Quotes of All Topics . Occasions . Authors
There's one thing about TV that I really think is true. If you find the right cast and the right writers, and you got some chemistry going, even if a show is taking a little while to find an audience, if you keep it there, that audience will find it. Because that's what happened with 'Cheers.'
I always wanted my kids to like me and think I was funny, so I made up this story about a kid named Jake and his racecar that he had built from scratch, fully loaded with whatever fantastical gadget he or I wanted him to have at the moment. I loved making up the stories off the top of my head.
I do get recognised, but if I'm in a restaurant, I'll get one person noticing me, not the whole place. It is uncomfortable when people try and sneak a picture; sometimes, I don't feel like being seen. But I don't stop myself doing stuff. I go to Barry's Bootcamp and yoga just like anyone else.
What I do for a living means that people look at me. As an actress, you are scrutinized. You are not just dealing with your looks privately, you are on display. I have never been 100 percent comfortable in my own skin. I go through different phases. But I don't feel beautiful all the time, no.
'Brooklyn Nine-Nine' is an idealized, fun comedy world in which feminism is an underlying value that all the characters have. Equality is a value all the characters have. I mean, I want to live in that world. I'd like to make the world feel more like that, but I understand that it's a fantasy.
Back in my late teens, early 20s I always wanted to be a James Bond girl. That's totally different now. My life has changed so much, my priorities have changed. I don't know if I really have a dream role. I want to go to work every day where there's a role that I really enjoy and I believe in.
I remember when I first started to be photographed, people couldn't understand how it was possible to go around with no eyelashes, no eyebrows. Now it's much more accepted for people not to wear eyelashes or lipstick or whatever they do, but then it was quite freaky. Um, a kind of boiled look.
Minks are mean little critters. Vicous, horrible little animals who eat their own. They're not beavers. I wouldn't wear beavers. I'd rather have a mink coat made of mean little critters that are killed in a very nice way and treated nicely for their short, mean lives so that I could keep warm.
I went to Vietnam during the Vietnam War to visit all the troops. We would fly into a hospital and serve mess to the guys, and we ate whatever they were eating. Then we slept there and flew out the next day to little bases where there were maybe 10 or 20 guys. Then we flew to another hospital.
I'm too young to play lawyers. But I've been really lucky because I never got labeled. I never did the John Hughes thing. I did adult movies. I'm not bragging or anything, but I think that I've chosen really good roles. I've played different people and showed that I have a little bit of range.
If you believe in romance, and if you believe in marriage, you also have to believe in divorce. It's like, with 'Getting On,' a lot of people say, 'I don't want to watch that. It's so dark.' But you can't just want to go to weddings and children's birthday parties. You've got to witness it all.
When you're with another actor who's also been through five hours of prosthetic makeup, and you're eating another person's neck, and fake blood is being spurted out at you for two minutes, it's incredibly fun, and you're in character for that time. You can't really believe that that's your job.
It's always nerve-wracking; it's like going to a new school every time you start a new movie. There are so many people and you're trying to be comfortable and vulnerable on set in order to be fearless on camera. But it's fun, it's part of the job. You've just got to be very personable, I guess.
I guess the first big name I worked with was Sissy Spacek, and that was really interesting just because she's so incredible and I learned so much from just watching her. But she's also so unassuming that I loved working with her. It wasn't like working with a star, it was Sissy. Not a big deal.
I do a lot of cardio. I think it's super important, especially for women. I don't have a tremendous amount of time to work out, so I find myself cramming in a cardio because that's all I can fit in. I think that if you don't have a lot of time, that it's the cleanest way to burn a few calories.
I like taking a path into new country, and I always take the darker path. Not because it's dark, but because there's a secret there that you can share when you get out. That's what I liked as a kid. That's how I approach my work. With a face like mine, it's lucky I have a heart that likes that.
