Quotes of All Topics . Occasions . Authors
I had to make a major decision with myself because I just don't think you can do both: try to have a baby career and raise it and have a baby baby and raise it. And to try to do justice to either one. It was a very conscious decision on my part not to have children - which I have never regretted.
One day we were sitting in our little classroom in the middle of Australia Zoo, and Dad bursts in and says, 'OK, today we're going to go climb a mountain,' - the Glass House Mountains are about 20 minutes away - so we packed up all our math work and ran out the door and climbed Mount Tibrogargan.
One actor in my life is enough, and that's me. With actors, it's too easy to go into this world of complaining. Someone will always be better, richer, more loved, do more work. Those dynamics don't interest me. The friends I hang out with, we create our own work rather than complain about acting.
Because we put ourselves in a movie or on TV, then it must mean we want to be completely open to the world. Sometimes, people will run up to you as if this is Disneyland and I'm a character. I understand their point of view, but it's difficult to explain how terrified it makes me. I'm so nervous.
I've seen people talk about how they stopped polio, that was a generation that came together and said, "Let's do this." I think in the AIDS community we've become so complacent in that, it's like we just plateaued... We've completely neglected a whole young generation that is now highly infected.
The Go Red for Women campaign raises awareness of the risk of heart disease. I think a lot of people don't realize that heart disease is the number one killer of women. So what we're doing is encouraging women to tell five other women to learn more about heart disease and how they can prevent it.
It was a challenge for me to play somebody who was so quiet and receding and depressed because she's also on screen all the time, and she has to remain compelling and entertaining. I was really nervous that people were not going to stay with me while I was just staying behind that bloody counter.
My idea of forgiveness is letting go of resentment that does not serve your better interest, ridding yourself of negative thoughts. All they do is make you miserable. Believe me, you can fret and fume all you want, but whoever it was that wronged you is not suffering from your anguish whatsoever.
Because I worked in fashion, I know that I like fashion. Haute couture is a form of art that I can appreciate. I'm definitely not someone who wakes up every day and thinks about what I'm going to wear, but on the red carpet, it's reflective of the mood I'm in, or the movie I'm going to represent.
You're not supposed to look perfect while you're making babies. Making babies is the perfection. It's about feeling good in clothes and knowing you can get dressed up in the evening, work it for a minute, and maybe get back in a certain pair of jeans. But there's just no such thing as perfection.
I think with comedy I get very sort of critical of myself and try and do the best I can and it doesn't come as second nature. I work at those kinds of films. It doesn't mean I can't do them - I've done two now, and I have a great time doing them, but I just find myself a little bit more neurotic.
For a long time, I refused to wear jeans. I liked high-waisted pants, but jeans made me feel like I wasn't being unique. Even now, I won't wear the skinny-jeans style, because most people wear those - they have to be baggier, boyfriend-looking, or sort of like a mom jean. I'm real funny that way.
People ask if I feel pigeon-holed by always doing the same kind of humorous role. But my tool has always been humor because it's the most entertaining way to put any ideology across, and it's fun, and it's positive, and it's a healer. Laughter is God's gift. I feel privileged to be able to do it.
I don't really decide what the core of the story is before I write. I write to figure out what the story is. And I think the characters end up talking to you and telling you what they want to be doing and what is important to them. So in some ways, your job is to listen as much as it is to write.
I remember when we were shooting 'Boogie Nights,' all of my stand-ins were wiping out all the time. I'd practice before I got to the set, but they'd just show up and put on the roller-skates, and they'd be skating over these wires and cables, so they would all fall over. It was totally dangerous.
Both my parents were high school teachers, and they were beloved high school teachers, so I constantly meet people through my dad's life where they'd be like, 'Your dad changed my life. He's the reason I became a lawyer. He's the reason I started writing. He's the only reason I stayed in school.'
