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I've never had help from anyone, ever. I've never had this great director who saw themselves in me, because I'm a French woman in Hollywood. Who could identify with me as a successful director in Hollywood? Nobody. And the few people who could have been mentors, instead they just stole my ideas.
I'm married to a white man, and then my daughter came out looking like the whitest white child with blonde hair and blue eyes. And I'm like, 'Omigosh, now what am I going to do?' She has my mom's features and is lighter than my husband. And my boy is browner than I am. Brown eyes and really tan.
I had this dream in my head of, if I got hired by 'SNL, what that moment would be like. And I dreamed that I would, like, collapse on the sidewalk and cry to the heavens. I got this call, and it didn't happen naturally. But I did it anyway because I wanted to have that moment. So I did collapse.
I have to make sure that I don't silence myself about the things that I believe in, because sometimes the fear creeps in of 'What if fewer people watch the show or fewer people hire me because I express my politics?' For me, the commitment is to never be quiet just because I'm in the public eye.
I recognize that every role I play, I'm not going to play someone that has a ministry or that is a Christian, and I don't think that's what God has called me to do. The gift and talent that He's given me as an actor, director, producer is to entertain, sometimes to inform, most times to inspire.
There are tiny choices that everyone can make that profoundly affect our collective water use. Like not having the tap on while brushing your teeth, not starting your shower ten minutes in advance, not doing laundry until you have a full load. In this particular issue, education really is power.
I think we dip in and out of it. Every new show is trying to find their feet before they can say what they are. That's certainly something that I like about the role - going in and out of the personal life. There are some episodes where we go into it a little more, and some where we don't at all
I think the key to a great romcom is to not fight against the genre. The trend more recently has been to apologise or be snarky, so it's an anti-romcom. Just lean in and embrace the fact it's a love story, and it's funny, and it's light. It can still be uber-smart and deal with zeitgeist issues.
If you really look at the numbers at the entertainment industry, in comparison to the small number of Scientologists that are celebrities, the number wouldn't even register. I think Scientology has done an amazing job convincing people that there is a great number of celebrities in the "Church."
I wandered around not knowing what I was doing in The Great Waldo Pepper and feeling pretty lost, and they rightly cut my part down. I don't think I was in very good emotional shape. I think I was a bit of a mess. I'd done about six movies back-to-back, and was in a state of complete exhaustion.
What they told us about 'Star Trek: The Next Generation' when we first started was that we were guaranteed 26 episodes, so that was the longest job I've ever had. And that was basically it - we didn't know what the premise of the show was going to be and we waited, week by week, to see a script.
I've always heard that you'll know, but I never understood it. With Peter, we even broke up after we dated for a year, for two or three months, but I still knew. I knew there was something different about this union. Even through the hard times, it was like "How are we going to get through this?
The really cool challenge of '24' was learning on camera how to be a dramatic actress. The biggest difficulty was the industry side of things. I was very lucky that I had Joel Surnow, one of the creators of '24,' in my corner. Early on, the Fox executives couldn't believe that I was on the show.
When you watch CNN and they're giving you news based on tweets that people are sending out, you realize that society is really changing. The collective public have a really big voice that they didn't previously have, and they're influencing the trajectory of how we are socially with one another.
I don't know if you're ever prepared for public scrutiny. I don't know if you can even mentally prepare yourself for it. But it is part of the job. It's maybe not the most pleasant part but I get to experience so many other things that I shouldn't be able to experience. So, that's the trade-off.
I love an arcade. I love a boardwalk game. But I also love a rollercoaster. Though I think the rollercoaster love comes from the fact that it took a really long time for me to reach the height requirement, so I promised myself very early on that when I reach that, I will not take it for granted.
Since I had children I have taken huge amounts of time off. In a way it's a really good thing, in this show business especially, to have lots of private time, having lots of time to be in the world to observe people and read and take care of my kids helps me to come back into work with a thrill.
It's tougher for women than men in Hollywood, period, if you ask me. As with most professions, women have generally not found equality with men when it comes to income and influence. There aren't as many female directors, producers, and writers, which translates to fewer complex roles for women.
Whether you're playing a mom on-screen or you're in a car pool lane driving your child to school in the morning, there are similarities that are undeniable. And once you're a mother, there are certain things that are instinct. You just have a better understanding of what it means to be a mother.
I would never go travelling on my own. Some people like to go backpacking alone, but there's no way I would do that, even if you paid me - I just don't see the point. If I discover something beautiful, for me it's very important to be able to share it with someone and not just see it for myself.
You can go in and out of love and still love somebody, you know? You may not like them so much on the day, but I can tell you that I don't think I've ever been so vulnerable or been so angry in my life - like, those two emotions feel so hurt or so enraged - as when you're dealing with your kids.
Sometimes when I'm in the editing room and there's a new person there, like a music editor or a post person that I don't really know, I'm like, 'Oh, you shouldn't be in here. This is too personal - you can't watch this.' But then I'm like, hey dummy, you're about to show this to the whole world.
I think, over the years, the way my daughters' friends have embraced me has definitely made my daughters appreciate me more. Of course they take me for granted because I'm the one who's there, but listen, I don't want to be 'the cool mom' who lets things get out of control.That's not my lookout.
When I was in casting, we would bring somebody in, have them read their lines, maybe give them a few pointers, and hire them, and then once they go to the set and you have a director who's directing them, that performance may not be anywhere near what you had in the audition, either good or bad.
If you've ever had anyone in your life who has been struggling with something, struggling with addiction or struggling with anything, and it's about the resilience of love and how much you're willing to struggle with somebody to preserve your relationship and to try to preserve them as a person.
