I like to rehearse with the actors scenes that are not in the script and will not be in the film because what we're really doing is trying to establish their character, and good acting to me is about reacting.

I tried to walk a line between acting lawfully and testifying falsely, but I now recognize that I did not fully accomplish this goal and that certain of my responses to questions about Ms. Lewinsky were false.

I found a way into the acting business because I thought, well, it beats working for a living, and so that's what I do. But I still feel like a bit of a stranger in it all. I've never really belonged anywhere.

Coming from sitcom television and coming from music you burn up every single second. You don't leave anything there. You burn it up and you pass out when you walk off stage, so I took that concept into acting.

The mug is a tool. My ace in the hole. To have looks is the bonus on top of what motivates me to be an actor. Not to realize they're an asset would be counterproductive to the cause; they serve the common good.

It was a dream come true working with Johnny Depp. He's always been my acting idol. Working with him and watching him work taught me a lot as an actor. He's very down to earth and a lot of fun to hang out with.

I did an internship in the Silicon Valley during the Internet boom. I couldn't imagine sitting in a cubicle the rest of my life, so I gave acting a try. I would have been happy doing theater and making nothing.

We in Ireland are gifted beyond most peoples with a talent for acting, and in Dublin especially, while scorning culture, which indeed we have not got, we are possessed of a most futile and diverting cleverness.

I love acting. I love play-acting. I love pretending. I love telling stories so whether they be comedic or serious or whatever, it doesn't really matter to me. I enjoy telling a good story. I have it all in me.

Once I realized I wanted live in New York, I saved enough money that I wouldn't have to get a job right away. That was important to me, to focus on acting; I didn't want to come here and just fall into the mix.

Sometimes acting, particularly in film, can feel so contained. You need to be small and not overplay things, so it's such a relief to be able to go as far as you can go with an emotion or a feeling or a speech.

Theater really is what I know and what I was exposed to the most. That's really the main artistry that I love about acting. It's what I've experienced the most and what I trained in. I'd say theater is my love.

When I was acting, I got trained in creating a character as a three-dimensional person. If you're doing it right you should be able to draw an audience into the character's world and make them feel their fears.

My father owned some Laundromats, and when I was 10, he had me in there making change and being an attendant. He taught me that on weekends, you had to get up and go to work. That has been a big help in acting.

In the right situation, acting on television can be extraordinarily satisfying creatively. But that's incredibly rare. Otherwise, it can be like working in a really remunerative coal mine. That's the down side.

I had the taste of the alcohol since I was 11. It allowed me to be clever, charming and to behave outrageously. Acting also allowed me not to be me. So I could indulge every fantasy in this paradise of America.

After playing Saffy in 'Ab Fab', I needed to take time out from acting to see if I really wanted to do it. I had been doing it for a very long time and I was being sent the same sort of scripts again and again.

My time at Barnard was fun but stressful. I transferred there from the acting conservatory at NYU, and my Rolling Around On the Floor Pretending to Be a Lion classes didn't translate into many academic credits.

Acting, films, scripts, is literally the only thing I’m 100 percent confident in. I know what I’m doing. I just understand it, and I love it. When I’m on set, that’s when I feel the most at home and in control.

My acting range is incredibly limited and narrow, but I'm a good heavy. I'm a good authoritarian figure; I don't know why. "Can you be a cop?" Sure. "Can you be a Marine?" Absolutely. Well, at least in a movie.

I started working on how I would direct this a year before we started shooting "All We Had" and I was prepping, acting, and directing sort of at the same time. I knew that I didn't want to hold people up on set.

There's a large chunk of me in all the parts. As an actor, I got involved largely because I want to let things out. The best acting is that that is most real and the only way to do that, is to genuinely feel it.

I think whatever you do, if you are going to do well or even if you don't do it well, you have to have a passion for it, and I am passionate about it. I love it. I respect it and it gets me. I get off on acting.

For me, acting was a reward. I had to get good grades in order to act, in order to be on TV. I had to do well in school so I could work. To me, it was like an after-school activity, something to look forward to.

Listen, I like great actors. You can be a movie star without being a great actor - this has been proved several times - and I like my casts to have great actors. Acting is more important to me than being a star.

