and beautiful images.
I studied with the Maharishi for many years, and really didn't learn that much. But one thing that he taught me, I'll never forget: 'ALWAYS...' no, wait-- 'NEVER...' no, wait, it was 'ALWAYS carry a litter bag in your car. It doesn't take up much room, and if it gets full, you can toss it out the window.'
I understand that a lot of other actors don't have a choice. They have to eat so they need to work and they'll do films that they're not so proud of. But I've been fortunate enough to be given a second wind, so I try to pick projects I know will provide the audience the kind of escapism they want from me.
If there are nine guys auditioning and they're all gorgeous, I have an advantage, because gorgeous guys are a dime a dozen. But if they need someone else - like a goofy guy with bad hair who is just okay - then that's me. And finally, the other 2 percent who audition are geniuses that I could never touch.
The easiest thing to do is to rag on the media, because it isn't doing a very good job right now. It is so much easier to profit from celebrating the worst aspects of ourselves. Acting strikes me as the antithesis of that. We can examine the worst aspects of ourselves, but we don't have to celebrate them.
I'm from East Sheen, I went to public school where I learned Latin at the age of nine, and certain expectations were made of me to go to St Paul's, Oxbridge maybe, and all that kind of thing. And I failed systematically to meet the mark - who I am and what I should have been are two very different things.
There are certain things in the scripts that need to be planned: you know, big stunt sequences, battle sequences... you can't improvise that stuff. You can improvise when there's just two of you standing in a kitchen and the most dramatic thing that's going to happen is someone's going to open the fridge.
I've been lucky that even when I was younger, just because of my look or whatever, I was afforded the opportunity or called on to try. 'Can you do this Hispanic character?' 'Can you do this Italian character?' 'Can you do this Jewish-American character?' I just had to develop a facility for their accents.
I'm just basically trying to make music that feels good. Right now in the music industry there's a real lack of intimacy. You don't really connect with the artist as much anymore, and you don't really understand where they are. I'm basically doing music that illustrates who I am and where I am in my life.
I played Lucifer once, which is sort of a difficult character to research. I thought to myself, "We all have the potential to be selfish, to be cruel - at least to think evil thoughts, even if we don't ever act out on them. Even if we don't ever think we behave badly, we probably do more than we realize."
Walking down the street in any town or city in the world and having people look at you and start talking to you, convinced that they know you as well or better than they do members of their own family, that's just an odd phenomenon. But I mean, I wouldn't say it was a bad thing. It's an interesting thing.
You don't wake up one morning and say, 'Today is going to be a comedy day.' And the next day, 'Today's going to be a drama day.' Things happen in life that are fun and light, and things happen that are heavier. You just have to move your way through life, and I think 'BoJack' is a good reflection of that.
I love everybody I work with. It's really like a family. I can't imagine leaving. It's weird. I know at some point I'll have to leave, but I don't really have any plan for that yet. Anytime you're leaving, it's going to be a crapshoot. You hope you have something to do afterward, but there's no guarantee.
The money was all appropriated for the top in the hopes that it would trickle down to the needy. Mr. Hoover didn’t know that money trickled up. Give it to the people at the bottom and the people at the top will have it before night, anyhow. But it will at least have passed through the poor fellow’s hands.
You might have more talent than me, you might be smarter than me, you might be sexier than me, you might be all of those things you got it on me in nine categories. But if we get on the treadmill together, there are two things: You're getting off first, or I'm going to die. It's really that simple, right?
I'm ready for conventions. You know what's interesting, the sort of questions that Lost raises are of a different sort from this movie. In other words, Lost is about figuring out the world of the show, whereas this one seems to raise questions about the world that we know. But I'm happy to entertain both.
The thing is when you're... well-enough known, you get asked to speak places, and they don't really think about whether or not you're qualified. They just want somebody that will be a drawing card for the audience. So it's up to you to decide whether or not it's foolish to get up and speak to these people.
Film has to be reflecting the world that we live in, and that's all you want to be a part of. Actors inhabit the same planet as everyone else. It's a weird thing that happens when you're an actor because people hold you up because you somehow embody in parts groups of people or people's hopes or something.
I think your emotion changes from person to person. As you get older, a lot of people become cynical because of the experiences they have had and haven't been able to let go of, whether they've been cheated on or whether it hasn't worked out. It's so easy to turn around right now and say, "Just let it go."
I think Girls is so great, because versions of it are close to my own experience of moving to New York. It's a fun. You know - get to be messy and silly and irresponsible, but also wrap that up at the end of the day and be an adult. It's a fun time, but not necessarily one you want to stay in for too long.
One of the things that I really enjoyed playing with Ender was how he's constantly struggling between his brother and his sister. It's like he's got two sides to him. And I've always wanted to play a darker character, and in this film and in the novel, Ender has his moments where he isn't a glorified hero.
This is a really difficult question. Although I once thought that a dream and an accomplishment are the same thing, I've now changed my mind. A dream is not something you can just reach out to, so I've come to the conclusion that one can only achieve their dream by accomplishing something little by little.
It's important that we came here, just to touch base here in this great country... When I was about 16 I came with my dad for a couple of weeks and had a great time and I've wanted to come back, it's been way too long. So, I'm very happy to be here and I want to come back longer with the rest of my family.
