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My favorite actor on the planet is Gena Rowlands and she plays women who, to me, somehow defy gender. They are women, they are feminine, they are masculine, they are everything. There's something exciting about that. I don't know how to articulate it exactly. I guess it's busting out of the archetypes a little bit and not feeling restricted.
I think that film festivals, we're very often given to understand, are about filmmakers and about films and about the industry of filmmaking. I don't believe that they are, I believe that film festivals are about film audiences, and about giving an audience the encouragement to feel really empowered and to stretch the elastic of their taste.
The way I grew up, I had hippie parents, and we would run around the garden with no shoes on, very close to nature. So I never wore little princess dresses. I still have this feeling whenever I wear a very formal dress; I always have this slight fear that people will point their fingers at me and laugh: 'Vicky is trying to look like a lady.'
I always talk to all the crew. I always make it pleasant. I always nurture a relationship that makes people feel like they're important, like they're a part of the collaboration. I feel that way about the young actors on set. I don't talk to them like I'm the mentor; I talk to them like they're my peers. And I learned that from Meryl Streep.
Years ago, it wasn't easy to communicate, and it wasn't easy to spread information. We were limited to the few media outlets that controlled viewership around the world and, by consequence, controlled the public opinion. But today, this platform is democratized. Any community around the world can help. That is the great thing about our time.
Humans call animals 'dumb'... after they robbed their entire own precious world. They are intelligent beings in their own right, and thoroughly self-sufficient... if not molested by humans. Yet, after millennia of slavery by selfish/callous humans they're made to look dumb! The 'superior species' in their situations would, too, appear 'dumb'.
Through years and years of playing to various audiences, what I've learned is - and I think quite a few actors will agree with me - we're not always the best judge of that audience's reactions or not. And we discover, to our amazement, at the end of the show, they bring the house down with applause, and we thought, 'No way tonight,' you know.
I don't really have girlfriends in movies, if you've noticed. Well, I have a few girlfriends, I just... I stay at home a lot. I'm just not very social. I don't do a lot with them, and I'm very homebound. I'll talk to my family, I talk to Brad... But I don't know, I don't have a lot of friends I talk to. He is really the only person I talk to.
There are a lot of female characters out there that, when they fall on hard times, they sort of stew in their fears and negativities and vulnerabilities. And there's something that's really truthful about that - when I've gone through hard times or breakups, I've spent a lot of time on my couch overeating and crying with friends, that's true.
You know what? I am actually not that much into voting. I think it’s kinda crazy that a woman is running, because I think that women deal with a lot of emotions and menopause and PMS and stuff. Like, I’m so moody all the time, I know I couldn’t be able to run a country, ‘cause I’d be crying one day and yelling at people the next day, ya know?
I actually think in some ways that it might be more challenging to be bipolar because it's so mercurial - it's so ever-changing. You can't get any traction. You can't build on a system. Whereas, somebody who has Asperger's, which is certainly a much more forgiving expression of autism, can create models for coping and build on them over time.
My dishes tend to have a very carefree style: what's ripe at the farmers market or what's in my fridge, even if I'm cleaning out my fridge. It tends to be a very improvisational style. I major in salads, but a loose definition of salad; it can have a real robust skirt steak on top of it off the grill or quinoa or buckwheat or sprouted almond.
When I look back, it saddens me to think that I was so hard on myself - when I was younger, I thought I had to look like everyone else, but I learned that beauty comes from how you feel about yourself. Once I started taking care of my mind, body, and soul, I realized that I didn't need to conform to what's "normal" and started to love myself.
Ashton jumped in and said, 'I want you to know that I don't take coming into childrens lives lightly'. That was within the first couple of weeks of our relationship, before he had met the girls. they are my priority and I've always be sensitive to their feelings, but as the parent you can't allow your children to dictate what's right for you.
I like to act. I guess letting what you love be what you do is key. I've worked very hard for that to be the case, probably because I'm very lazy and I only want to do things that are fun and I run away from anything that feels like work... Acting for me is like lunch at school... you're just in a playground where you get to pretend and play.
I was seventeen and the star of my high school play. I was supposed to kiss my leading man, but I couldn't stand the guy. I really didn't want to kiss him. All during rehearsals, I refused to kiss him. Then my drama teacher told me, "If you don't kiss him on opening night, you'll flunk drama class. So I kissed him, and that was my first kiss.
My agent called me up and said, 'There is a tremendous female lead in the new 'Star Wars' film, and I think you're really going to like it.' The opportunity to play someone determined, who's trying to find her skills as a leader; to be in a fantasy movie; to be able to do a leading female role in a film of that scale - that's very, very rare.
