Quotes of All Topics . Occasions . Authors
Who is my role model and how long can I keep this going? I just move around and do different things and come back to music, try making films and come back to music, write children's books and come back to music.
If you have children, you know you're responsible for somebody. You realize you are being imitated; your belief systems and priorities have a direct influence on these children, who are like flowers in a garden.
I carry around a little journal with me, a little notebook and a pen and just write all the time. Not necessarily actually sitting down and writing lyrics, just free-form writing, whatever's going on in my mind.
My most successful album happened back in the mid-'90s, pre-Internet times, with 'Songs For A Blue Guitar.' We were supported by Island Records; we toured a lot. Songs were licensed to TV commercials and movies.
I feel like they're different creatures, live and in the studio, but that's what makes it so interesting to me. If they didn't have any different shadings or colors, you might as well be a hologram or something.
When you know what pain is, and when you have to make a choice, you learn that it is a decision. People think it's a fairytale thing, love and happiness, but you have to work hard. And then - you feel it deeply.
I was raised to believe that everybody has a responsibility to their community and I use the word very loosely. It's a big community. If I get recognized in the middle of the Sinai Desert I have a big community.
One of the things I love about art, is that it can say number of things to people. I broad hope is that it would just open people's hearts and that they would experience love, and that that would experience God.
Bare Foot Folk and is full of really interesting songs, Ange Hardy takes folk tales and creates new folk songs that sound traditional around the story. This is one she's called mother willow tree, it's beautiful
The term 'renaissance man' is always bandied about. I don't think that applies to me. You think about Leonardo da Vinci, and he was a painter and a physicist and an architect, and that is a true renaissance man.
My interest in gospel music and liturgical art and Biblically-inspired literature has nothing to do with organised religion and everything to do with human beings trying to figure out their place on this planet.
I'm a born-again Christian. I was raised Episcopalian - I've always been of a Christian faith, but I became much more active in it when I married my first husband, Marvin. I changed from Episcopalian to Baptist.
When I was coming up, we didn't have the movement of Black Girl Magic or Black Girls Rock, but my parents made it their business to make sure I saw positive images of myself and celebrated images of black women.
I was pretty young when I decided I wanted to, well, more so be a singer. I started singing in church in my hometown, East Orange, New Jersey. I knew when I was about five or six that I wanted to be a performer.
I'm trying to escape the shackles of a pen and a pad. I've sat in sessions with Jay-Z where he doesn't write anything down. He'll come up with the most incredible triple entendre, all in his head - it's amazing.
My first song was 'So Sick,' which was my first number one as an artist, and I turned the mic around to the crowd, and they sang the whole song. Every lyric. That was my first experience with the power of music.
I never felt magic crazy as this I never saw moons knew the meaning of the sea I never held emotion in the palm of my hand Or felt sweet breezes in the top of a tree But now you're here Brighten my northern sky.
It was the 1950s, you know, and they had a ray gun, which was basically a flashlight with a sort of trigger on it. And it buzzed and a red light, you know, came on. But anyway we all had one - Davy Crockett hat.
Well, there's this culture on Instagram where everyone uses filters and lighting, or people smooth their skin out. It's this weird thing. We all know it's not real and we all complain about it, yet we all do it.
I love New Zealand. Every time I'm in New Zealand someone makes a joke about it being mostly sheep, which I think is unfair, because it's mostly nice people. It's mostly nice people and really wonderful scenery.
I grew up in an era where you had to find your own way as a woman. When I was a kid, there was this whole physical and emotional neatness and purity that a woman was supposed to have, and I didn't fit into that.
In any performance, you're on stage for two hours, and there's 40 seconds or maybe a whole five minutes where you feel like the whole universe is in place, and you've gone even beyond the universe that you know.
When you're little, first of all, everybody smiles at you because you're cute, so you think the world is great. And everything is so vivid. You know, you're not clouded out by anxiety, and you don't miss things.
I always felt, as a listener at a show, that when there was too much banter between the artist and the audience that it detracted from the show. I more enjoyed shows where the guys came out and they just played.
And so we were asleep there in San Diego. And our pilot called us. And his brother was on one of the other planes. And when he was leaving the airport, he saw in his rear view mirror that there was an explosion.