Right before 'Brian's Song' there was a period when I was very despondent, broke, depressed; my first marriage was on the rocks. The role of Gale Sayers had been cast with Lou Gossett, and then he hurt himself playing basketball. I was called in to read for the role. I was their last choice, and I knew it.
I always wanted to be an actor, but I always loved design, and growing up in New Orleans there was such great style, great architecture. I would decorate my little apartment in New York over and over again, because it only had a couple of rooms. And I did it for friends and family on the side just for fun.
Let me demonstrate. When you greet a friend this is the duration of the kiss that's acceptable. "Hi, good to see you - yeah." When you make a mistake and stay too long at the lips, this is how long it is. "Hi, how are you? Good to see you." And that's what happened. It was like, "Uh-oh, what was that? Oh."
Joan Rivers is a very wise lady. We're good friends, and I find her very much an inspiration as to how to conduct your life, and how to remain very youthful, with ambitions and dreams. Anyway, she always says that she says "yes" to everything, because you never know which thing will click, or be thrilling.
Back when I was a kid, I used to tear pages out of magazines and stick them on my bedroom wall - I had the Eternity ads on my wall and the CK One ads. My whole childhood, those were on my wall, and cut to 20 years later, being asked to be the face of one of Calvin Klein's new fragrances is kind of surreal.
I've read a hundred fantastic scripts that didn't pan out as films, and I completely put that on the directors. I've also read some mediocre scripts that have ended up being amazing, and I credit that to the directors. They're the storytellers. If you don't have a good storyteller, you really have nothing.
My daughter Lily's the oldest, and by the time she was six months, we just had books of photos. Poor little Maeve, who's six months old now My mom hasn't met her yet, and last night she said, 'Show me some pictures!' I'm looking through my phone like, 'Well, I got a couple, but they're from two months ago'
I've been for 10 years trying to make something out of my life as an actor. I've learned a lot but I haven't done much that's worthwhile. So maybe if I make people wonder what I really do look like and make myself unrecognizable, they will be interested and intrigued, which eventually, of course, happened.
I hope that I have gained some wisdom, but I don't know. I have kids, and that certainly puts things into perspective. I think I'm a more patient person. I hope I'm a more patient person. I'm a little more relaxed about the peripheral side of this business, which I used to find very confusing and alarming.
I'm at least getting my foot in the door as far as doing straight dramatic parts, which no one would have ever considered me for in the '80s. I never objected to that because I love doing comedy, and I'm not the kind of actor that insists that unless you're doing a serious dramatic role, you're not acting.
I think I'm always very naïve. With 'Kill Your Darlings' and 'Horns', I'm like, "Why wouldn't everybody love this?" But I guess it's going to divide people in some ways. But if you're willing to go with it and suspend your disbelief, you're going to get something amazing and something unlike anything else.
I'm blessed to come from a family with five brothers. We're all physical and athletic and like to work out, like to be outside, like to throw the ball around. We spent our entire childhoods on some kind of corner or in a field. We still do a Turkey Bowl every Thanksgiving. It gets competitive, man. Bloody.
I am the jongleur. I leap and pirouette, and make you laugh. I make fun of those in power, and I show you how puffed up and conceited are the big shots who go around making wars in which we are the ones who get slaughtered. I reveal them for what they are. I pull out the plug, and... pssss... they deflate.
I would be devastated if my son could not have music as part of his curriculum in school. It should not be a choice between culture and technical training - well-rounded students and graduates will make appropriate choices for their careers, but they must also be trained to make appropriate social choices.
Taking the money from drug operations and all that sort of stuff is something that goes past what most of us in society would expect a policeman should do. That temptation hits the police force at the same time as the temptation to take those drugs that are readily available hits the people on the streets.
I didn't have to win, and winning wasn't important to me. Being world champion wasn't important to me. What was important to me was entertaining the audience, and whether that meant winning, losing, singing, or whatever it was on the live show we were doing every week, which was awesome, I was game for it.
In high school, I got into a speech class run by a nun who used to put on plays. She put me in a oratorical competitive program. You would tell a story, and they were very corny, something like 'My Childhood Hero.' It was something out of 'Readers Digest.' I always thought it was too much and too dramatic.
I greatly appreciate that people would like to see me have one more match or comeback or, 'Daniel Bryan got cleared, so why can't you?' I will never be cleared. Mine is a completely different injury. He had neck issues, but it wasn't his neck issues that retired him, actually. It was the concussion issues.
I did what I always wanted to do. Wrestling. - conquered that. Can't physically do it anymore. So now what? Maybe I'll paint. Maybe I'll write another book. Yeah, I'll try this acting thing and now actually concentrate on it and try and get better at it and take classes and get coaching and give it a shot.
When I think of my background, if I was privileged on any level, it was in terms of the kind of exposure to experience and bohe-mian cultural influence that my parents and my uncles and my grandfather gave me. On both sides I come from an extremely eccentric, artsy, intellectually intense, activist family.
[Jack Nash] was very different than anything I'd played. In fact, there's a scene I have in a tent with Louis Ferreira, who just did an episode of Travelers. He was in the fourth episode of Travelers playing another team leader, and we really have it out, not unlike the way we did in the tent in Andromeda.
Sometimes I feel like doing smaller budget stuff. When I did 'Young Adam', for instance, I'd come out of 'Black Hawk Down' and 'The Island', and I really wanted to be on a small film set. I wanted to be on something intimate and small again, and then 'Young Adam' cropped up in a pile of scripts I was sent.