Quotes of All Topics . Occasions . Authors
I once prayed when struggling financially and worried how I was going to be able to assist my parents in their latter years living thousands of miles away, to help me win the lottery or something. And I did win the lottery, just in a different and better way.
And you know when I was growing up, I knew I wanted to have kids, but I knew I didn't want to do it alone. Then once I was 41, 42, I had to accept that I probably wouldn't have kids unless I decided to adopt later on, but even then it would be with a partner.
I'm a hopeless romantic and I believe that you can find love in many different places and be very conflicted. I've discovered as I've grown up that life is far more complicated than you think it is when you're a kid. It isn't just a straightforward fairytale.
I don't think I could ever go skinny. I just don't think, physiologically, that is going to happen. I do eat healthily for a week, and then I go, 'Nah, they have these beautiful ice-cream sandwiches.' I don't think my emotional eating is ever going to change.
In a partner I'm looking for an encyclopedia and a dictionary. A bit of the Boy Scouts Handbook. A person who is conscientious about the trail he leaves behind him. Love. Unconditional kindness. Basically, I'm looking for the qualities I revere in my friends.
'LIFE Magazine' decided to do a story about a young actress in Hollywood in 1954. And I made the cover. And I remember that the fellow who was doing the story on me said, 'Listen, kid, I just want you to know, if Eisenhower gets a cold, you're off the cover.'
There are the jobs you get that do something for your confidence, like "I can do this with my life" kind of thing. And then, there are the jobs that maybe bring a certain level of awareness about you as an actor where other people feel like they can hire you.
The majority of Latin actresses in Hollywood were always playing either spitfires or maids. Now here is a woman who comes in and does leads opposite white people and black people and other Spanish people, and she's comfortable in her skin? Gasp! How dare she?
You have people who are so passionate and touched by my work, which is so humbling. But other times, it's a little overwhelming. If I'm just trying to go to the bodega and get some coconut water, I have to put on a hat and some glasses - those kind of things.
It is therapeutic for me to act, to be able to slip into somebody else's skin, and know it's not you, but know that you bring a lot of yourself to it. At times in my life it's provided me with a lot of confusion. It's also provided me with a lot of discovery.
I was very compelled by a woman who would choose this profession. She [Maura Isles] came from a very highly-educated, wealthy background and could have chosen to do a lot of other things, and has this uber-feminine, modern woman mentality, but works this job.
I can't watch the news. It's extremely unsettling. Certain people can be a little desensitized because of movies, and I'm totally a part of that world, so I understand. But when you're actually seeing what's happening, you can't help but be a little affected.
I'm very emotional. When I went through my first breakup, I thought it was the end of the world, and I thought I was going to die if I didn't have him in my life. It was good to cry it out and just scream, or call my friends in the middle of the night crying.
I'd knocked on doors when I'd gone to theater school in Los Angeles the summer of my junior year, trying to find an agent and submitting headshots, but nobody would see me, and I knew it was virtually impossible to get an audition if you didn't have an agent.
I started out as a dancer as a kid; I've been dancing since I was 4. So performing was always part of what I was. I don't know if it I enjoyed the response I got from people or if I liked having an audience, but there's something in me that wanted to perform.
When you hear the word 'disabled,' people immediately think about people who can't walk or talk or do everything that people take for granted. Now, I take nothing for granted. But I find the real disability is people who can't find joy in life and are bitter.
I've always felt like I was an actor for hire. And almost apologetic for being a woman of color, trying to stifle that voice. But I don't feel that way in Shondaland. I feel like I am accepted into a world where I'm a part of the narrative - I'm a part of it.
I don't know how many times I can sit there and talk about my character or my life. It's interesting to talk about experiences in the context of something you're doing for somebody else, and particularly if you can persuade others to join you in your support.
With 'Submarin', Richard [Ayoade] gave us a lot of freedom and he really helped us. He's so amazing. It really changed things for me and brought my love for filming and working with people to a completely different level. It really was a wonderful experience.
Dancing for the length of time that I did, it centered me in such a way to be really in tune with my body, and I just feel like I'm physically able to do things because of my ballet background. Without ballet, I don't think I'd look graceful at all on screen.
My main goal as an actor, with my craft or whatever poncy way you want to say it, is to always take the audience with me. To make them feel for me, or to make them hate me, I want a reaction. I want their emotions. The worst reaction someone can have is, "eh."
I love being married. I love my husband. I think married people always have that thing where they think that the grass is greener on the single side, but all my single friends are like, "Trust me, you don't want to have to actually interact with these people."
I started running outside when I was at 'Biggest Loser.' Then I got runner's knee, and thought I was never going to be able to shake it. When I overcame that and ran the L.A. Marathon, it was such an amazing thing, and now running is such a part of my routine.
I wanted to create a heroine that was flawed. I wanted her to be a real person. She's selfish, she's childish, she's immature and because I'm doing a three-book arc I really played that up in the first book. I wanted the reader to be annoyed with her at times.
For me, I'm constantly writing stuff that is what I'm dealing with on a personal, psychological level. And I think that I bring that to whatever I'm doing, whether it's being an actor or a writer or whatever it is I'm doing. I think you can't help but do that.
