Storytelling is my currency. It's my only worth. The only thing of value I have in this life is my ability to tell a story, whether in print, orating, writing it down or having people acting it out.

Acting forces you to ask yourself, 'Can my constitution take a decade of constant rejection?' And after ten years, you either make it or you don't. And the problem is they don't tell you in advance.

I was not seduced by the celebrity side of acting. However, as a British girl watching a lot of American TV, I saw that there was a whole world of opportunity in the States that I wanted to discover.

I did a play called Throne of Straw when I was 11, at the Odyssey Theatre in Los Angeles. It became really clear to me at that point that I enjoyed acting more than any other experience I was having.

I loved acting, I started as a child and it is interesting because I didn't compare myself to others that were doing the same thing. I just felt that I needed to stay focused and stay out of trouble.

My life has been the antithesis of that book 'The Secret'. I've always been interested in doing what I do. I love storytelling and I really enjoyed acting, but it never seemed like a realistic thing.

Acting is not pretending or lying. It's finding a side of yourself that's the character and ignoring your other sides. And there's a side of me that wonders what's wrong with being completely honest.

Competition [in a scene] is healthy. Competition is life. Yet most actors refuse to acknowledge this. They don't want to compete. They want to get along. And they are therefore not first-rate actors.

You have to love what you do, and you have to need it like you need air. And there's nothing else that would give me the same degree of satisfaction as acting, which is why I can't walk away from it.

Not to get overly psychological about this, but it's probably why I became an actress in the first place: for that kind of freedom and refuge, as well as for the fact that I just love acting so much.

Modeling stuff is cool - obviously you get to travel and wear cool clothes, take cool pictures, meet cool people - but for me, acting is a lot more creatively fulfilling, so I've always put it first.

For modelling, you have to be such a strong person in a way – or seen to be a strong person, do you know what I mean? But in acting you have to get in touch with all the vulnerability that you carry.

If all the actors are in the recording session at the same time, you can record all voices for one episode in an hour. Of course, the animation takes longer but the voice acting is done very quickly.

Success is not assured, but America is resolute: this is the best chance for peace we are likely to see for some years to come - and we are acting to help Israelis and Palestinians seize this chance.

I was working in customer service and had a verbally abusive boss. One day, I decided to quit and pursue my acting passion with everything I had. One week after quitting, I booked 'One Life to Live.'

I'm happiest when I'm acting, and I've dedicated my life to it. Still, as much as I love acting, at the end of the day, I want to be remembered as a great person, first, and as a great actor, second.

When the standard of success becomes merely acting - when any result is regarded as progress and important, when inspiration is seen as a reward rather than a prerequisite - we propel ourselves ahead.

A person should be free to do as he likes in his own concerns; but he ought not to be free to do as he likes in acting for another, under the pretext that the affairs of the other are his own affairs.

I'm very honored to play one of the women in the movie Volver, and it was special acting with all those other talented actresses. Carmen Maura is a legend and it was a thrill to make a movie with her.

When you're acting you always want to come across as if you're not acting. For me, my take is always to have it feel like you're watching someone on film and that comes with a lot of preparation time.

When I'm acting, I'm two beings. There's the one monitoring the distance between myself and the camera, making sure I hit my marks, and there is the one driven by this inner fire, this delicious fear.

Never thought acting was something you could make a living at. It wasn't until I was in college, and got a lead in a play, that I began to realize I might just be able to blunder into this profession.

I don't need to be successful. I love theater and I love acting so as long as I'm doing that I'm happy and I'm learning. If I end up going back to the U.K. to do some theater, great! Sounds fantastic.

Training is vital. You need to know the technical aspects of acting, just in case someone hands you a monologue and simply says, 'Cry here and laugh here.' You have to be able to make sense of it all.

'Stomp the Yard' was a great film. It was a great film, great opportunity. It's the reason I live in Atlanta to this day, that film. But as far as acting goes, it wasn't very challenging. I played me.

