Quotes of All Topics . Occasions . Authors
One of the things I'm proudest of is, on my record 'That Was the Year that Was' in 1965, I made a joke about spending $20 billion sending some clown to the moon. I was against the manned space program then, and I'm even more against it now, that whole waste of money.
It's a battered old suitcase to a hotel someplace, and a wound that will never heal. No prima donna, the perfume is on an old shirt that is stained with blood and whiskey. Goodnight to the street sweepers, the night watchmen flame keepers and goodnight, Matilda, too.
When you play a show or festival, people know what they're getting; they want it. Then you're thrown onto a show where people are watching TV in their houses, and whether they ask for it or not, we're being played in front of them. There's a lot of negative feedback.
That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.
I guess something people wouldn't expect me to listen to are artists like Alicia Keys. But she is so incredibly talented. She has this huge voice and great work ethic, which I really respect in an artist. She is also very humble and gracious and devoted to her skill.
I'm very open and honest, and I feel like it's important for women to hear that we're not perfect; none of us are perfect. And sometimes we aspire to have these ideas in our heads of what perfection is, and I probably would've been better off if I'd left myself alone.
Like, I have had moments, which I think most people have, where you'll be watching TV, and it'll be interrupted by some tragic event, and you'll actually find yourself thinking, 'I don't want to hear about this train being derailed! What happened to 'The Flintstones?'
When I'm writing, which is 8-9 months out of the year, I'm in a concerted writing pace, where I work 5 days a week for at least a few hours a day, maybe a little bit more. But I won't work for more than 2 hours at a time. I'll work for a couple hours and take a break.
I made numerous attempts to find a way to do it all, to be a creative singer, songwriter, producer, and to be the mother, daughter, sister, lover, wife. And the thing about music is, with me, that she's a harsh mistress. She does not come to me in the midst of stress.
I tended to lean towards the guys who both sang and played, such as Ricky Skaggs, Vince Gill, Steve Wariner... And at the other end of the spectrum, I had Eric Clapton in a rock and blues sense, jazz guys such as Tal Farlow and Les Paul... Then Chet Atkins-type stuff.
When I made 'Who Needs Pictures,' my first album, I had been west of the Mississippi River one time in my life, and that was in fourth grade. We traveled to California for vacation and stayed with some friends of my parents. It was culture shock, and it was different.
There are still civil rights issues. There are still people who can't be visited by their spouse in the hospital because they're gay. These are humanitarian issues. At the end of the day, all you want is for people to be happy in the pursuit of life, love and liberty.
Sometimes my boyfriend would write the lyrics and I would write the melody, and other times I would start from scratch. Or sometimes I would take a local poem and put that to music...I always sang standards because the songs I wrote for myself weren't as easy to sing.
But as far as Twitter, I'll be in a restaurant and I'll get home and somebody tweeted and they talked about what I ordered and what I was wearing. In some cases, that could be dangerous, because you don't want everybody to know where you are every second of every day.
I remember talking to an architect and he said 'I am making so much money I don't know what to do' - I am in a business where you don't have an idea from one end of the year to the next how what you are going to earn and it is not like a salary that you can guarantee.
There was this book I read and loved, The story of a ship Who sailed around the world and found That nothing else exists Beyond its own two sails And wooden shell And what is held within. All else is sure to pass. We clutch and grasp And debate what's truly permanent.
I don't want to lose my legs, you know. I don't want to be wheeled around in a wheelchair. I don't want to be attached to a catheter. I saw all that stuff happen to my father, and as much as it upset me because I loved my father so much, it also really traumatized me.
And I figured out that the reason I couldn't get through the day as well as I can now is because I had too many things on my mind, on my plate, you know, for one person to have. So I started to eliminate some of the things that were too heavy to carry and unnecessary.
We live in a world that is so quick to lose people's attention, and to move on to the next thing. We live in a YouTube world, so it's hard to build something slow like you did fifteen or twenty years ago. You have to have the kind of show that keeps people interested.
When people try to take your culture away from you, your essence of your culture becomes stronger. It's like even in Africa. When you see African-Americans, they're stronger because of what they've gone through. It's even subliminal; I think it becomes in their genes.
Because it's one thing when you - oh, I love this tune. But then when you go to sing it, it's got to have something really personal. Then down to 25, and then to pick the final ones I just picked the ones that were more personal, that had something to do with my life.
My first song was Hula Hoop Song, in 1955. It was a novelty song. I had to find someway to reach out and it was with a novelty song. Now, all of my recording obligations have been taken care of. I made 14 albums for Warner Brothers. Five for United Artist before that.
Most all of my awards are at the Country Music Hall of Fame. You know we had the longest running exhibit in the Hall of Fame history with Family Tradition. More people went to see Daddy's stuff and all the things I have collected over the years than any other exhibit.
I used to drum on the table at school. I think a handful of my school reports say that they thought I might have some kind of ADD because I was making sounds. I was far from being an ADD child. I was actually quite quiet and well-behaved. But I used to drum on things.
I was one of I think three white girls in my school. So, I was very much an outsider. And plus I was Jewish and all of my friends were black and Baptist because they listen to the coolest music. We were all listening to Ray Charles and what was then called race music.
