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If you have a horse that can beat horses worth $20,000, typically you enter it in a $20,000 claiming race. Now there might be people who feel their horse is worth $20,000, and they say, 'I wouldn't mind seeing the horse get beat.' So they'll enter it for $40,000 so the horse looks like it's performed badly.
Edible Arrangements will have to beat back some rivals, including a handful of mom-and-pop vendors and a company in Pennsylvania called Incredibly Edible Delites. And there's always the chance that a deep-pocketed national florist like FTD will decide that pretty produce is profitable and jump into the mix.
The Tea Party movement started in late 2008 as a rejection of President George W. Bush's bailout of the auto industry and Obama's excessive stimulus spending. It evolved into a movement opposed to ObamaCare, and grassroots efforts were employed to find qualified political candidates who could beat incumbents.
The writing process, the way I go about it is I do whatever the beat feels like, whatever the beat is telling me to do. Usually when the beat comes on, I think of a hook or the subject I want to rap about almost instantly. Within four, eight bars of it playing I'm just like, 'Oh, OK. This is what I wanna do'.
We prided ourselves at Oregon, where teams said they were going to try to beat us down and try to manhandle us, and maybe in the first quarter they were running with us, but it was just, 'Let's see how they are come the fourth quarter when they're tired, and they've had 70 to 80 plays coming at them non-stop.'
The mistake British comedians often make is trying to beat the Americans at their own game - getting visiting American singers on their shows, talking about 'sidewalk' instead of 'pavement,' sitting on high stools in a white dinner jacket doing ballads. That way, you simply end up with a mid-Atlantic mishmash.
One of my favourite Donald Byrd tracks is 'Think Twice,' and I didn't want to sample it. I've always enjoyed when other people have sampled it, so I wanted to instead of making a beat with it or something like that, or freak the beat of whatever. I wanted to just recreate it in my own way, like how I heard it.
Pre-show, I warm up my voice, stretch, do a little team huddle, and sometimes throw a shot of whiskey in there, too. After the show, I hang out at merch meeting people and signing things. After that, I usually try to see friends in whatever city we're in, or if I'm super beat, listen to a podcast and pass out.
I remember the first 45 record I bought. It was called 'A Dog a Donut'; it was a breakbeat. Actually, I think I bought two at one time, and the other one was 'Dance to the Drummer's Beat.' Those are breakbeats. I paid a dollar for it, for each one. Your average producer or DJ would know who came out with those.
Only time will tell whether the Klitschkos need me more than I need them. They won't believe that. But it depends what they want out of boxing. If they want guaranteed easy victories, then they can do what they've always done, but if they want a tough challenge, you'd think they would want to beat down my door.
I didn't date my wife in high school, but she was definitely by far the coolest woman there. She was definitely the most beautiful, but she also marched to the beat of her own drummer. I was in New Orleans 10 years after high school and my friend played matchmaker with us, and that's kind of how we got together.
I'm a big potato chip girl. I don't like chocolate and cakes and all that, but I have to have my potato chips. I've got bags in the back of my car right now! But I never beat myself up about it, because, look: You can't give up every damn thing. You need something in your life that you like just because you like it!
I was not popular in school, and I was definitely not a ladies' man. And I had a very painful adolescence, because it was all very strange to me. It wasn't like I got beat up, but the humiliation and isolation, and the existential 'God, I exist, and nobody cares' of being a teenager were extremely pronounced for me.
The man who buried Malcolm X - my Muslim imam, priest - he, after I got beat up by police... came to me, and he said, 'You don't need this American name.' And I was susceptible to it at the time because, God knows, I had just gotten whipped near to death. So he gave me an Arab name; he gave me the name Amir Barakat.
My dad always taught me never to give up in my mind. You can never really beat me. It sounds ridiculous, but I will always come back for you. You can't beat someone who never gives up. I could lose 100 times to you, but I will always get you. I will die trying. This applies not only to swimming but to my life as well.
Super Bowl V was the Colts against the Cowboys and Jim O'Brien kicked a 32 yard field goal to beat the Cowboys. I was traumatized by it. Everyone at school knew I was the only Cowboy fan in the area. I didn't want to go to school and I begged and pleaded with my parents. Those are indelible memories when you are a kid.