One of the reasons I became a writer is that, unlike starting a band, directing movies, or acting in a theatrical production, you can do it alone. Your success and failure depend entirely on yourself.

I do love writing. It doesn't come to me as readily as I think acting does. I think acting is in my instincts. Writing is a craft that I work very hard at. And I have to train and continue to develop.

It is true Christians have done terrible things throughout history. But they've always been acting in opposition to their Christian faith. There are no New Testament verses that say, Kill unbelievers.

If you do things, whether it's acting or music or painting, do it without fear - that's my philosophy. Because nobody can arrest you and put you in jail if you paint badly, so there's nothing to lose.

I always think I love work, and I knew early on that I wanted to be an actress. Then I meet people who have truly dedicated their lives to acting, and I realise that Im so completely in the back seat.

Acting has to do with saying it as if you meant it, so for me the words are always very important. It's very important for me to know my lines, know them so well that I don't have to think about them.

The longer you are in acting business, the more you cherish the times when you're working with people that do great work, and can figure out how to enjoy themselves while they're doing the great work.

The joy of acting for me is to be able to experience emotions in a safe environment. You can't scream and cry in the street because everybody will look. If you do it on a movie set, you get applauded.

Every success story has a parent who says, 'over my dead body.' Every success story has an old person who walks up to you and says, when you're acting the fool, 'you know I worry about you sometimes.'

Maybe it's a cultural thing, being Korean, but my first reflex has always been to exude humility - but it doesn't help you in acting. For acting, humility isn't the best thing. It'll weaken your work.

My favorite kind of acting scenes, or at least where I think people shine the brightest, are odes to Meisner technique scenes where people are face-to-face, and it's almost like a repetition exercise.

If you take an economics or a political science course, you're taught that humans are supposed to be rational wealth accumulators, each acting as an individual to maximize his own wealth in the market.

We're not good at noticing slow, steady changes in our environments, our senses are not very acute compared to those of many animals, and we're pretty awful at abstract thought, much less acting on it.

When you write a character and their dialogue, you can't help imagining how you would be acting if you were them. You kind of have to relate to all of them. It's the most personal thing I've ever done.

Directing is kind of like acting through other people. You see moments and you see things and if you don't see the actors hit it, you paint in those little spaces and tell them what direction to go in.

I love acting but I don't like all of the other stuff associated with it. The interest in celebrities, the press, the Internet, when your identity becomes mixed up in the way people are perceiving you.

Kids really take you out of yourself, and your priorities become really clear. With acting and the business, you don't really have priorities. You have no idea what each day or week's going to be like.

What we can do with these means (our own unassisted strength) is still very small compared to what we could do in acting in union with God himself, who created and ultimately controls all other forces.

After 2000 or so, I started to realize I wanted to be doing something else. I didn't want to be in front of a camera. I was frustrated. I didn't think I would stop acting, but I didn't want to be seen.

I love acting. It's a lot of fun work, interesting work, and you get to work with some very interesting people. But I seemed to be OK walking away from it for a little while and then coming back to it.

I always wanted to be an actor ever since I was a little kid. I knew that I had to do something related to performing arts, and I enjoyed acting the most as it incorporated so many different art forms.

I was 6, and I was in the opera 'Carmen.' My dad sang opera and got me into the children's chorus. I was super fat at the time and didn't make eye contact with anyone. I knew I loved acting ever since.

When I was in New York after I left the Army, I studied for two years at the American Theater Wing, studied acting, which involved dance and fencing and speech classes and history of theater, all that.

I would love to do more acting; I really would love to do it, particularly character acting. I'm a character type of actor; I love situations where I've got a bit of room to improvise on the character.

I don't have a sense of entitlement or that I deserve this. You'd be surprised at the lack of competition between nominees - I think a lot of it's imposed from the outside. Can I have my champagne now?

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