I think everything in life is art. What you do. How you dress. The way you love someone, and how you talk. Your smile and your personality. What you believe in, and all your dreams. The way you drink your tea. How you decorate your home. Or party. Your grocery list. The food you make. How your writing looks. And the way you feel. Life is art.
When I was a swimmer and I would lose a heat in something I was doing whether it backstroke or breaststroke, were two of my most strongest strokes, I would look at how whoever it was that won and beat me and think, "What did they do? What were... What were the qualities that they had that I can incorporate into my swimming to make me better?"
I think that, initially, I was most passionate about music and particularly about playing the piano. I started playing when I was nine, and I was obsessed with it, really. I wouldn't even go spend the night at a friend's unless they had a piano. But I didn't have the chops, the extraordinary talent to be able to play the piano professionally.
I don't think I've ever met any single person who has been vulgar. But you know, you learn along the way that some people are going to be very generous, and other people... It's just not innate within them. Sometimes I think you just have to decide if you're going to stand up and get on with it or if you're going to be crushed and threatened.
I don't think I've ever seen him in a movie theater! I've only seen him on TV. Wow, that's so silly of me! We only saw one of his films together, it was with a group of people, and when he kissed Deborah Kerr, I jumped off the couch and I ran up and I slapped the screen. I was so upset that my father was kissing this woman I didn't even know!
People think updos are so hard, but they're not. Your hair should look tousled and undone. If I'm in a mood to go out and feel hot and sexy, I want long hair that I can feel on my back. But I also like bed head. Ill usually wash my hair and let it air-dry wavy, but if I'm just in a hang-out mood, I wont even wash it. Ill wait until it smells.
Certainly there are dozens of over-50 actresses who look great: Sophia Loren, Susan Sarandon, Ursula Andress, Stefanie Powers, Raquel Welch, Barbara Eden, Joanna Lumley, Linda Gray - the list is endless, and these are just the actresses! I have many friends in their 60s, 70s and 80s, not in the limelight, but who all look absolutely stunning.
Our films tremendously influence people. But at the same time, no one goes to the cinema to listen to lectures, so if you have an interesting story, and if you can showcase it as a film, and its messages are good, then it's like an icing on the cake: it shall be a superhit. And if I get those kind of films, I'll definitely want to work on it.
I work out every day. It's part of my life. That's one of the benefits of having kids in school full-time. I do it more for my insides than my outside, but the outside gets a nice benefit, too. I feel like my mind is a little quieter when I exercise. And I don't have the best family history heart-wise, so I really try to keep my heart strong.
Pristine vulnerability is just so boring to me. The performances that I love are ones like Gena Rowland's in 'A Woman Under the Influence,' where women are allowed to be messy and imperfect. It's that kind of woman that has always inspired me to seek roles that are a little out of the box. I just haven't always had the opportunity to do them.
I worked with an amazing dialect coach named Jill McCullough. We did Skype sessions while I was shooting "No Escape" in Thailand, actually. So three times a week I would have long, two-hour sessions with her just working on the nuance of the accent, which I had had a huge background in because I went to drama school in England for four years.
Ultimately what we actors are doing is communicating with people who are feeling alone or feeling different or confused or whatever and you're communicating and saying, "Hey, I don't get to know you, but here's a piece of me and you're not alone. We're in this together." Hopefully that communication has maybe made some people feel less alone.
Tom Brokaw has been criticized for not being patient enough with me. But, in his defense, he is a news purist, and what he does is absolutely right for him. When we were thrown together, there was the matter of an actress coming in to do the news. I was missing the camera, not reading very well - there was a lot of stuff I had to get used to.
I put a lot of stock in the written word, and the power of it. That's what I love about acting and reading scripts. Words are really powerful. I don't believe that axiom at all - words can absolutely hurt you. Words can wound. They can do a lot of damage. I think they can do way more damage than sticks and stones. I'll take sticks and stones.
And it took to "The Devil Wears Prada" to play someone tough, who had to make hard decisions, who was running an organization, and sometimes that takes making tough decisions for a certain kind of man to empathize. That's the word - empathize. Feel the story through her. And that's the first time anybody has ever said that they felt that way.
I think that I burnt myself out a little bit with my dancing because I did so much of it. I was exhausted so thought that I would try a different kind of performance and expression and acting seemed like a close fit; it was similar in some ways to dancing. My mum showed me some really good films and so I became interested in films and acting.