I work really long hours and work a lot and have done press tours and junkets, but there is nothing like a presidential campaign that I have experienced before... I think at one point we visited three different cities in one state in 12 hours. It's exhausting.
I'm going to do 'The Social Network Two: The Electric Boogaloo.' And I have a part in 'Beige Swan.' I'm going to be the lead, but I don't dance. I just do a lot of sitting down. It's too tiring to get up and dance around. That should be coming out in 20-never.
A top McCain policy adviser claimed this week that McCain's work in the Senate helped create the BlackBerry, saying, 'You're looking at the miracle that John McCain helped create.' He then handed the BlackBerry to McCain, who attempted to withdraw $20 from it.
Well people love to go dirty and stuff like that. It's funny, because even really dirty things can kind of inspire, but all things inspire really dirty improv and monologues. So then really dirty things can inspire the exact opposite. It's kind of a crapshoot.
I was 19 years old, and I felt like I had the flu one day. Within 24 hours, I was in the hospital on life support, and I was given less than a 2 percent chance of living. It took five days for the doctors to find out that I had contracted bacterial meningitis.
This is a career about images. It's celluloid; they last for ever. I'm a black woman from America. My people were slaves in America, and even though we're free on paper and in law, I'm not going to allow you to enslave me on film, in celluloid, for all to see.
I'm somebody who works within Cambodia, with Cambodians. I work alongside the artists and society to work from within, so that is the focus, and from that I hope everybody who believes in democracy, in certain freedoms, will get louder, will grow their voices.
I want to support other women because of the opportunities I've had - and I've had a lot of opportunities. What I try as a female director is to do the best job I can and, in the meantime, bring attention to as many other female directors and writers as I can.
In every career, you are balancing or negotiating tricky waters. But, I think that's been something nice that comedy has been able to give me a little bit more. I have the ability to laugh at myself and hopefully not take all of this whole world too seriously.
I think no matter what you are going to pursue, if you pursue it like it's the most important thing, then everything else will be lost. And at the end of the day, when it's time to evaluate the path that you chose for your life, there has to be something more.
Oh, my God. I want to be a mother, and I anticipate loving my children quite fiercely. I think about it all the time, though it's a silly thing to think about because the kind of mother I'll be depends on the kind of children I have. I can't wait to meet them.
I remember I was unsure about doing 'Shameless.' I'd never acted in anything so commercial. I read the script in the garden with my mum, Mary. She said it's filthy dirty, but she said these people have love and sex and nothing else. That made me take the role.
Most people, no matter what they do, they don't think they're a bad person. The place where their actions are coming from is a complicated place and a whole personal history. I definitely think that it helped me to look at the world a little less judgmentally.
You can't control the paparazzi. But if you go to Coachella you're going to get photographed. Whereas if you're at home, walking down the street you probably won't. It's something I've learnt to navigate my way around but I try to keep my private life private.
I feel like people expect a lot out of girls, like you're supposed to know who you are and what you want out of life right now. Some girls know. I did. But lots of people don't know. You have to try a lot of things and not worry about what people are thinking.
I like when an image could be just one of several others which would create a story. That you can imagine who are those people or what would happen before, what's going to be next; I like when there's a past and a future that we can imagine when we see photos.
You know what the problem that animal activists sometimes have? They only concentrate on the heartbreaking things to the point where the general public thinks, 'Oh, here comes those animal folks again and I'm going to hear all the things I don't want to hear.'
I'm so compulsive about stuff, I know if I had ever gotten pregnant, of course, that would have been my whole focus. But I didn't choose to have children because I'm focused on my career. And I just don't think, as compulsive as I am, that I could manage both.
I happen to be blessed with loving what I do for a living. I love acting and I'm so fortunate to be able to work in this business. And I get these marvelous letters about how encouraging it is to see someone making the most of their time and still enjoying it.
I never wanted to be an actress, really. I sort of caught the bug fairly late. So many people are so intrigued with the glamour and celebrity of acting, and a lot of actors start acting when they are 9 or 10 years old - so young. I started when I was about 24.
My earliest memories of Gwyneth first singing is in bed when we would make up songs. The most I could do was harmonize, like, a third above, and at two years old, she'd be doing sixths. I said, 'Where in the world did that come from?' She'd just make up songs.
My mom and dad - they were always there. They were always on the set. They focused on our family life. The entertainment business wasn't the end-all. They weren't out to get the next big paycheck or the next big movie. It was about 'What can we do as a family.
Unfortunately, 'chick flick' has become a term to describe most movies that I don't even like. They're these movies that, yes, have women in them but they really don't reflect who women are, and there's something kind of silly or shallow or gossipy about them.
One of the things that impacted me the most was in the 12th grade. I just assumed I would get the lead in the musical. Well, I didn't get it; I got the second lead, and I was devastated... my mom said something like, 'Often the supporting character is better.'
The notion of fate and destiny is a very Greek concept. Working in the theater you do think a lot about that, because as a storyteller you do think, 'At what point was this always going to happen and what part have I got a hand in being able to change things?'