If there's one thing that I've done on purpose it's to take whatever job, so long as it's interesting and challenging, whether it's theatre, radio, TV or film.

I did it once in high school - I was Sandy in Grease - and I decided then that I would never do it again. I've felt that way for years, and that's no bullshit.

All the things you put off, like learning to play the piano or leaning a different language? You're like, what's the point? I'm not really gonna do that, am I?

I just feel as though it's become a situation where people have manifested this caricature of who I am, and they act as if there's no real person inside of it.

I want to be remembered for the work that I've done, rather than the car accidents that I've gotten into, the men that I've not dated - or the man that I have.

I'm writing a film. With our access to these powerful media, we're going to take over, because it's really disgusting what is put out there now to be consumed.

Tom is the most eccentric person I have ever worked with. We get on very well and I am most impressed with how he can hold an audience in the palm of his hand.

Real people aren't perfect; they fall down and mess up and screw up. Those are the kind of people that I look to, and I've always aspired to just be authentic.

Therapy was incredibly enlightening. I don't think it's only necessary if you're unwell - it's a useful tool for me to understand my own mind and how it works.

Yes, I want to do good work. But just because a movie is small, it doesn't make it better. In fact, there are a lot of really horrible independent movies made.

I'm not a wushu champion. I was an athlete when I was a kid. I was a swimmer and a runner, but all this action stuff is such a challenge. It really, really is.

I'd rather be known for my accomplishments, and for things that I really do take pride in, rather than known for this doll-like image I had when I was a child.

I have a deep conviction that our lives are eternal, that it is waking and sleeping, that we are born together with the people we love lifetime after lifetime.

One of the first things I did was interview the President of the United States. Some people work their whole lives and can't interview someone of that stature.

I mostly, for someone who makes a lot of their living in comedy - and even for someone who doesn't make their living in comedy - I don't watch a lot of comedy.

Self-Realization Fellowship seemed like training. It was the training ground for finding a sense of peace in myself. Because that's my job. It's no one else's.

A strong man doesn't have to be dominant toward a woman. He doesn't match his strength against a woman weak with love for him. He matches it against the world.

I find it easier to play someone who is so far from me because you create someone - you build this person based on the story and the script, with the director.

My parents were the ones who gave me the independence, who gave me the spark to do anything that you set your mind to, as all parents should do for their kids.

There's a certain arrogance to an actor who will look at a script and feel like, because the words are simple, maybe they can paraphrase it and make it better.

I look at old photos of me, and I don't feel connected to them at all. I would never wish my upbringing on anyone... but I wouldn't take it back for the world.

You can't really be super conservative and continue to keep your audience, but at least the audience that we attract comes with a certain level of naughtiness.

I do get a fair amount of scripts; I got 'Frozen River' kinda just that way. I have a hard time turning my back on anybody who says they have something for me.

I have been tossing around the idea of writing some non-fiction. Maybe a collection of short stories about my experience being a mom and how not to be perfect.

I just take every day is a miracle and I'm really glad that I'm still working and that people are not sick of me, even though even I'm sick of me a little bit.

You can have a perfectly horrible day where you doubt your talent... Or that you're boring and they're going to find out that you don't know what you're doing.

I had a number of great teachers and the ones that really were the strongest influences on me were women. They were really, really smart and interesting women.

I never thought I was somebody that would be on the cover of magazines in fashions, wearing fashions. It's like not me. But that is what movie stardom entails.

I know movies are a function of our dream world. And when you project yourself on screen, it's easier to project yourself into what you were, not what you are.

Maybe I exclude myself from that genre by not getting dressed up often enough, by acting ghetto most of the time, and running around in sweats and Timberlands.

I once dated a guy who was like, 'Holy sh--, I just made out with Harriet the Spy!' And that's messed up. Don't say that. I was 10, you're 30, it's just weird.

It felt as if things were literally slipping through my fingers. Things were just streaming away from me. I lost my sense of humor. I'm still looking for that.

I think the whole concept of dating is deeply flawed, so maybe it's a good thing to be undateable. There's a difference between being unlovable and undateable.

I have this odd tendency to be really sarcastic when I'm uncomfortable and I don't really know why but it just comes out and it's come out since I was a child.

It's fun to play somebody who has no boundaries or rules. There's no book you can read on how to play a witch, so you just create a version. It's really great!

Those minutes that I'm on stage are the best! Being there and looking at the crowd and seeing their faces, hearing them sing the positive words from the songs.

I'd rather have people who are enthusiastic about what I'm doing than like, "Well, I thought we were going to a Miley Cyrus concert and now it's a strip show!"

I really want my agent to make sure they write a part in the next Airbender movie for me. I'll be really upset if I don't get to be a waterbender or something.

Your fear that your parents will actually kill you for dropping out of college is something that I think a lot of children of immigrants would maybe relate to.

I have always loved lipstick. For women, that love comes from our mother and grandmothers. It's so natural for a woman to open up her mirror and apply lipstick

I like the idea of raising a kid in my trailer. My mother was an actress. I grew up in theater with her in Brazil. I would play with set dolls. And I loved it.

I did not enjoy Cambridge. But I shouldn't blame Cambridge alone. I wasn't ready for university or for the wrench of leaving home. It was a big cultural shock.

When you get older, you realize it's a lot less about your place in the world but your place in you. It's not how everyone views you, but how you view yourself

I had a couple friends from all the different cliques in school, but my true friends were my gymnastics teammates. I grew up competing with them for ten years.

I've heard The Demolitionist described, premise-wise, as 'RoboCop' meets 'The Crow' by way of 'La Femme Nikita'. That, as I see it, could not be more accurate.

It's very easy for a couple to experience joy together. But when you experience pain together, it can lead to such depth and such union. That is when you fuse.

Wash your face at the end of the night! There's nothing worse than sleeping in makeup. You wake up looking like a painting that's been left out in a rainstorm.

I like to be good. I like being good at things. I wish that was valued instead of me being 'better' than another woman who also writes things and makes movies.

I have to lead a very small life in terms of what people think 'Hollywood' is. It's a full life for me, but I'm not jetting across the world. But life is good.

I grew up in the Ukraine and then I went to Paris in 1996. I went there because there was a modeling agency that invited me there to work so I thought, 'Sure.'

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