Quotes of All Topics . Occasions . Authors
The older I get, the younger I feel. Growing up, I was always the kid, but I spoke like an adult and was in adult roles. I didn't feel like a kid. The older I get, I actually feel younger! Which is good. I always thought when you get older, you'll want to slow down, but I want to do even more.
I think it's important for kids to express themselves with bad fashion. I struggle a little bit now because I have a daughter and I feel with fashion, like they're sexualizing the kids so young. Little kids in high heels and that kind of thing is really difficult for me to wrap my head around.
When you do bigger jobs there's more attention and when you film in New York you get loads of paparazzi everywhere. It affects your work because you're trying to think about the person you're acting with and you've got 20 other lenses taking pictures of you at the same time, and it throws you.
Sigourney Weaver is a wonderful person. I was so lucky to have the opportunity to meet and work with such an amazing actress. I believe that our chemistry was immediate from the moment we met, and continued to grow. She helped to make me feel comfortable during all the scenes that were filmed.
Sometimes work is a bit slow, and I always wanted to be a princess at Disneyland. There were 1,500 of us who auditioned, and 11 of us were hired. I went through all of the training, but never ended up actually getting to play Belle because 'Revenge' started. It was the time of my life, though!
I was in a very multi-racial, multi-cultural schooling system. I had a really delightful childhood. I was a jock. I became a very competitive swimmer in Zimbabwe. I was a swimmer, a tennis player, a hockey player. Then, when I was 13, I joined a Children's Performing Arts workshop in Zimbabwe.
The fun little proofs that you can do with algebra - they are sort of like crowd pleasers in a way. Like, the .9 repeating equaling one. It doesn't take a lot of algebra to prove that, and it's really fun. It kind of wows people. It's like they're watching magic happen right before their eyes.
I was born in Boston, and when I was two and a half, my parents moved to Minneapolis. And then from there, when I was five, we moved back to Portugal. But before that, a lot of family members had come to visit us, and we had been back to Portugal many times because my whole family lived there.
I remember being on film sets when I was younger, and only men got to do the cool action movies. So I thought, 'Maybe I'll get to produce one day and get to do cool stuff too,' which is what happened when we did 'Charlie's Angels.' Starting my production company was a big turning point for me.
Ibsen is like this room where we are sitting, with all the tables and chairs. Do I care whether you have twenty or twenty-five links on your chain? Hedda Gabler, Nora and the rest: it is not that I want! I want Rome and the Coliseum, the Acropolis, Athens; I want beauty, and the flame of life.
Like, that was weird in 'Hamlet 2,' because I played myself there, fully myself, but then I realized, 'Oh, I'm not playing myself. I'm some weird version of myself.' So as an actress, you're always playing something, I don't even know who I am, how could I become me? I don't know what that is.
I was the female lead in a romantic comedy. It's a little indie film that we shot in China called 'America Town,' starring Daniel Henney and Bill Paxton. I actually had to speak Chinese in the film. It was funny because I found out I was doing the film and then a week later, I was in Shanghai.
I've always been one to want to memorize everything and just be confident that I know all of the lines, but that changed. After college, I realized it's not as much about being off-book as it is about completely understanding the character and, more so, getting into the mind of your character.
Almost all of my jobs have been on locations. And I think you can be that person who says, 'I have a job that forces me to travel and I'm just going to go ahead and do it and pray for my next flight home.' Or 'this is where I am, this is my life, let me see a part of this world I now live in.'
Even actresses that you really admire, like Reese Witherspoon, you think, 'Another romantic comedy?' You see her in something like 'Walk the Line' and think, 'God, you're so great!' And then you think, 'Why is she doing these stupid romantic comedies?' But of course, it's for money and status.
It's so much easier to sit home and not exercise and criticize other people. What I love is inspiring people. People come up to me and say, 'I want to have two kids and wear a bathing suit and not feel terrible about myself. I see how hard you work and it makes me feel like I can do that too.'