I think people today are very cynical. They need to bring other people down. Reality television and tabloid magazinesnever before did we need to see movie stars taking out their garbage. But all of a sudden, it's front-page newstrying to figure out who's dating whom, all that stuff. Who cares?
I'm really grateful to my parents for having the confidence in me to let me go. I was terrified I might have to slink back to the village with my tail between my legs, and treated every job as though it were my last - I still do - but fortunately, I got work and things seemed to slot into place.
I think that's what I really dig about science fiction these days - we've caught up to it in a way. It's no longer about people with huge brains. Now it's really much more, as Jim Cameron says, the nature of being human. What it is to be human in society. How to retain one's humanity in society.
I think you have to be ready to switch gears and go with the team as a director, as opposed to superimposing your own strict idea of the story. There are very few directors that can micromanage and still come out with something that's living and breathing on a page. Wes Anderson is one of those.
I feel like there is a lot of inherent humor in the stress and insanity surrounding that process. People lose their minds, trying to prove their parental worth by getting their children into one of five colleges; when there are thousands of good colleges across the United States - and elsewhere.
My parents raised me that you never ask people about their reproductive plans. “You don’t know their situation,” my mom would say. I considered it such an impolite question that for years I didn’t even ask myself. Thirty-five turned into forty faster than McDonald’s food turns into cold nonfood.
I chose to go back to 90210 because it's home, you know, and we had such a loyal fan base for so many years that I owe everything to our fans. So I felt - I really felt the need to give back to them and to give then Donna again, and see where she is now. And I'm really excited to play her again.
I need to see my own beauty and to continue to be reminded that I am enough, that I am worthy of love without effort, that I am beautiful, that the texture of my hair and that the shape of my curves, the size of my lips, the color of my skin, and the feelings that I have are all worthy and okay.
I used to watch my mom put her makeup on for the stage, and it was one of the most special moments. I would sit quietly on the dressing room floor and watch her put her face on. I think she looks most beautiful in the morning when she wakes up with no makeup on... it's my favorite look on women.
If you don't feel like you're ready to get your license - just because people are putting pressure on you, don't feel like you have to rush into something. Take your time, really feel confident and be ready. It doesn't matter what other people say, do what's best for you and makes you feel safe.
I was mid-sentence when the casting director said, "Listen, kid. You should not be an actress. You are not pretty enough. You should go back to wherever you came from and you should go to school. You don't have it." She was very blunt - I honestly think that she thought she was doing me a favor.
I was never strategic really, but back when I was starting out no one cared. In the acting community, box office didn't matter. I really think it was a mistake when they started paying people like $20 million to do a movie because now it's all people think about. Is she worth it? Is he worth it?
I was not the first choice for Veronica in Heathers. I auditioned and they were like, "Oh, thanks." And I went to the Beverly Center to Macy's and had them do a makeover on me. I went back because I kind of knew that they thought I wasn't pretty enough. They were trying to get Jennifer Connelly.
Part of me feels like when you had a lot of success in your teens and 20s, it gets harder for you in your 30s because people are so attached to you as this ingenue. So even though you're older, they still think of you as that girl - that waifish young girl. And so it was sort of like a struggle.
I didn't go to school for illustration. I did larger pieces, mostly drawings and paintings, and minored in video, but when I moved to N.Y.C., I didn't have a studio space anymore and downsized to my desk and started illustrating. I started a greeting card company and sold cards all over the city.
Can you believe approximately 17 percent of American children ages 2 to 19 years are obese? How about this fact: approximately 60 percent of overweight children ages 5 to 10 already have at least one risk factor for heart disease? We are all to blame for this - parents, schools, kids - all of us.
I told my parents I wanted to be an actress years before I wrapped my head around what my dad did for a living. It's not easy to explain the job of the television journalist, especially when a lot of my friends' dads had jobs that were a lot easier to explain, like a lawyer, a banker or a doctor.
I used to hate getting dressed, getting in front of the camera and walking down the red carpet. It bothered me because I felt like I couldn't be what they wanted me to be. Now it's still not my favorite thing, but I get through it a lot easier because I know that my work brings value to who I am.
Your ability to navigate and tolerate change and its painful uncomfortablene ss directly correlates to your happiness and general well-being. See what I just did there? I saved you thousands of dollars on self-help books. If you can surf your life rather than plant your feet, you will be happier.
When I got married, I was all in love, but then came life intruding in, and sometimes it's difficult ... I would look at my husband and ask, 'did we do it too quickly?' ... But my husband was strong in his resolve. He kept reminding me that people go through this, and that we were going to be ok.
In 1969, when I was still living in London, I had gone with some friends to see 'Easy Rider' in a movie theater in Piccadilly Circus and had returned alone some days later to see it again. It was Jack's combination of ease and exuberance that had captured me from the moment he had come on-screen.
I talk about race a lot. It's been my work ever since I came out of acting school. But it's true that in a way talking about race is a taboo. Because so many of our debates about race have to do not with race but with what we are willing to see, what we will not see and what we don't want to see.
I had a book that was given to me as a kid that was called 'Faeries.' It was this dark, sinister book with pictures that used to scare me because they were these creepy little creatures. But, I was always really drawn to that fantasy world, more than a sci-fi world, in terms of outer space stuff.
Since I was a baby my goal was to be on TV because film was just impossible - you never got any Asian women in Western cinema. I grew up wanting to be in 'East-Enders' because film wasn't even a dream. The community were very much like, 'How can you want to act? It's such a low-class profession.'
I realised I had spent the majority of my adult life doing two characters - Maude from 1972-'79 and Dorothy from 1985-'92 - and I really didn't know what I wanted to do after 'Golden Girls.' I knew what I didn't want to do - any more sitcoms, or wait for the next great role that might never come.