Whenever I am in my videos, it's rare. A lot of it is, they feel more live and hyper-realist, rather than fantasy. People would just be like, "Oh, Skrillex is acting in this video," and it wouldn't work as well.

When I finally awoke it was crystal clear to me that I had to pursue my love for acting on a professional level in film/TV despite any fears I'd had about it previous to the accident. And I've never looked back.

My first movie, I got nominated for a Canadian Oscar-for Meatballs. For MEATBALLS. And who am I up against? George C. Scott. So he wins the award and I stand up and go, 'That's it-let's get the hell outta here.'

In Hitchcocks eyes the movement was dramatic, not the acting. When he wanted the audience to be moved, he moved the camera. He was a subtle human being, and he was also the best director I have ever worked with.

Love and action always imply a failure, but this failure must not keep us from loving and acting. For we have not only to establish what our situation is, we have to choose it in the very heart of its ambiguity.

A friend of my mom's was a casting director so, really as kind of a lark, I had a couple of acting jobs that had just enough exposure to give me the option to continue if I wanted to. I followed through with it.

Very early on in this process though I studied acting in high school and college, soon after graduation, I walked away from the craft because I wanted to know that this is what I was supposed to do with my life.

Other people have often had more faith in me than I had in myself - I never thought I could pull off Roberta Muldoon in 'The World According to Garp,' or 'Of Mice and Men's' Lennie as one of my first acting jobs.

I lose myself in my performances so I wouldn't say that I ever act on stage. I don't find it to be an acting drill for me. I just find it to be something very real that comes from a very gut-driven, honest place.

And what I liked the most about any project was that when it was good, you had a bunch of people trying to accomplish something together who were all acting together as one - that's the most exciting time for me.

Even when you're acting with a producing hat, when you're in every scene, you're really conscious of trying to make everybody as good as they are, because ultimately you're trying to make the best movie possible.

Acting is playing pretend, playing a children's game at an adult level, but with children's rules. It's fun to play bad guys. I've never been in a fight in my life, so it's fun to play something that's different.

In Hitchcock's eyes the movement was dramatic, not the acting. When he wanted the audience to be moved, he moved the camera. He was a subtle human being, and he was also the best director I have ever worked with.

It's always a bit overwhelming when you arrive on set and everyone's new, but you soon become a big family. I find the hardest thing about acting is that you have to say goodbye to everyone at the end of a shoot.

Actors walk around wearing these little tool-belts of acting skills. And I just don't find that interesting to watch. I never want to see someone who clearly can cry at the drop of a hat. That's so uninteresting.

That's what acting is all about - it's all about bringing truth from your own life, and putting it into your characters. If you have the advantage of using your own life in your work, that's always the way to go.

I left school and couldn't find acting work, so I started going to clubs where you could do stand-up. I've always improvised, and stand-up was this great release. All of a sudden, it was just me and the audience.

Acting is a weird profession. It's very disquieting, and at the time it just made me so confused. It's only when you step away from a movie for several weeks or months that you start to put things in perspective.

As for Kate Bosworth, I've always admired her. I watched her in a movie called 'Girl in the Park,' which has never been released - not even on DVD. I had a copy, and it was bravura acting I had not seen from her.

I kind of fell backwards into acting. I was studying to be a high school teacher. I look now and I understand completely, or actually barely, how much work it is to be a teacher. It's an incredible amount of work.

I remember Julianne Moore talking about acting and she said, "I'm just looking for truth. When people watch, they're not looking to see me. They're looking to see themselves." That's one of my new favorite sayings

If somebody is acting maladjusted - which means not happy to be at Rikers - the protocol, as I understand it and have been told by COs unofficially or officially, is to pepper spray that individual to sedate them.

The fact in acting, you can tap into your darkest moments in life to your lightest moments. And people will watch it, and appreciate it, and even engage with you because of that. That's the greatest job one Earth.

I think acting is a gift. I look at someone like Ben Kingsley, and hes incredibly charismatic, even when hes not acting. Hes an incredibly hard worker, and he has a very specific system that he does with his work.

I felt from time to time that shooting live music is the most purely cinematic thing you can do. Ideally, the cinema is becoming one with the music. There is little artifice involved. There's no acting. I love it.

Share This Page