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I can definitely benefit from a self-tan, although I cannot say that I am the best at applying it. I'm just not gifted at those kinds of things! But bronzer for sure. Also, just using blush that has that kind of a sun-kissed color as opposed to a bright pink. I would rather have it be really sheer and just right where the sun would hit you.
I hope that the restaurant I go to will have buffalo chicken fingers. I hope that one day I can work with Matt Damon. I have big and little dreams, and they're all equally important to me. A life without buffalo chicken fingers, I don't know if I would want that life. Even if it meant I got to work with Matt Damon. Everything has its worth.
Back at high school, there was this quarterback who asks me out. He's never paid attention to me before, but now we're on this date, going to see the 'Sixth Sense.' And right before the climax, he leans in - and I'm so excited, because I think we're going to French-kiss - and then he tells me the twist. He completely ruins the movie for me.
Historically and culturally the Mongol women were very strong, they contributed as much as the men to their society, their community. Other than upper body strength, I think they were equal to the men. To compensate for the lesser upper body strength they had to be smarter, they had to think more, they had to consider things more carefully.
I think I missed all of the wonderful things ... I missed the control that you have in film, and I missed getting it right, really getting it right, the way you hope people will see it. All of the things that people love about theater - the fact that it changes every night and that it's so spontaneous - all of those things just frighten me.
I had an upbringing in which I was allowed to be free and use my mind. My parents only helped me to be myself. It was only in my teenage years that I met people who made me start having doubts about who I was. They said you shouldn't be confident, you shouldn't be strong. It is only when you meet those other people that you lose confidence.
In 2007, my life changed forever. I signed on Tashan, a full-on glamorous masala movie, with two of the hottest and fittest actors around: Akshay Kumar and Saif Ali Khan. And me, rising out of the sea like a Bond girl, wearing nothing but a green bikini. I had nightmares of how my love handles would be on display for the whole world to see.
While 'Felicity' was successful in the States, and I had opportunities to do other stuff, I didn't want to do anything to make myself more famous. I wasn't dealing well with the celebrity of all of that. I was 23 - just a kid - and not coming from money, it was all just too much. I just wanted to slow it down a little bit, and gain control.
Doing 'All Good Things' really felt like I was acting for myself rather than anyone else. It gave me a freedom I'd never had before, or knew I had, to do whatever I want to, and to argue my opinions and not just feel like the cute girl on set or the girl in a boy's club. I figured out how I could be both. And it's been different ever since.
I do think that people get really emotionally involved in the TV shows that they love and I think that is fantastic. Of course they are going to have opinions. The other thing is that people project onto their television shows. They see a character and layer on many traits that are actually their own or their idea of what that character is.
It's refreshing, honestly, to be able to have more intellectual conversations about sex and the meaning of sex, and intimacy and what that means in relationships. As a person in the world, it's on your mind. It's a part of your life, after a certain age until you're dead. So, to be able to examine it in a different way is really fulfilling.
There's a lot of time sitting in movies, so you can put alligators in people's trailers in your spare time. So it [making a film] moves slower, which in some ways is great, because you can live with a scene and invest in it a lot. And in some ways it's hard, because sometimes you can start to lose your energy a little bit, but both are fun.
I think religion is very personal. I definitely identify as Muslim. I consider myself practicing, but I don't think people who observe me from the outside would think of me as devout, and that doesn't bother me because one of the beauties of Islam is the fact that it is personal: you read the Koran, and what you believe is what you believe.
Everyone has to find what is right for them, and it is different for everyone. Eating for me is how you proclaim your beliefs three times a day. That is why all religions have rules about eating. Three times a day, I remind myself that I value life and do not want to cause pain to or kill other living beings. That is why I eat the way I do.
There was this girl who went to my school, and she did a Nikki Giovanni poem, 'Ego Tripping,' and it was just different from everyone else's. It wasn't flat recitation. It had an energy and a life to it. And it made me sit up in my seat, and my eyes got wide, and I really felt inside myself, 'She's making me feel things. I want to do that.'
I bargain-shop all the time, but then I started learning about how those products are made and about how if you spend a little bit more money on ethical clothing that are using recycled materials - like, my favorite dresses are by Christy Dawn... the carbon footprint that they're leaving is so minimal, and it's really worth the extra money.