Well I think any designer that can understand what people need to be wearing right now is the biggest and best step that you can take. Instead of putting your ego first, you put the buyer first. And I think that that's a really important thing just to know what the consumer is wanting to wear.
One thing lots of Christians do have in common is that they can't help coming across as smug. This winds lots of people up, particularly because famous Christians pronounce on the life of the poor from their very lovely affluent homes filled with their very lovely families and attractive pets.
Life isn't like a Full House episode. There isn't going to be an easy out to every conflict. There is no milkman, paperboy, or evening TV. There are good moments and bad moments and not everything will tie together nicely in the end. But that's life, and I think I'm finally starting to get it.
When you get to know a lot of people, you make a great discovery. You find that no one group has a monopoly on looks, brains, goodness or anything else. It takes all the people - black and white, Catholic, Jewish and Protestant, recent immigrants and Mayflower descendants - to make up America.
I directed a short series for Hulu called 'Paloma,' and being in an editing room, I learned a lot about acting. It gave me a new bolt of energy in terms of my interest in filmmaking because it made me realize how collaborative filmmaking can be and also that you're not just limited to one job.
I did a film that I shot in 24 hours that was self-financed for $5,000. It was a feature called Looking For Jimmy that I shot with a bunch of friends. I spent eight months editing because we had 24 hours of footage that made no sense and I learned a lot about directing while editing that film.
I came to New York when I was eighteen years old, and the first audition that I ever went to was this huge cattle call at the Equity building where I had gone two days earlier to sign up - I didn't have an agent or anything. It was for 'Chicago.' There were probably three hundred people there.
I lived in a town called New Canaan, which is just outside of Connecticut, where they are far too snobby to even mention celebrities. Many American towns are famous for things like, "See the World's Largest Ball of String!" I think my town's would probably have to be "Most Pretentious People".
When I was at school studying biology, I wanted to be a medical researcher. I did work experience at St Mary's Hospital in London, and I begged them to let me see the post mortems. So the first time I saw a naked male was at 15, when I saw an 89 year old man who had died of a brain hemorrhage.
I have two kids, and when my oldest was first born, it was the most vulnerable feeling in the world. I remember taking him to his first doctor's appointment, and on the sheet, it said "mother," and I put my mom's name. I was like, "Oh, right, I ... I'm the mother!" You just feel so vulnerable.
The fight for equal rights or pay has become this thing where people expect actresses to talk about it. Why they feel that a man is worth more is an important issue to discuss - we are moving in the right direction, but we need to continue to talk about it and continue to label it as an issue.
You can often tell the difference between a singer that grows up in the church and one that just can sing. There's a connection to love and support and care. You feel good when you hear it. You feel the people have so much conviction in what they're singing. They believe it, so you believe it.
I'll be honest with you. I'm a little bit of a loner. It's been a big part of my maturing process to learn to allow people to support me. I tend to be very self-reliant and private. And I have this history of wanting to work things out on my own and protect people from what's going on with me.
I was really lucky because I went to an all-girl school, and that single-sex education really helped me because I really learned to bond with women and to not compete with or compare myself as much because we were all allowed to be ourselves and be unique and kind of have our unique strengths.
I've always had a process that I do before I even get to set or go to the location. I work privately, and it almost feels like therapy between me and who I'm playing. So I have this inner life that's there and it gives me a confidence, too, that when I'm playing the role I know every question.
I am not really interested in the comic book movies for example. They send me very violent scripts that don't interest me. One I was sent involved me playing a woman, a mother and wife who gets killed, shot in the stomach. It was a thriller and it did not excite me at all. So I turned it down.
Sadly, half of marriages end in divorce. Half of my girl friends and male friends have been through one, and their kids are doing great. There's no shame around it - unless you want to project that on to yourself - but certainly there's no longer cultural shame. Everyone is walking through it.