I don't know how 'X Factor' works. I was only there as a guest judge for a day. But I watched 'The Voice' a lot; I respected how it came across on TV, and I love the freedom we get as coaches to do what we want.
We can either rip your face up with 'Painkiller,' or we can play this beautiful thing called 'Last Rose of Summer' from 'Sin After Sin.' And people love us for that because they don't really know what to expect.
It's extremely important just to keep things positive and happy as much as we can... I think it's important that singers, actors, or whatever use our voice to spread positive messages as much as we possibly can.
I'm the audience first, and if you're gonna be a great performer, you need to be a great audience. So, I do music for me first, and whoever likes it likes it, and whoever doesn't -- well, it's just not for them.
There is something about the stage that makes it so much better than being in the studio. I always connect with my audience; a concert to me is a collaboration between me and the audience, and I love it so much.
Why not share with the world the way it is and tell them my feelings about my cat, and how I played with my kids, and how addicted to Christmas time I am, and the smell of pine needles and hearing my kids laugh.
My retirement, back in 1976, began as a one-year boycott to challenge the media on that question. I refused to return until the media, and radio stations in particular, got a hold on identifiably Canadian songs.
I'm sure that a U.S. citizen, if I try to sing in English, he can feel that I'm not really sincere, there is something wrong. And I'm sure that even in French, they could feel the sincerity more than in English.
It's hard enough to sit at a table and talk to most people as it is. But we can go to some town, and there's 300 people we've never met before, and by the third song, we're connecting with everyone in that room.
For me, 'risky' is revealing what really happened in my life through music. Risky is writing confessional songs and telling the true story about a person with enough details so everyone knows who that person is.
I'm into hip-hop, rap, country, blues, gospel, old school, new school... whatever... pop. If it's really good, I like it. I don't have to be told what to listen to. If I like it and it's good, I'll listen to it.
My role is to promote the authors image and their new books. I'm also brought on board when the author is "between books" to keep the name in front of the reading public. That's a challenging time for an author.
I like thinking of myself as invisible. I find it a very advantageous way to live. Unfortunately, its not the way the music business works. If you don't create some kind of public image, it gets created for you.
For a songwriter, you don't really go to songwriting school; you learn by listening to tunes. And you try to understand them and take them apart and see what they're made of, and wonder if you can make one, too.
In terms of black music - the only music that we can call our own, that was really born here - I don't think a lot has been done to chronicle the relations between American history and where black music fits in.
I don't know how to make magic. For most songwriter's that has only happened once or twice, and I don't know how to re-create that. I know that there are some tricks and tools, but the magic is the amazing part.
There was a lot of pressure to find a genre and stick to it. People would tell me all the time, 'You can't be all things to everyone.' I would say, 'I'm not trying to be! I'm being what I want to be for myself.'
James Franco is a Method actor. I respect Method actors, but he never snapped out of character. Whenever we'd have to get in the ring for boxing scenes, and even during practice, the dude was full-on hitting me.
Breaking up is a natural evolution when you try to figure out what you want in life. If you're with an individual who isn't moving in the same direction and at the same rate that you are, it ain't going to work.
I wasn't completely comfortable in the footy culture because I wasn't that comfortable in my own skin, which I am now. I'd fit in better now, but I don't miss the training and the injuries you get playing footy.
I am thrilled at most corners that I turn walking down the street, I'm thrilled by most pages I turn when I'm reading a book thinking of what it's going to show and what it's going to make possible for tomorrow.
The thought of someone spending $20 to come and see me and saying, 'Oh, I prefer the record and she's completely shattered the illusion' really upsets me. It's such a big deal that people come give me their time.
When I'm off the road, my husband and I recharge our batteries. It's a day of deep rest and connection with the spiritual, and that can be anything - going for a walk in nature, being in silence, burning incense.
Johnny [Depp] got this rock 'n' roll old soul to him. If I say a song, he goes, 'Oh yeah. I know that song.' A song he shouldn't know, a song that's not his generation at all. So he might as well have been there.
A lot of people don't like touring because it's monotonous and you're waiting around a lot but for me it's great. I'm inspired by being in a different town every day - all the people I meet, all the things I see.