Quotes of All Topics . Occasions . Authors
There are so many things to think about when you make an album. Like, who am I trying to impress? Am I going to get respect, critical acclaim? Or am I going to sell lots of records?
The only day I remember of my parents' marriage was the day my dad walked out. As I stood there at five years old, with my older sister and younger brother, I knew that he was gone.
I've got a song called 'Salt Skin' because when you run in the heat it evaporates and you've got salt crystals on your face. I love that, because it means you've worked really hard.
America saw me as a projection of me that I always wanted. That's why I love going to America so much. I feel like I started off in America exactly how I wanted to start everywhere.
At heart I've always been a music fan. That part of me has never changed since I was a little kid, sitting in a room watching a record go round, looking at the colour of the labels.
Personally, I don't choose any particular religion or symbol or group of words or teachings to define me. That's between me and the most high. You know, my higher self. The Creator.
BMG has been an awesome partner throughout my career, and with New London, we plan to continue bridging the gap between soul, pop, London, and New York - uniting them through music.
There's no mystery any more. So my instinct is to show very little, because there's much too much information about everyone, everywhere right now. Reality TV is an example of that.
I didn't want to be precious about things. Of course, the idea is to make great music, but if you have great musicians up there, it gives me some leeway to play around a little bit.
Musical theatre is something that I always wanted to be a part of, and my first ever role on the West End as Joseph in 'Joseph And The Technicolor Dreamcoat' gave me a taste for it.
There's always going to be that pressure when you're in front of the camera. When you're famous it's just an extreme version of reality and there's a pressure to look a certain way.
I was going to be a doctor, but I think my music allowed me to help more people than I could have done one-on-one as a psychologist. Just like other people's music really helped me.
Darrell is really good in the studio. I mean, he has a real working knowledge of how the process works, and what sounds good coming back over tape, and how the stuff works together.
Short stories that's all it's ever been Don't you worry 'bout the ending Babe, before we begin I have seen the sun That's behind the rain I have felt the joy That's behind the pain.
The mean reds are horrible. You're afraid and you sweat like hell, but you don't know what you're afraid of. Except something bad is going to happen, only you don't know what it is.
I love the practicality of a good car. You know what I mean? And when I say 'practicality,' I mean the complete practicality of a Ferrari 458, a wonderfully fantastic every day car.
I feel the audience has a right to know if some of the money they're spending is going to a certain cause, and reassuring them the money is going to where it's supposed to be going.
When I finish a song, I never feel like I want to restrict its life. I feel that once I've done something, it's out. It's in people's ears, cars, headphones. It has its own journey.
I say everything and I do whatever I want to do. I'm just me. The polished version of me, I suppose, because I have on clothes and makeup. But emotionally, I am very on the surface.
My brother, Mario, is in show business and so are all my cousins on my dad's side. We come from a family of musicians. My grandmother's sister in Puerto Rico plays five instruments.
I don't feel any obligation to make my intentions for a song accessible to a listener or an audience. I'm not interested in conveying anything to them so much as what's best for me.
I don't like to sing things that just sound like they're going straight down the tubes, and they're circling the drain, and there's no hope. It doesn't feel good in any way to sing.
O, it's enough to be on your way. It's enough just to cover ground. It's enough to be moving on. Home: better build it behind your eyes. Carry it in your heart, Safe among your own.
Americans work a long away ahead of themselves because of the size of the place. To make any impact at all you have to promote yourself with live performances ages before a release.
So often the woman forgets her own greatness and she goes a little bat sh-- crazy sometimes. So its up to the other half to love that person back into the person we know them to be.
When I'm singing, that's all me. That's from the bottom of my heart - it's everything I've worked for. When you're on stage, there are no guidelines. No one's telling me what to do!
I'm always looking for ways that I can work from home with my home studio and stay busy. This is a great way to do it. Having a home studio has made projects like this a lot easier.
I like to be in the now, now. Sometimes musicians have to wait for me to be genuine with it. As an actor, I don't have that luxury. You have to make it legit when they say 'action.'
I was racing through life, utterly confused and angry. I don't know if I was out of control; it was more like I felt frustrated with myself and everything I saw happening around me.
I believe that we are here for each other, not against each other. Everything comes from an understanding that you are a gift in my life - whoever you are, whatever our differences.
You see all these things that make you feel desperate or sad, but you realize changes can be made, and it doesn't take a lot of money on our part to make a change in people's lives.
The only good political movement I've seen lately was Occupy Wall Street. They had no leaders, which was genius. But unfortunately it always ends up with some hippy playing a flute.
You're made to feel ugly, and I made ugly beautiful. Just by sheer persistence. Nobody has the right to say that I am ugly, and I will not be a professional victim, you know. Sorry!
I took the easy way, and to an extent I regret that. Still, though, the way we did it was honest. We played it and sang it the way we felt it, and there's a lot to be said for that.
I am growing and learning. There's so much more that I want to accomplish and do. I'm gonna do it at whatever pace it happens. I'm not trying to rush anything or slow anything down.
The time period I had in my life to look like an idiot and fail, and for no one to see that, came and went when I was 17. When you have early success, people are just lying in wait.
We have a female prime minister [Theresa May] here in the UK. I actually really like her and think she's wonderful. I think it's the best thing that's happened to us in a long time.
Originally, when I wrote the song 'The Sensual World' I had used text from the end of 'Ulysses.' When I asked for permission to use the text, I was refused, which was disappointing.
We Georgians are really into food and drink. We would never have finger food at a party or a wedding - celebrations are always one long meal, on one long table, with endless toasts.
You have to understand that the bass guitar is the party instrument. It only has four strings. If you see a bass player playing five strings, take your shoe off and throw it at him.
Japan is quite weird because they wait for you to say something before they respond. You can literally hear a pin drop, they don't make a sound until you say something to the crowd.
If I don't stay creative and if I don't stay in the studio and keep writing and recording, I get kind of depressed. I can't quite remember what I'm supposed to be doing with myself.
I couldn't be in a relationship and behave like somebody else or pretend I felt something I didn't feel. And that includes saying things I thought might jeopardize the relationship.
I knew what book we had to write, it was clear in my head; it was journals and poetry. So I passed on their offer. I told my agent this is our vision, and no one's done it this way.
I always thought I had a face like the moon, because I had really chubby cheeks when I was a kid, right up until my mid-20s. My face changed in my later 20s and again in my mid-30s.
When I was a teenager, I was mostly getting tapes and CDs, and somebody hipped me to the fact that you can get things on vinyl that are not necessarily available on any other fomat.
If you've ever lived in Chicago, anyone who has, they know what a winter in Chicago is like. To be going through a tough time here in the winter would be just be all the more worse.
The image that the public gets is whatever they perceive it to be. Everybody has an opinion, everybody has their own vision, so I don't know what my public image is. I have no idea.
We are not mad. We are human.We want to love, and someone must forgive us for the paths we take to love, for the paths are many and dark, and we are ardent and cruel in our journey.
Dance me to your beauty with a burning violin Dance me through the panic 'til I'm gathered safely in Lift me like an olive branch and be my homeward dove Dance me to the end of love