I've always had a huge fear of dying or becoming ill. The thing I'm most afraid of, though, is being alone, which I think a lot of performers fear. It's why we seek the limelight - so we're not alone, were adored. Were loved, so people want to be around us. The fear of being alone drives my life.
I'm not J.Lo, she's not a real person. She was just a bit of fun that got really crazy. I've never been anyone but Jennifer. I was going to call the album Call Me Jennifer because that would be my way of saying goodbye to the whole J.Lo thing. But Rebirth is perfect because it means so much more.
I hate the hand that comes out of a car and just drops litter in the street. I hate that! For some reason, it just fills me with fury! It's just utter laziness, lack of interest in other people, lack of interest in the planet, in the hedgehog who might eat the plastic bag, it's a lack of concern.
I am really committed to my faith journey, and I am committed to my family. My husband and I have been married for almost 30 years, and we homeschool our kids. We have a different working-out-of the-box family, but we do make it work, obviously with God's grace, and we are very grateful for that.
You can learn from getting to watch some of your favourite actors and actresses on-set. It's fascinating. It's amazing how professional someone like Eva Green is about work. It's inspiring. In reality, they're human beings who are really good at their job. So, that's really exciting to be around.
Keeping your ex close took three people who were willing to be incredibly generous, grown-up and mature. I give enormous credit to Michael and Len for the way they've handled things. As a result, I have an amazing child with three great parents. I feel slightly sorry for kids who've got only two!
That's the main reason I took it up But I do feel I don’t know part of, I suppose, my way out of everything, has been really taking care of myself. I think that comes from an awareness that my children really need me, and they need me to be the healthiest version of myself that I can possibly be.
[On living in New York City:] I'm oblivious to everything. I just don't notice anything. I sat in a coffee shop, drank half a cup of coffee before I noticed there was lipstick on the cup. There was wadded-up gum and lipstick on the napkin. I must have been sitting on that woman's lap for an hour.
I think it's necessary to identify with anything - with any character you play, there's got to be something in common, so you can link up to that person, even if it's like one tiny thing. But it's equally fun to play somebody completely different, and trying to find what that thing is to make it.
I would like to see more Bollywood films! The more stylized musicals are a new trend in the U.S. We are beginning to make musicals again after a long break, practically since the days of the studio structure, so perhaps we can learn a few things from Bollywood about this fun style of film-making.
Fame to me certainly is only a temporary and a partial happiness ... fame is not really for a daily diet, that's not what fulfills you. It warms you a bit but the warming is temporary. It's like caviar, you know - it's good to have caviar but not when you have to have it every meal and every day.
I've been doing It's Aways Sunny for 12 years, and so I have this cable sensibility. When I read the Grinder script, I was like "this is edgy," which is great, but in a different way from Arrested Development. I feel like the characters are a little more relatable, so maybe that's the difference.
I like to play the grey areas in life - that's the most uncomfortable place to be. Nobody likes to be in that in-between state where there don't know what's going to happen. There's a lot of tension in that, and a lot of stuff to play with - where it's uncomfortable and awkward and sad and scary.
I want to believe in a personal god who looks after me and my loved ones and knows every sparrow that falls. But the suffering of one single child, or more likely, millions is evidence against that belief. The one question I want to ask god: how do you explain or justify the suffering of a child?
Music for me is something I prefer to keep away form the whole business part of my life. I feel like everything I do, in a way, has some sort of business around it. So with my music I can have my privacy. If people don't have to pay for it then I think they can be a little more open to new ideas.
Catharsis isn't art. You can't rely on catharsis to get a laugh. Because guess what? People do laugh when something's shocking, but that is, to me, the absolute fakest of laughs. That's not something that sustains a television series, or a movie, or even 45 minutes of a stand-up set at Carolines.
I think on 'ER,' my other long-running show, I had some ideas about what's going on. 'Stargate Universe,' they were kind of secretive too a little bit about what they wanted to do, but I kind of liked working this way. I like the surprises, and I like knowing just enough to work on the character.