I like to separate the music- and lyric-writing processes if I can. I'll sort of noodle around on my keyboard and my computer until I have a beat or a chord progression, I'll record it as a loop, export it to iTunes, then walk around with the loop and sort of talk to myself in the loop, and that's how I get the lyrics.
No matter how senior you get in an organization, no matter how well you're perceived to be doing, your job is never done. Every day, you get up and the world is changing; your customers are expecting more from you. Your competitors are putting pressure on you by doing more and trying to beat you here and beat you there.
College lacrosse can be pretty brutal at times, so that definitely helped me with the toughness. It's a fast-paced game, so that helped me kind of translate over to the game speed of playing in the NFL. I think just the one-on-one aspect of trying to beat the guy in front of you definitely helped me as being a receiver.
I grew up poor in crappy situations... various crappy situations. What kept me sane was reading and music. I had so many different literary tastes growing up, be it fiction like Stephen King or Piers Anthony or non-fiction like reading Hunter S. Thompson essays or reading the Beats. I was a huge fan of the Beat movement.
I had true rivalries. Not only did I want to beat my opponent, but I didn't want to let him up, either. I had a rivalry with Mac, Lendl, Borg. Everybody knew there was tension between us, on court and off. That's what's really ingrained in my mind: 'This is real. This isn't a soft rivalry.' There were no hugs and kisses.
I saw Bob Arum out in America, I saw him walking through the lobby in the MGM Grand. I basically went over and said: 'You're running out of opponents for Crawford and I'm the guy to beat him. I'm here.' I saw Terence Crawford, he said he was ready for it, so everybody is on the same page. Everyone wants to make the fight.
I was bought an electric guitar when I was 12, but my guitar teacher beat me up. I didn't like guitar lessons and I got quite bored. My teacher was obviously bored giving me lessons, and one day I offered him a liquorice toffee, but he didn't answer. So I threw it at him, it hit him in the face, and he sort of beat me up.
Until 2005, I still thought of my surf lifesaving career as fulltime and kayaking as a pastime. I watched the 2004 Athens Olympics and saw people racing that I knew I could beat, and that was probably the turning point: I decided I should either do it properly or stop wasting time kayaking and concentrate fully on Ironman.
At times I have a beat first and then I write. Sometimes I have a melody in my head and I pick up the guitar to develop the song. Other times I just write without any melodies, and I end up using those lyrics when I think I have the appropriate instrumental that would bring out and depict the emotions of what I have written.
Everybody wants that spot: everybody wants to beat Nicola Adams. Everybody wants to be the Olympic champion; everybody wants to beat the Olympic champion. It's made me train that much harder and stay that much more focused. I guess, in a way, I've got them to thank for keeping me motivated and focused on the job I need to do.
People say you should do it this way, someone else suggests that, yes, there's financing, but maybe you should use this actor. And there are the threats, at the end - if you don't do it this way, you'll lose your box office; if you don't do it that way, you'll never get financed again... 35, 40 years of this, you get beat up.
When the album 'Duke' came out, by Genesis, Phil Collins beat Dad in a drummers poll. My dad got me to learn 'Turn It On Again' by Genesis. I'd play it, and he'd go, 'Do it again,' until I got it right. I'd play it until I nailed it, and then he went, 'I don't see what the big deal is. My 12-year-old son could play that song.'
I'm a Saints guy, and I'm on the defensive side and I'm hearing the hell that the Saints fans are giving the opposing offenses and it's pretty tough. It's a huge challenge to manage the defense with that noise, but I'd rather them be loud and pumped up and going than quiet, because if they're quiet it means we're getting beat.
At my heaviest, I was 5'8" and 175 pounds. I ate well, but in too large quantities, and I rarely made a concerted effort to burn off the extra calories. I'd beat myself up about being overweight, even though I had the tools to be in shape. Then I'd resort to an unhealthy diet to lose the weight that was making me self-conscious.
I was a weed. Such a skinny little weed. I just couldn't put on weight; I couldn't put on muscle. I was the oddest shape. And I thought that was it: that's how I'd look for the rest of my life. And I'd beat myself up about it so much. But you change an awful lot. You're 16. Your body's not even halfway to what it'll end up being.