The state of the world terrifies me. It feels more powerful personally to fight it through larger actions as opposed to trying to fight the Trump administration itself. It's sort of self-preservation for my mental health. If I spend too much of my energy and my brain on Trump, I'd lose my mind.
As I started to explore my gender identity, I didn't know how I could claim the title of 'feminist' without subscribing to the gender binary. I thought I had to be a proud woman to be a feminist. Then I came to the realization that I can be proud of women without necessarily identifying as one.
When you finish a series like 'Ugly Betty,' there are so many voices around you telling you what you should be doing next and what would be good for your future, sometimes you can't hear yourself. I've gotten pretty good at tuning everyone else out. Now it's just me; what pleases me creatively.
We can either see our circumstances as a set of random cruelties and then allow those hardships to turn us into bitter victims; or we can recognize the fact that, though we may never comprehend why hard things happen, they do, and when they do, we can reach for a larger purpose beyond the pain.
I was just disciplined. I knew I had to get back into shape after six weeks for the film Goal II, but I cheated in the end - I wore a corset. I loved my pregnancy, I blossomed. I felt goddess-like and very secure. I found it comforting to have a little thing growing inside me, and very calming.
I think theater probably remains my favorite, sort of where my soul lives. It takes a lot of discipline, and you have to show up eight shows a week, no matter how you feel physically, mentally, emotionally - there's nobody to cut around that: you've got to tell the story yourself for two hours.
It used to be the one or the other, right? You were the 'bad girl' or the 'good girl' or the 'bad mother' or the 'good mother,' 'the horrible businesswoman who eschewed her children' or 'the earth mother who was happy to be at home baking pies,' all of that stuff that we sort of knew was a lie.
I think what's interesting about the whole paparazzi thing is that unless you're Brad Pitt or Madonna, you can pretty much avoid it. You know when you're going to an opening that you will be photographed, so that's fine. And you know the restaurants that have paparazzi, so you don't go to them.
It used to be the one or the other, right? You were the 'bad girl' or the 'good girl' or the 'bad mother' or 'the good mother,' 'the horrible businesswoman who eschewed her children' or 'the earth mother who was happy to be at home baking pies,' all of that stuff that we sort of knew was a lie.
When you're an actor, people talk a lot about how, at some point, you really have to take control of your career and what you want to do and create your own content. But for me it came from a really natural place of wanting to feel like what you're putting in the world has some meaning for you.
I have a certain way of thinking where I see something, and I know that I want it and I make up my mind - and that's pretty much all there is to it. It was like, This is what I want to do, and I'm going, and everything's going to work out. I'm going to be an actress. There was no way around it.
People associate me with a time when movies were pleasant, when women wore pretty dresses in films and you heard beautiful music. I always love it when people write me and and say 'I was having a rotten time, and I walked into a cinema and saw one of your movies, and it made such a difference.'
In the theater, I've found that, in general, reaction and laughter come easier at an evening performance, when the audience is more inclined to forget its troubles. Matinee customers must enter the theatre in a more matter-of-fact frame of mind, hanging on tightly before they let themselves go.
I have always felt proud of my Oscars and my numerous nominations. This pride is due to the fact it was the result of voters from the members of my own profession. This, of course, is a great compliment for one's work. I hope each winner of an Oscar is as thrilled as I was when I received mine.
I'm mostly a jazz fan and I've never really been into rock 'n' roll music — although I guess Coldplay isn't really rock 'n' roll — but he's made me a convert. I do go to their concerts whenever we're in the same town and I don't even have to wear earplugs any more, which I did in the beginning.
The constant is always mythologies and the very first stories that we have. All of the movies that last, that you return to, the movies that struck you as a kid and continue to open up to you 10 years later and 10 years after that - those are the movies I want to make. Those things are eternal.
And then I went to 'Dawson's Creek,' which is a show that was, for better or for worse, all about the language. It was a word-perfect show, which I'd never had any experience with. And it was really shocking for me. I felt really hemmed in. At the time, it wasn't my favorite working experience.