Critics try to pin so many different inaccuracies on me and my music; they look at the complicated things and try to simplify them. They think they can nail your whole life down just by knowing the bare bones of your history in partaking in 10 minutes of conversation.
It's nice to know that you're worth something and music really does put that kind of light back into you. Well, it does for me anyway. I've been through some very interesting times in my life and there is certain songs that I go to and I'm like, ok, it's not that bad.
To get high data transfer rates in communicating information, you would love to use optical fibers. The problem is that light is extremely hard to manipulate. So we make a perfect copy of the information carried by the light. We transfer it to matter - the condensate.
Be With Me In The Phases Of My Work Because My Brain Feels Like It Has Been Whipped And I Yearn To Make A Small Perfect Thing Which Will Live In Your Morning Like Curious Static Through A President's Elegy Or A Nude Hunchback Acquiring A Tan On The Crowded Oily Beach.
I like using concrete imagery, but I don't feel that's what it's about. It's a combination of concrete and abstract to take the listener somewhere they know better than you. That's true for music, seeing a painting, watching a movie... it's all some kind of an escape.
When you are in the studio, you don't have anybody to feed off of; meanwhile, when you are playing live, you interact with people and you feel the energy in the room. When the crowd is going crazy, that definitely impacts your vocal performance. I prefer to sing live.
I love experienced people. I love people who are phenomenally talented. I love people who've worked so hard and been so courageous and are the leaders in their fields. For me to meet somebody like that and learn from them and share words with them -to me that's magic.
I think being an Asian woman has been more of an advantage than a disadvantage. It helps me stand out from the rest of the entertainers out there. Again, being from such an ethnically diverse place like New York, you get comfortable and confident with being different!
I have so many great friends, so many great memories, so many great pictures, so many great songs, so many great relationships with people. I definitely feel, for the last 15 years, that I spent my time very wisely. And that's a great thing to be able to look back at.
People don't listen to one radio station. On iTunes you can mix different worlds and bring country and pop and folk and live music together with a mass audience. I could have sung 'Easy' in a country way but I just sang it how I sing. I think it's a really nice blend.
A man will talk all day about the woman he wants, but should he come across that woman, he'll do something stupid like cheat on her with the kind of woman he was trying to get away from in the first place. It's not a lot of second chances granted in the realm of that.
I'm a big believer in trying to challenge yourself to step outside of your comfort zone and try new things. I was petrified of sharks in the ocean so I got certified in scuba because I don't like settling for being afraid of things and being uncomfortable with things.
Anything that's on television as often as someone on 'The X Factor' is what's successful. That doesn't mean that I condone that or think that it's right. To be honest, I'd be the first to say I think it's a shame. But if that's the way it is then that's the way it is.
I was going to record a solo album when I was 15 on a four-track. I started working on it, but then Fall Out Boy happened. The band was awesome and took me in a totally different direction. I don't regret it at all, but the band delayed the record I had been planning.
I don't think public life in and of itself can destroy you. I think it's the way people react to it, and some people are more sturdy than others... I don't think any one faction can be blamed for a person's self destruction - a certain amount of that has to be innate.
We have such a great depth of human history in all of the arts, whether it's opera or mathematics or painting or classical music or jazz. There's so many things to study, new books to read, and certainly always ways to transform old ideas and to come up with new ones.
People have become less discriminating listeners, which is tragic, really. There's a lot of emperor's new clothes out there, whether they're female or male solo acts. That bothers me. It's hard to break through, and it's like climbing Mount Everest if you actually do.
It started last year, during the summer. I went to the doctor and they found out it was kidney stones, so they had surgery done to help get those out and to pass them... More just kept coming in. So I had all together before the last show... I had like five surgeries.
You ask me what I'd like to do that I haven't done and I say 'Nothin'!' I haven't any mountains to climb or oceans to swim. I've been an extremely blessed individual. ... I'm not clamorin' for more trinkets. If I were to die tomorrow, I could say I've had a good life.
My goals have changed throughout my life. At one time it was winning awards, selling out concert dates, selling more albums than anyone else. Now, my goals are to see my grandchildren grown, live a long and healthy life with my family and friends and travel the world.
I've been to Sardinia about 10 times because my wife, my daughter and I used to go every year with another family. We rented the same house each time in Villasimius in the southern part of the island, and always went to the same two beaches and same three restaurants.
A lot of the new people they choose on shows like 'American Idol' and things like that - I don't ever hear lead singers. They always seem to choose to pick people that are great singers, fabulous singers, but they've never got the voice that makes a great lead singer.
In an age of social media and content being key, it's important to change the mold where you have $100,000 to $150,000 for one video. I hired some guys that are young, just out of college, and we used some new, far-less-expensive cameras and technology to make videos.
The music I was writing for 'Hamlet' needed to be very simple because there was so much going on with the dialogue in that play, so I felt like the music had to complement that - so that carried on through; I was working on the soundtrack and the album simultaneously.
When I finished Westlife, we had - Louie Walsh is still managing me - I was lucky to have options from different labels such as Sony and Universal. When we met Capitol and Nick Raphael, I just believed in them the most, and it looked like they believed in me the most.