If you listen to 'Electric,' 'Entourage,' and 'Been With A Star,' all those records are records that I dug into the crates for to help me create that feeling of old funk. No one makes records like that anymore.

I don't see the songs as uplifting, but rather as trying to make lemonade from lemons, or whatever. When I listen to them, I understand the context. I don't like to pepper songs with my own experiences, though.

Since childhood, it was my dream to go where all the poets and artists had been. Rimbaud, Artaud, Brancusi, Camus, Picasso, Bresson, Goddard, Jeanne Moreau, Juliette Greco, everybody - Paris for me was a Mecca.

I just sort of grew up with music always in the background like a soundtrack. And it really hit me hard when The Beatles came along, like so many people. That got me started digging back further to Chuck Berry.

I am lucky in that my children are grown, my youngest is twenty-seven. I didn't have the conflict between artist and mother while they were young because I really focused in, very much, on the mothering aspect.

Intake is everything. And that is, that's where you start to realize your ego has no business in our business. Once you think you know everything, it's only a matter of time. So I will forever remain a student.

Whenever I think of the memories of you by my side, it leaves a smile on my lips and gives me the hope of the love that we will have again when you will return. That is why I don't mind staying apart like this.

The Internet is just it's great in a lot of ways and it has its disadvantages. But one of the great advantages is the ubiquity - virtually anyone can be discovered and things catch like fire when they're great.

The problem was, I was labeled as trouble - so I was like, 'Trouble? I'll show you trouble. You want trouble, well here it is!' No matter what label they give you, the best thing you can do is prove them wrong.

It's very hard to behave naturally when you know people recognise you. On the other hand, I still sometimes get upgraded in hotels because someone used to like me back in the day, which is still pretty amazing.

'Defenders' seems to have a really gritty, hard, uncomplicated vibe about it. Somehow, we made everything sound stronger and more precise than on 'Screaming Vengeance' through Tom Allom's amazing mixing skills.

I never understood that if you sweat as much as I used to every night, you drain your body of salts. So I got very, very, seriously ill. I got to the stage where I was almost hospitalized with serious problems.

When I start working on a batch of tunes - like roughly 10 solid tunes - I always know there'll be another 10 to follow, because for every song I invest a lot of time in, there's another song waiting behind it.

Daniel Craig is the new James Bond. I did a lot of research on him too but during the promotions, I focused mainly on Johnny Depp. There's a mysterious charm about him just by the way he looks, talks and moves.

I haven't had any bad jobs. I was a hairdresser before and that's it. I still cut my family and mates' hair when they want a trim. If I go up to Scotland to see my mum, I know she'll say, 'Bring your scissors!'

I remember Björk saying that she felt like, no matter what stage in her career, if a man is credited on something that she's done, he's going to get the credit for it. And, unfortunately, that still rings true.

Hip-hop, pop, dance - the common point is melancholy. That's international, and I like this word because it's not only about sadness or happiness - it's both at the same time. And that's human, and that's life.

I have some English words on the first album, but any time I try to do it, you miss something. You think it's just a simple translation from French to English, but it's so different as far as the understanding.

I believe that music is a spiritual language. My everyday self is pretty mundane and boring, but when I'm making music it allows for me to communicate a kind of transcendence that I can't communicate otherwise.

I definitely want to get into environmental science and environmental politics, learning a lot more and preserving what's left of the world. That's such a sacred circle to be in. I'd love to contribute to that.

I love it when people say things to me in public and want to meet me, because I want to meet them! Early on, my manager told me, 'If you want to sell 500,000 records, then go out there and meet 500,000 people.'

I like the way the stories of my relationships sound to music more than the way they look in print, in gossip columns or in me talking about them in interviews. I think it's a better way of telling the stories.

We are so caught up in our media, in our jobs, in our gossip, and in our consuming that we genuinely feel like we don't have the time or energy to bother ourselves with the tribulations of nations near and far.

I'm not tempted to write a song about George W. Bush. I couldn't figure out what sort of song I would write. That's the problem: I don't want to satirise George Bush and his puppeteers, I want to vaporise them.

I wanted to write about relationships in a more honest, raw sort of way. Get away from all those cliches about how 'time heals' and how you can be the better person. Less sugar-coating and more 'feel the pain.'