My husband and I oddly have worked together a couple of times. We did a 'Veronica Mars' episode together. We didn't work together, but we were both in 'Ghost World.' We had a theater company in L.A., for a bunch of years. So, we've worked together a fair amount, and it's always just great fun.
I think scrin writers like to see how people bring their words to life, and it's always surprising. Always, no matter what, whether it's good or bad, it's always surprising because a whole human being is coming to that piece of writing. And certainly there's inspiration that comes out of that.
I think there's something very lovely and hilarious about exploring the particular neuroses of the female mind. It's just not the same thing with men. I mean, there are exceptions, but for the most part, women beat themselves up in their heads more. They overanalyze stuff far more than men do.
Here is something no real celebrity will ever tell you: film acting is not very fun. Doing the same thing over and over again until, in the director's eyes, you 'get it right' does not allow for very much creative freedom... In terms of sheer adrenaline, film has absolutely nothing on theater.
I use as high SPF as I can get, and I live under a hat like a mushroom all the time. Someone said they're worried about their kids getting older and doing drugs, and I got this look of horror on my face and thought, 'What if my girls don't wear hats?' But at 13 months old, they could say 'hat.
Sometimes you don't need to explain how you care and love someone so much, but I really love him as a person and as a director. I wanted to be perfect for Michael Mann. I wanted to give the best of my best of my best. I don't know if I did, but I was touched by him. He's totally inspirational.
People expected 'Jennifer's Body' to make so much money. But I was doubtful. The movie is about a man-eating, cannibalistic lesbian cheerleader, and that pretty much eliminates middle America. It's obviously a girl-power movie, but it's also about how scary girls are. Girls can be a nightmare.
I took my little brother, and we went from Beijing to Ulan Bator, and then took a helicopter to the southern Gobi. Streams, grass, and sand dunes to climb. It was one of the most amazing experiences of my life. Everybody needs to go to Mongolia just to see what it is to be a human being again.
My very first job was something called 'Nobody's Watching,' that Bill Lawrence who created 'Scrubs,' it was his pilot. It was my very first TV job, and it was a sitcom. Ever since that experience, I've been so itching to get back to that kind of environment and just to be involved with comedy.
I think the person creates the artist. And I think when you get lost within your person, your artistry get lost, too. It's like in 'Birdman.' Because the artist inside you is attached to your soul. And when you're not attached to yourself anymore, the soul goes away. You can't let that happen.
When I started, I had a really hard time getting work. It was the mid- to late-nineties. There was the WB. My age was perfect for it, but I just never came across as a youngster. I had to grow into my age in order to start working, and by the time I did, it was when things started to get good.
I love being part of a project that imparts a positive message, is somehow educational or enlightening, helps to bridge differences, or inspires viewers in some way. I believe a lot of artists become activists because we rely on and value the freedom of expression and so we want to protect it.
I did a shoot with massive iguanas in Costa Rica when I was modeling back then. They were like little dinosaurs, and they sat right across my arms and by my face. The guy told me not to make any sudden movements because they had enormous claws. The guy said he would rip my skin if he attacked.
I was able to be distant by portraying another person, another character, if you will, and I found myself not stuttering and not having anxiety attacks when I was portraying another soul, another being, and I found comfort in that. I think many actors do, playing someone other than themselves.
Whenever I'm hired to do appearances I always get to take one or two friends with me. I'm away so much I'd get lonely if I didn't. My BBF would get to go jet-setting with me to amazing parties too, like the ones on P Diddy's yacht. Apart from me, he throws the best parties they're so A-list.
Sometimes you will do a close-up for a scene in the morning where you are totally distraught, then shoot the rest of that scene seven hours later. How do you hang on to that feeling all day without burning up, without going so far that you have nothing left to give when the cameras roll again?
The good thing about being shy though as a child is that you become very observant because you're not really actively participating. You're sitting back watching everyone. I think that's really helped me as an actress because I'm good at observing people and then copying them for comic effect.