I went on a road trip and ended up in Portland, Oregon, and from there, I did non-stop theater. I had just graduated, and I had all these ideas about what good acting was, but I hadn't put any of it into action. I spent five years honing my acting chops. And then I had this epiphany one day that I need to go to L.A.; I need to be on a sitcom.
When I was a little kid, I wrote this play about all these characters living in a haunted house. There was a witch who lived there, and a mummy. When they were all hassling him, this guy who bought the house - I can't believe I remember this - he said to them, 'Who's paying the mortgage on this haunted house?' I thought that was really funny.
I think you're always drawn to what you love, and I'm always really drawn to things that feel really real and really true to me. I love things that make me think of things in a way I hadn't, and I love looking at people in the world in a way that I hadn't. And sometimes big, huge stories do that for me, but I think I am drawn to smaller ones.
My whole life I've been so self-conscious about being skinny. And just recently I don't care anymore. All insecurities are projected because of what you think others are saying about you, but they don't really matter at all. My only real insecurities in high school were having such long legs and thick hair-things I'm so very grateful for now.
Florence Nightingale was an amazing figure. She created the American Red Cross. She saw the suffering from bad health conditions on the battlefield and in the military hospitals, and she fought like crazy to change the conditions; to make sure that the doctors washed their hands and practiced sanitary measures. She put herself at great risks.
I have a lot of people who are soap fans and they definitely know who I am, even if they call me by my character's name. I get a lot of people thinking maybe they know me from high school. My career has been a slow burn, a gradual rise, which I prefer since this is a marathon and not a sprint, so I kind of like where I am and where I'm going.
I've actually never been taken on a date in my whole life. I have never had a one-night stand. I'm a real relationship person - contrary to public perception. I'm either in one or I'm not. I get kind of emotionally involved very quickly, and I'm not going to spend time with someone unless I love them. But it's not hard for me to fall in love.
Sexuality is so much more complex than our boobs. My sexuality isn't me as an object to be looked at. It's the way I say "hello" to somebody, the way I sit with somebody. A body is just a body. But we're really afraid of bodies. They hold a lot of power - I think that's why people can try to shame them so easily, because they are so powerful.
I think Amy Poehler and Tina Fey have done so much for women in comedy in the sense that they've normalized it. You don't think, 'I'm going to watch that comedy starring a woman,' you think, 'I'm going to watch that funny show.' They refuse to play the foils for men, or be reduced to the butt of every joke, and I love that about both of them.
I definitely think of myself still as a writer first, and feel like - with the lucky exception of this - any acting opportunity I've gotten is usually because I was writing on it. This is like a wonderful vacation. If you've ever sat in a writers' room it's the most disgusting, tortuous place, so it's a treat to be treated like a movie actor.
It's a great lesson about not being too precious about your writing. You have to try your hardest to be at the top of your game and improve every joke you can until the last possible second, and then you have to let it go. You can't be that kid standing at the top of the waterslide, overthinking it...You have to let people see what you wrote.
I'm in awe of how grounded Ms. Tyson is and how her performances can be different but the same. She can switch up the delivery, but it's still with the right intention. Her words are effortless in terms of their meaning and how she inhabits them. She's been doing Trip to Bountiful for four months, and it still feels real. She's pretty amazing.
Acting is fascinating to me. I love unlocking the mysteries with characters and finding out what would be the most intriguing aspect of that character to exist in. Figuring out a person and getting to be a different person every day, hey - that's pretty lucky. I don't have to wake up and be Amanda if I don't feel like it. You know, that's fun.
There's only, like, five perfectly symmetrical people in the world, and they're all movie stars, and they should be, because their faces are very pleasing to look at, but the rest of us are just a jangle of stuff, and the earlier you learn that you should focus on what you have and not obsess about what you don't have, the happier you will be.
My father was extremely loving to me and funny and wise and understanding, and at other times extremely demanding, critical, calculating, exacting. When you're a young woman, I think you want to please a lot, so maybe you accept more of the criticism than you would as an older person. But criticism can be very wounding. It certainly was to me.
I don't take anything for granted. I've been given extraordinary opportunities, I've also fought for extraordinary opportunities. So I don't believe you're ever just there in this golden moment. You probably always have to remind people that you're there, that you have something to offer, maybe something beyond what they could imagine for you.
You want to have enough of a profile to be able to do all the work you can, but at the same time you want to have your own space. But there are a lot of actors who achieve it, a lot of movie stars even, people like Emily Watson and Cate Blanchett. They seem to be able to carry on with their lives and still produce wonderful, high-profile work.