My favorite part of touring is when I see girls that I've been talking to on my site and then meeting them in person. I can't believe how well the fans get along together. Everyone just seems to be really cool.

The thing about albums is just coming up with new material. I just got tired of that syndrome of putting out an album and then some reviewer claims that this song or that song has something to do with x y or z.

A lot of people give in to those pressures and let others influence the process on their second albums because they want to achieve the success they had with their first again, but they don't know how to do it.

You know, in the days when I started, if you had Chet Atkins' name on your record as a producer and it was on RCA, you could work the road. It didn't have to be a big hit record, it just had to have that on it.

I write songs about love because, above all, love is the most human thing we have together. Feelings are a part of us every day. You feel things every day, no matter where you are. So that's what I write about.

I think you can soften people's hearts, even if they have a lot of hate. Music can do that if it's beautiful and honest. If I can do that - soften just one person's heart - I consider myself successful already.

I have a 6-year-old, and his thing is to turn on Radio Disney in the car, and I get such an allergic reaction to listening to that music and the context into which it falls. I'm really working on him about that.

It's Frank's painting on the cover. We were originally going to use a Salvador Dali painting that we got permission from Salvador Dali to use, and Frank found this one, and it really did fit the music much more.

Maybe, whatever influence we have, other songwriters or women or whatever can feel like they can have a place too, I guess. Or that they don't have to do things the way that we've been taught we have to do them.

For me, it's always been about a mix of hip-hop, acoustic singer/songwriters, and piano rock. I pull all those together. Each song may lean more heavily on one than the other, but they all have all three pieces.

I seriously hate pop music and all things super-commercial, so I'd be hard pressed to feel embarrassed by anything I listen to. Besides, I have a three-year-old, so I don't have time for guilty pleasures anyway!

Actually going to the supermarket to get my own groceries was a revelation. I'd never had to fill the fridge before, do my laundry, put petrol in my car. It was scary - but there was a kind of joy about it, too.

Music is my life. I love doing it, so I just do it nonstop all day. And with dancing, I wanted to put on a show for people. I don't want to just be sitting there doing nothing, so that's when I started to dance.

I have freckles; I don't like covering up too much. I like things dewy and natural, and I think that having moisture in your skin is really beautiful and youthful - sometimes that's more important than coverage.

When my father died of cancer in 1991, he left me with the assurance that he was headed to a better place. He used to always tell me that I was getting the raw end of the deal because I had to stick around here.

When I'm doing just music all the time, it can get really overwhelming. It's always challenging to switch it up a bit. And just because you're a musician, it doesn't mean that music is your only creative outlet.

I still love 'The Cure' more than almost any other band. But they were really, truly like the first band that I really loved and felt was mine, you know. At a pivotal time in my life when I was 13, 14 years old.

It is true that in this culture, they throw you out when you get older. I see it all the time, especially in my business. At my age, you're playing somebody's mother - and there aren't even a lot of those roles!

I have always been a singer, a writer, and a musician, not as a prodigy or as in a trade handed to me by my parents, but because of an inner voice or maybe a command from beyond reality as it is usually defined.

It's dedicating yourself to your craft. Spending thousands of hours in a studio learning how to write a song, learning how to play different chords, training yourself to sing. You know, to get better and better.

I am confident that, in the end, common sense and justice will prevail. I'm an optimist, brought up on the belief that if you wait to the end of the story, you get to see the good people live happily ever after.

Each email contains an unsubscribe link. We will NEVER sell, rent, loan, or abuse your email address in ANY way. I was a very, very serious child... I was valedictorian of my kindergarten and eighth-grade class.

I felt very at home in California, but the place is prone to earthquakes, and the one in 1994 scared the life out of me. For months afterwards, I felt that every time I sat down, I should have put on a seatbelt.

I prefer career artists that have spent time honing their craft, as opposed to, 'I won a karaoke contest on a reality show and now I have a record.' That's such a drag. The music that comes out of it is so poor.

I think commercial success is really important. It means there are more people listening, and you're affecting the zeitgeist more. If only a hundred people know you exist, it's harder to get your message across.

Share This Page