Right now the institution of marriage feels very one-sided, and I want to live in a country where we all have equal rights. I have so many friends who are gays and lesbians who would so badly want to get married, that I wouldn't be able to sleep with myself [if I got married before they could].
I definitely prefer directing, hands down. I'm a lazy writer and it wasn't until I got into directing that I now have a real impetus when I'm sitting at my computer. Now that I know what it's like to get to bring characters and their stories to fruition, I'm addicted. I'm a junkie. I want more.
I go for my completely routine mammogram and then I get a call from my gynecologist. And she says, 'Well, I have some - it's not such great news, but here it is, but it's very small and we're just going to get in there and take it right out, right away, and then you'll probably have radiation.'
I work with writers whom I believe to be true storytellers. And because I'm a writer, I pay very keen attention to their vision. I find that so fueling creatively because, in telling those stories, you use everything you've got. You come away with battle scars. It's gratifying and invigorating.
Where I'm just sort of shocked into the revelation, once again, of this planet is a living organism; this living thing, being alive, is a living thing. It's every breath you take. That was the last one. It'll never come back. You are riding on this wave of awareness, second to second to second.
When Mary arrived, I felt a mixture of emotions, including panic and overwhelming love. I felt a great sense of responsibility, not just towards my child but also towards her father. There have been many influences on my life, but that thing of finally becoming a family person was the greatest.
I think part of that comes from time's passed, and she's been in an environment where training is part of the thing. It's not like we do a montage of her discovering her powers like in every X-Men film but yeah, there's no montage. But she does have these new abilities that we pick her up with.
On my own or with a friend, I'm a shopaholic, and I particularly love the cleaning aisle in the supermarket. But when I'm with my husband, I'm shop shy because he can't bear it. It always ends up with us making a huge scene on the High Street and then going off in a huff in separate directions.
I never even wanted to be an actress. I studied mass communication and wanted to study law in Newcastle, for which I even got a scholarship. But by then, I had started modelling. So, I took a year off to decide what to do. But once you are used to working, it's difficult to get back to studies.
I was once up for a part, and the male star was also producing the movie. They were talking about meeting with him or having an audition with him, and then we get the message, 'He wants to have dinner with you.' I said, 'Is that the audition, or is it that he just wants to have dinner with me?'
My mother, she had a very good attitude toward money. I'm very grateful for the fact that we had to learn to save. I used to get like 50 pence a week, and I'd save it for like five months. And then I'd spend it on Christmas presents. I'd save up like eight pounds. It's nothing, but we did that.
There's a different experience when you're reading a book rather than when you're seeing something on screen. When you're seeing a movie or TV show, it's a three-dimensional experience you're in the middle of, but when you're reading something, you're suppling the reality with your imagination.
I fell in love with it. Walking around just feels so cinematic. I find the aris- tocratic parts of London so unattractive and angular; the architecture is so white and gated. But in New York, it’s different—even uptown it’s really grand, and there’s no real segregation there. It’s all mixed up.
When I first decided to launch a clothing line, I was pregnant with my daughter Spencer-Margaret, so I looked for a retailer with values that mirrored my own growing family concerns. Kmart is a family store where value-conscious moms shop, so my partnership with Kmart seemed like a natural fit.
I think a lot of people get so obsessed with the wedding and the expense of the wedding that they miss out on what the real purpose is. It's not about a production number, it's about a meaningful moment between two people that's witnessed by people that they actually really know and care about.
Even if you're an optimist, there's some part of you that just tries to toughen up and be pragmatic and go, 'This isn't gonna happen. This isn't gonna happen.' I really felt that way through the process of 'Korra' because I knew 'Avatar,' and I knew how wonderful it was, and I was so terrified.
Passion doesn't come from business or books or even a connection with another person. It is a connection to your own life force, the world around you and the spirit that connects us all. You are the source. Books, work, music, people, sunsets all provide sparks, but only you can light the fire.