I think everybody has a hard time connecting, but as you get older and you want more and you expect more and you know more, it's just different. If you start wanting too much from it without it naturally unfolding, then that makes it bad. If you start not wanting anything, then you are not serious. I mean it's just this conundrum of issues.
Turkey was fantastic, Turkey was, like, mystical and such a special place. Just unique, something that's really hard to describe, such beauty, those mountains and the stone is kind of, eroded? Special erosion which makes what you see just something that seems, it's been made for a movie, it's like something out of fantasy, except it's real.
It's, like, your classic journey from a drama school. I went straight to the three-year acting degree, and I waitressed throughout that to support myself and for the first six months after I graduated. Then I started to get commercials here and there, and then I got a couple of roles in Australia and then a more regular role on a TV series.
A wedding, people decide to get married, it comes out of such love for one another and then women can turn into these other people. They're planning something that's the biggest event they'll ever plan in their lives and it turns them into this other person, so it's not totally the guy's fault that he's feeling disconnected from this person.
I remember being a kid, and if you had to pee, well, you had to hold it until the commercial break. Then you rushed, and hopefully, if you're going to the kitchen for a snack, you'll be back before so you don't miss a line. If your sister sneezed or was talking over a line, there was no way of knowing what that line was or what the joke was.
As a kid, I just was a contract player at MGM Studios. They put me into goodness knows how many different roles.Some of them were wonderful and some of them were very just distasteful and awful because I was playing out of my age range and I was thoroughly uncomfortable, let's put it that way. So it took me many years to find my acting feet.
Roles came to me. I was very, very lucky in that respect. Great directors, great writers, great producers - they saw something in me that they wanted for their picture or their play or whatever it was, whether it was Edward Albee or whether it was - or Peter Hall, directors. They would come to me, thank God. I was lucky. Lucky, lucky, lucky.
We need the political will, and that often comes from the will of the people. So if celebrities or personalities can help to educate the people - not influence them, not tell them (what to do) - just tell them the truth about what's happening and let them form their own opinion, that will strengthen them and they will push their politicians.
Laughter is the best way to get over something or get closer to something. It's one of the things I respect most about Amy Schumer. She's found a way to get us closer to ourselves and see the ugly side of humanity, but not in a way that's pointing a finger or that's angry. She does it in a way that makes us see the absurdity and laugh at it.
I've covered a lot of ground geographically and emotionally and for years I lost my connection with my family. But the best comfort you can have, whether you are on the phone or sitting there in the living room with them, is with your parents, and to me family has always meant protection. When you smile you get a smile back, unconditionally.
To me, the scariest movie ever made to this day is The Exorcist. It still scares the living hell out of me, and it’s because of the fantasy element. It’s the exorcism. It’s the Devil. It’s not a guy breaking into your house trying to torture you or cut your whatever off. Those kinds of movies don’t do it for me, and I don’t call them horror.
I like to act. I guess letting what you love be what you do is key. I've worked very hard for that to be the case, probably because I'm very lazy and I only want to do things that are fun and I run away from anything that feels like work... Acting for me is like lunch at school - you're just in a playground where you get to pretend and play.
I just would never go audition, and yet I was in very visible places where people would come looking for actors. I say I'm lazy, though I'm sure if I were in therapy for a lot of years, it would turn out to be a lot more than laziness. After awhile, it was, like, too embarrassing for me not to go on auditions. I had to be humiliated into it.
There's a grace period where being a mess is charming and interesting, and then I think when you hit around 27, it stops being charming and interesting, and it starts being kind of pathological, and you have to find a new way of life. Otherwise, you're going to be in a place where the rest of your peers have been moving on, and you're stuck.
I rebelled by not getting straight A's and not following the path that my elder sister did. She was valedictorian and is very exemplary in her way. I look a lot like her, so I just had to do the opposite. Not that I got bad grades, but I was all about performance and just finding any way that I could to be involved in any kind of production.
The impression is that love is something that happens to you like magic. That love is something others do for you, but that you cannot do for yourself. Love is not something you wait for. Love doesn't just happen. Love is something you do. When you want love, give love. Moment to moment, you make the choice whether to give love and be loved.
When I first started on television, people, and even my own manager at the time, would tell me I had to make all of these changes. But you have to stand up and say, 'There's nothing wrong with me or my shape or who I am; you're the one with the problem!' And when you can really believe that, all of a sudden other people start believing, too.