If you come out of the gate with a finger pointed, then you really aren't opening the door to any sort of resolution to whatever the problem may be. Whether it's about race or sexual orientation or religion, if you can't empathize with the opposing party, then you can't really meet in the middle.
I looked for acting classes in Paris just to do something different than modeling. And then one day I just thought, 'Okay, that's enough, I have to start doing something.' I went to the acting agency and I just told them I wanted to act and asked them if they would give me a chance, and they did.
I read so many things because a colleague or a friend will post something, and I'll be able to learn a tremendous amount only because they drew attention to it. So I try to do that for others, and that's the great thing about social media. It's not always a narcissistic cesspool or waste of time.
There are so many designers that I love, and I'm so lucky that I get to work with so many of them and sometimes spend time with them. As an actress, you get to go to these events and wear their things - it's fun, but it is what it is. I don't put a lot of time into it, but I respect what they do.
I didn't watch any films. This film, The Proposal, had it all in the script. Once all the pieces, once I met Anne Fletcher and I knew what she wanted and that we wanted the same things, and once they said Ryan Reynolds was on board and once the casting came together, you saw what it wanted to be.
As a teenager, my struggle was how do I balance being empathetic and compassionate towards my peers, while also living my life for myself and not basing my decisions on those around me, and really living a life where I receive my happiness from my own experiences rather than from people pleasing.
You think, I love more everyday. I love more everyday, more everyday, I couldn't possibly love any more, I'm going to blow up. And then you blow up. Your chest actually starts to hurt. You love so much you think I can't love any more. And then you love so much more than you ever dreamed possible.
I think there's something really freeing about improv, that it's a collective, creative, in-the-moment piece. That's really exciting and really frustrating, because it's there and gone. There's an amazing interaction with the audience that happens because they are very much another scene partner.
An awful lot of filmmaking and playmaking is taken over by marketers and publicists, who set about to tell people what to think. And people feel safer that way. But it's not safe, and the whole wonderful thing that cinema and filmmakers can contribute is to go into the not-safe land of real life.
I stumbled onto the best profession to heal my childhood: the only one that lets you release and express whatever is ugly and messy and beautiful about your life. We're in the business of creating human beings. The more we spew, and the more honestly we do it, the better. Try that on Wall Street.
I was very inspired by working women, and also women who aren't working yet! I want them to have shoes that feel luxurious and special and well-crafted and thought about. But also, they should have shoes that won't break the bank. You don't have to spend three years saving up for beautiful shoes.
Every day when I'm thinking about something or want to do something, I say, "Hey, can we shoot some stuff?" or "Hey, can you come with me to the grocery store?" or "Hey, can you..." Just so I can share my personality and who I am, and also use it as a platform to do bigger, more important things.
I want to be involved in things I can be really proud of. There's a lot of bad films being made and I don't understand how they got the money for it. That said, there's a lot of bad telly, but there's also a lot of very high quality that is something I'd be much more proud of than a mediocre film.
A lot of professional dancers become professional when they turn 15 or 16 years old, when they're still children. So you've trained every single waking moment up until that point for a career that could maybe only last 10 years, maybe longer if your body holds up, if your injuries are kept at bay.
I have these meetings with really powerful men and they ask me all the time, 'Where are your kids? Are your kids here?' It's such a weird question. Never in a million years do I ask guys where their kids are. It would be comparable to me going to a guy, 'Do you feel like you see your kids enough?'
I'm not going to say how, specifically, but I will continue to speak out about human rights and freedoms. Absolutely. We can speak out about what we are angry about, but the most important thing is to try and help people understand the reality and not be blinded by something that is not the truth.
When I first moved to L.A., I didn't have a lot of money to join a gym or take classes, so I improvised. My sister and I went to the library and looked over their DVD collection and discovered Neena and Veena, these Egyptian twins who have a whole series of belly dancing routines. We did them all.