Remembering what you've been through and how that has strengthened your mindset can lift you out of a negative brain loop and help you bypass those weak, one-second impulses to give in. Even if you're feeling low and beat down by life right now, I guarantee you can think of a time or two when you overcame odds and tasted success.
People don't understand the analogy of football and acting, but there's a great deal of it that's the same. You get dressed in the room, and you think you've got it all prepared, and later on in the game you wish you had put on more pads 'cause they're just kicking the hell out of you. God almighty, I've been beat up by the best.
From my music training, I knew that, some Spanish rhythms apart, 5/4 is a time signature used only in the modern era. Holst's Mars from the Planets is 5/4. But if you speak lines of poetry in that pattern you just end up hitting the off-beats. It's only when you add a rest - a sixth beat - that it sounds as it surely should sound.
If you have a business website, make it stickier; redo the merchandising often and try new things until you hit the right homepage... then try and beat that. The most important audience drivers on the Internet are paid search and key word optimization. Concentrate on those. They are very inexpensive compared to banner advertising.
We never went into a game that we did not feel sure of winning, and when we lost, we blamed it on hard luck or the umpires. We never gave any other team credit for being able to play ball, and the result was that we were hard to beat. If I could get my team to be confident, I think we would work our way to the front pretty quickly.
I have pictures of me sitting in the racquetball court in my pajamas with an acoustic guitar, and Wolfgang is probably just two-and-a-half-feet tall. I'll never forget the day I saw his foot tapping along in beat! I knew then, I couldn't wait for the day I'd be able to make music with my son. I don't know what more I could ask for.
I can remember the first time I ever recorded my vocals on to a beat. Cat Coore from Third World - a legendary Jamaican band - had a little demo set up at his house. I'm very good friends with his eldest son, Shiah, who plays with me now. So we were rhyming over a track by the dancehall artist Peter Metro. I've still got it somewhere.
I'm not scared of anyone. I don't care whether you are a jiu-jitsu fighter or a wrestler or a stand-up fighter: I want to put myself against you, and I want to see who is better. And if you are the guy that is going to beat me, I'm going to take that loss like a man and go back, and I'll work on me self. That's how I look at fighting.
My hats off to anybody filming action, because you get beat up. If I'm going to get the crap kicked out of me, I would love 15,000 people on hand to tell me that I'm doing good or I'm doing bad. So, if I'm going to be in any physical duress, I'd really like it to be in a WWE ring, which is why I was so amped to be a part of 'Trainwreck.'
Benn was brute force, wasn't he? But he found God when he was 40... and the only reason I beat him, was because I was brought up in the church. It teaches you to be calm to be objective and steady and the reasoning I used beat him - and he found it when he was 40. I didn't change anything: there is only one way, to be calm, gentle and true.
The dragonfly is an exceptionally beautiful insect and a fierce carnivore. It has four wings that beat independently. This gives it an ability to maneuver in the air with superb dexterity. A dragonfly can put on a burst of speed, stop on a dime, hover, fly backward, and switch direction in a flash. This is a hunting behavior known as hawking.
My respect for artists is very high. I think to get the most out of them, you have to liberate them. I think part of liberating them is saying, 'Come up with something brilliant, new, and fresh. Stop thinking based on what has been beat into you by executives or publishers in terms of what's going to work and what's not. Don't react, just act.'
I don't think that one should beat himself or herself over the head if immediately you're not like Jesus Christ or, you know, Gandhi or whoever. But I think the idea is to... to look at those examples and try to... try to operate in a way that every day you live or every interaction you have pushes you further along to operating with that mindset.
At Tennessee, I said I can't wait to beat Florida in the Swamp and sing 'Rocky Top' all night long. The thing at Tennessee I felt was that there needed to be energy in the program immediately. Two of the last three years there, they were 5-7. Urban Meyer and Nick Saban were at all-time highs. I felt like the fan base and players needed confidence.
I bring up 'The Heist,' and you can almost cut that record down the middle between songs where the beat came first and the words came second, and songs where the words came first and the beat came second. It can start with a vibe, a beat that drives a story, or it can start with a story and then trying to identify the tone to tell that story right.