There's something about the air and the sky and the atmosphere in the South of France that must be very conducive to work, to being creative, because I have written several of my books there. I find it so much easier because you're cut off. If you don't want to speak to anybody, basically they don't know where you are. And it's so beautiful.
I can't imagine being a single parent or a single parent that doesn't have a lot of money. That's a big, huge impact on your life and your dynamic and everything - I mean, that's huge. It affects how much you have a break from just concentrating on just one other person in your life. It becomes so myopic that way, and more intense, probably.
The very first role I ever played was as a 17-year old South African girl who dreamed of being a star and left home to meet her mother in the big city so that she could pursue that dream. I left South Africa and met my mother in Vancouver and not long after that was given the opportunity to perform on the stage and have people chant my name.
This business is hard. People and producers and studios and finance guys get caught up in saying, "Women don't sell movies," or "This person doesn't sell foreign," or "You have to attach guys first," or "People don't want to see women do this." I've heard those things so many times that I've actually heard myself say them, a number of times.
This is not to be cocky, but, I go over real well at Comic-Con. I've done quite a few Comic-Cons, and I enjoy the hell out of them. They are so much fun, and so bizarre. I've done the FX Show in Florida, Wizard-World in Chicago, Comic-Con in San Diego, Wonder-Con in San Francisco, the Comic-Con in New York, and I've done them numerous times.
I just feel like when a good project comes along, I'm not going to discriminate against it because it's television or because it's a film. I never want to say no to something just because of the area that it's in. If it's a good story or I think it's going to be exciting to play or exciting to be a part of, then I'm going to be a part of it.
The one thing I find the least romantic is taking a horse and carriage ride. I can't express enough how unhappy these horses are and how much pain and suffering they go through each day. Please do not ride [in horse-drawn carriages]. Take a beautiful walk together with your loved ones instead of bringing more pain to these beautiful animals.
I don't think you can be successful in television without appealing to women. I don't think it's possible. I think that men like women. It doesn't really matter what they do - they love anything. But women don't necessarily like every woman, so I think that's a challenge to get the female audience to not only relate to you but also like you.
Sixty-five percent of Americans don't have the conversation with their children. So you're sending off boys and girls off to college, off to high school, off to wherever they go, and nobody's had the conversation about how to conduct themselves. About a man telling his son how to be a man. How to respect a woman. How do you respect yourself?
I don't like weak women and I don't find it interesting to play them. I'm inspired by them, when I see them in dramas, like with Natalie Portman, in almost every movie she's in. It's awesome that chicks can really go there, and it's beautiful to watch, but I don't think I'm interested, in any way, shape or form, in embodying those creatures.
The fact that [Hillary Clinton] is pushing for paid family leave and also for [affordable] childcare will make a huge difference for working women who aren't as lucky as I am to be able to hire a nanny when I work. And who aren't lucky enough to necessarily have their husbands be able to take off work. That will make a huge, huge difference.
I just think that you have to believe in yourself and you have to work very hard. You can't ever think that you're the best thing since sliced bread because I promise you, there are going to be Viola Davises and Jessica Chastains and Emma Stones who are the best thing since sliced bread. So take it seriously, but don't take it too seriously.
I don't think you can cry if the script is rubbish. I have to feel it; it's as simple as that. It's just like if you're watching something moving, and you feel yourself welling up. It's the same thing. You're just being carried along with the story. There's nothing magical about it. I think I'm in touch with my emotions, and I can't help it.
My father started growing very quiet as Alzheimer's started claiming more of him. The early stages of Alzheimer's are the hardest because that person is aware that they're losing awareness. And I think that that's why my father started growing more and more quiet. I think he felt, 'I don't want to say something wrong.' That's my sense of it.
I think it took a long time for me to realise that as much as I respect reviews and do engage with reviewers as a viewer of the theatre, television and film it's really unhelpful. Even if people make perceptive and interesting comments about your performance, it is so subjective and you will come in and change what you do, you can't help it.
That the things that have impacted me most are not news articles written by older people that I would have no relation to; the things that impact me most are things written by people closer to my age. And I wanted to write things in a way where somebody my age could read it and feel like they are holding somebody's hand and be with somebody.
I'm not a writer; I'm an actor. My job is to take whatever character I'm given and - especially because I have the responsibility of being a black actress, and I know young black girls are looking up, and everyone's looking to what's on television - to just try to give whatever character I'm playing as three-dimensional a portrayal as I can.